Nikon 1 J5 vs Panasonic GF3
The Nikon 1 J5 and the Panasonic Lumix DMC-GF3 are two digital cameras that were revealed to the public, respectively, in April 2015 and June 2011. Both the J5 and the GF3 are mirrorless interchangeable lens cameras that are based on an one-inch (J5) and a Four Thirds (GF3) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon 1 J5 and the Panasonic Lumix DMC-GF3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Nikon 1 J5 and the Panasonic GF3. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The J5 can be obtained in three different colors (black, silver, white), while the GF3 is available in five color-versions (black, brown, pink, red, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF3 is notably larger (23 percent) than the Nikon 1 J5. Moreover, the GF3 is markedly heavier (14 percent) than the J5. In this context, it is worth noting that neither the J5 nor the GF3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon 1 J5 | 98 mm | 60 mm | 32 mm | 231 g | 250 | n | Apr 2015 | US$ 399 | ebay.com | |
2. | Panasonic GF3 | 108 mm | 67 mm | 32 mm | 264 g | 300 | n | Jun 2011 | US$ 549 | ebay.com | |
3. | Canon 1200D | 130 mm | 100 mm | 78 mm | 480 g | 500 | n | Feb 2014 | US$ 449 | ebay.com | |
4. | Canon G9 X | 98 mm | 58 mm | 31 mm | 209 g | 220 | n | Oct 2015 | US$ 529 | ebay.com | |
5. | Canon SX710 | 113 mm | 66 mm | 35 mm | 269 g | 230 | n | Jan 2015 | US$ 349 | ebay.com | |
6. | Canon SX720 | 110 mm | 64 mm | 36 mm | 270 g | 250 | n | Feb 2016 | US$ 379 | ebay.com | |
7. | Nikon 1 J4 | 100 mm | 60 mm | 29 mm | 232 g | 300 | n | Apr 2014 | US$ 549 | ebay.com | |
8. | Nikon 1 V3 | 111 mm | 65 mm | 33 mm | 381 g | 310 | n | Mar 2014 | US$ 799 | ebay.com | |
9. | Panasonic G2 | 124 mm | 84 mm | 74 mm | 428 g | 360 | n | Mar 2010 | US$ 599 | ebay.com | |
10. | Panasonic G10 | 124 mm | 84 mm | 74 mm | 388 g | 380 | n | Mar 2010 | US$ 499 | ebay.com | |
11. | Panasonic GF2 | 113 mm | 68 mm | 33 mm | 310 g | 300 | n | Nov 2010 | US$ 549 | ebay.com | |
12. | Panasonic GF5 | 108 mm | 67 mm | 37 mm | 267 g | 360 | n | Apr 2012 | US$ 499 | ebay.com | |
13. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | US$ 499 | ebay.com | |
14. | Sony A5000 | 110 mm | 63 mm | 36 mm | 269 g | 420 | n | Jan 2014 | US$ 449 | ebay.com | |
15. | Sony HX80 | 102 mm | 58 mm | 36 mm | 245 g | 390 | n | Mar 2016 | US$ 349 | ebay.com | |
16. | Sony HX90V | 102 mm | 58 mm | 36 mm | 245 g | 360 | n | Apr 2015 | US$ 429 | ebay.com | |
17. | YI M1 | 114 mm | 64 mm | 34 mm | 281 g | 450 | n | Sep 2016 | US$ 349 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The J5 was launched at a markedly lower price (by 27 percent) than the GF3, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon 1 J5 features an one-inch sensor and the Panasonic GF3 a Four Thirds sensor. The sensor area in the GF3 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the J5 has a native 3:2 aspect ratio, while the one in the GF3 offers a 4:3 aspect.
Despite having a smaller sensor, the Nikon 1 J5 offers a higher resolution of 20.7 megapixels, compared with 12 MP of the Panasonic GF3. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.37μm versus 4.33μm for the GF3). However, it should be noted that the J5 is much more recent (by 3 years and 9 months) than the GF3, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the J5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon 1 J5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the J5 for good quality output (200 dots per inch) amounts to 27.8 x 18.6 inches or 70.7 x 47.1 cm, for very good quality (250 dpi) 22.3 x 14.8 inches or 56.6 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.1 x 31.4 cm. The corresponding values for the Panasonic GF3 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The J5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon 1 J5 has a native sensitivity range from ISO 160 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-GF3 are ISO 160 to ISO 6400 (no boost).
In terms of underlying technology, the J5 is build around a BSI-CMOS sensor, while the GF3 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the J5 provides substantially higher image quality than the GF3, with an overall score that is 15 points higher. This advantage is based on 0.5 bits higher color depth, 1.9 EV in additional dynamic range, and 0.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon 1 J5 | 1-inch | 20.7 | 5568 | 3712 | 4K/15p | 21.1 | 12.0 | 479 | 65 | |
2. | Panasonic GF3 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.6 | 10.1 | 459 | 50 | |
3. | Canon 1200D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.9 | 11.3 | 724 | 63 | |
4. | Canon G9 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.5 | 12.3 | 495 | 63 | |
5. | Canon SX710 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.2 | 11.6 | 712 | 47 | |
6. | Canon SX720 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.3 | 11.8 | 817 | 48 | |
7. | Nikon 1 J4 | 1-inch | 18.2 | 5232 | 3488 | 1080/60p | 20.8 | 10.7 | 426 | 53 | |
8. | Nikon 1 V3 | 1-inch | 18.2 | 5232 | 3488 | 1080/60p | 20.8 | 10.7 | 384 | 52 | |
9. | Panasonic G2 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 493 | 53 | |
10. | Panasonic G10 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.1 | 411 | 52 | |
11. | Panasonic GF2 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 21.2 | 10.3 | 506 | 54 | |
12. | Panasonic GF5 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.5 | 10.0 | 573 | 50 | |
13. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
14. | Sony A5000 | APS-C | 19.8 | 5456 | 3632 | 1080/60i | 23.8 | 13.0 | 1089 | 79 | |
15. | Sony HX80 | 1/2.3 | 18.0 | 4896 | 3672 | 1080/60p | 20.4 | 11.8 | 822 | 48 | |
16. | Sony HX90V | 1/2.3 | 18.0 | 4896 | 3672 | 1080/60p | 20.2 | 11.6 | 738 | 47 | |
17. | YI M1 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.0 | 12.6 | 1030 | 73 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the J5 provides a higher video resolution than the GF3. It can shoot video footage at 4K/15p, while the Panasonic is limited to 1080/60i.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The J5 and the GF3 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The table below summarizes some of the other core capabilities of the Nikon 1 J5 and Panasonic GF3 in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon 1 J5 | none | n | 3.0 / 1037 | tilting | Y | 1/4000s | 60.0/s | Y | n | |
2. | Panasonic GF3 | none | n | 3.0 / 460 | fixed | Y | 1/4000s | 3.2/s | Y | n | |
3. | Canon 1200D | optical | n | 3.0 / 460 | fixed | n | 1/4000s | 3.0/s | Y | n | |
4. | Canon G9 X | none | n | 3.0 / 1040 | fixed | Y | 1/2000s | 6.0/s | Y | Y | |
5. | Canon SX710 | none | n | 3.0 / 922 | fixed | n | 1/3200s | 6.0/s | Y | Y | |
6. | Canon SX720 | none | n | 3.0 / 922 | fixed | n | 1/3200s | 5.9/s | Y | Y | |
7. | Nikon 1 J4 | none | n | 3.0 / 1037 | Fixed | Y | 1/4000s | 60.0/s | Y | n | |
8. | Nikon 1 V3 | optional | n | 3.0 / 1037 | tilting | Y | 1/4000s | 60.0/s | Y | n | |
9. | Panasonic G2 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 2.6/s | Y | n | |
10. | Panasonic G10 | 202 | n | 3.0 / 460 | fixed | n | 1/4000s | 2.6/s | Y | n | |
11. | Panasonic GF2 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 2.6/s | Y | n | |
12. | Panasonic GF5 | none | n | 3.0 / 920 | fixed | Y | 1/4000s | 4.0/s | Y | n | |
13. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
14. | Sony A5000 | none | n | 3.0 / 461 | tilting | n | 1/4000s | 3.5/s | Y | n | |
15. | Sony HX80 | 638 | n | 3.0 / 922 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
16. | Sony HX90V | 638 | n | 3.0 / 921 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
17. | YI M1 | none | n | 3.0 / 1040 | fixed | Y | 1/4000s | 5.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the J5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon 1 J5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the J5 and the GF3 write their files to SDXC cards. The J5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the GF3 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon 1 J5 and Panasonic Lumix DMC-GF3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon 1 J5 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
2. | Panasonic GF3 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon 1200D | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
4. | Canon G9 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
5. | Canon SX710 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
6. | Canon SX720 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
7. | Nikon 1 J4 | - | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
8. | Nikon 1 V3 | - | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
9. | Panasonic G2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
10. | Panasonic G10 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
11. | Panasonic GF2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic GF5 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
14. | Sony A5000 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
15. | Sony HX80 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony HX90V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | YI M1 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y |
It is notable that the J5 offers wifi support, while the GF3 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the J5 and the GF3 have been discontinued, but can regularly be found used on ebay. The GF3 was replaced by the Panasonic GF5, while the J5 does not have a direct successor. Further information on the features and operation of the J5 and GF3 can be found, respectively, in the Nikon 1 J5 Manual (free pdf) or the online Panasonic GF3 Manual.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Nikon 1 J5 or the Panasonic GF3 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Nikon 1 J5:
- More detail: Offers more megapixels (20.7 vs 12MP) with a 34% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (15 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (1.9 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/15p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (60 vs 3.2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (98x60mm vs 108x67mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 33g or 12 percent) and hence easier to carry around.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (27 percent cheaper at launch).
- More modern: Reflects 3 years and 9 months of technical progress since the GF3 launch.
Reasons to prefer the Panasonic Lumix DMC-GF3:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Longer lasting: Gets more shots (300 versus 250) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in June 2011).
If the count of relative strengths (bullet points above) is taken as a measure, the J5 is the clear winner of the match-up (19 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon 1 J5 and the Panasonic GF3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the J5 and the GF3 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon 1 J5 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2015 | US$ 399 | ebay.com | |
2. | Panasonic GF3 | 3/5 | 82/100 | .. | 71/100 | 4.5/5 | 4/5 | Jun 2011 | US$ 549 | ebay.com | |
3. | Canon 1200D | 3/5 | + | .. | .. | 4/5 | 4.5/5 | Feb 2014 | US$ 449 | ebay.com | |
4. | Canon G9 X | 3.5/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Oct 2015 | US$ 529 | ebay.com | |
5. | Canon SX710 | .. | + | .. | .. | 4/5 | 3.5/5 | Jan 2015 | US$ 349 | ebay.com | |
6. | Canon SX720 | .. | + | .. | .. | 4/5 | 4.5/5 | Feb 2016 | US$ 379 | ebay.com | |
7. | Nikon 1 J4 | 3/5 | .. | .. | .. | 4.5/5 | 4/5 | Apr 2014 | US$ 549 | ebay.com | |
8. | Nikon 1 V3 | 3/5 | .. | .. | 76/100 | 4.5/5 | 4/5 | Mar 2014 | US$ 799 | ebay.com | |
9. | Panasonic G2 | .. | .. | .. | 72/100 | 4/5 | 4.5/5 | Mar 2010 | US$ 599 | ebay.com | |
10. | Panasonic G10 | 3/5 | .. | .. | 70/100 | 4/5 | 4/5 | Mar 2010 | US$ 499 | ebay.com | |
11. | Panasonic GF2 | 3/5 | 82/100 | .. | 70/100 | 4.5/5 | 4.5/5 | Nov 2010 | US$ 549 | ebay.com | |
12. | Panasonic GF5 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2012 | US$ 499 | ebay.com | |
13. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | US$ 499 | ebay.com | |
14. | Sony A5000 | 3/5 | + | .. | .. | 4.5/5 | 4.5/5 | Jan 2014 | US$ 449 | ebay.com | |
15. | Sony HX80 | .. | .. | .. | .. | .. | .. | Mar 2016 | US$ 349 | ebay.com | |
16. | Sony HX90V | 4/5 | + + | .. | .. | 4/5 | 4.5/5 | Apr 2015 | US$ 429 | ebay.com | |
17. | YI M1 | .. | .. | .. | 69/100 | .. | .. | Sep 2016 | US$ 349 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 200D vs Nikon 1 J5
- Canon 6D Mark II vs Panasonic GF3
- Canon G1 X Mark III vs Panasonic GF3
- Fujifilm X100F vs Nikon 1 J5
- Leica SL vs Nikon 1 J5
- Nikon 1 J5 vs Nikon D2Xs
- Nikon 1 J5 vs Panasonic GH5s
- Nikon 1 J5 vs Pentax K-5
- Nikon D1X vs Panasonic GF3
- Nikon D3X vs Panasonic GF3
- Panasonic GF3 vs Ricoh GR III
- Panasonic GF3 vs Sony A6600
Specifications: Nikon 1 J5 vs Panasonic GF3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon 1 J5 | Panasonic GF3 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Nikon 1 mount lenses | Micro Four Thirds lenses |
Launch Date | April 2015 | June 2011 |
Launch Price | USD 399 | USD 549 |
Sensor Specs | Nikon 1 J5 | Panasonic GF3 |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | 1" Sensor | Four Thirds Sensor |
Sensor Size | 13.2 x 8.8 mm | 17.3 x 13.0 mm |
Sensor Area | 116.16 mm2 | 224.9 mm2 |
Sensor Diagonal | 15.9 mm | 21.6 mm |
Crop Factor | 2.7x | 2.0x |
Sensor Resolution | 20.7 Megapixels | 12 Megapixels |
Image Resolution | 5568 x 3712 pixels | 4000 x 3000 pixels |
Pixel Pitch | 2.37 μm | 4.33 μm |
Pixel Density | 17.79 MP/cm2 | 5.34 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 4K/15p Video | 1080/60i Video |
ISO Setting | 160 - 12,800 ISO | 160 - 6,400 ISO |
Image Processor | EXPEED 5 | Venus FHD |
DXO Sensor Quality (score) | 65 | 50 |
DXO Color Depth (bits) | 21.1 | 20.6 |
DXO Dynamic Range (EV) | 12.0 | 10.1 |
DXO Low Light (ISO) | 479 | 459 |
Screen Specs | Nikon 1 J5 | Panasonic GF3 |
Viewfinder Type | no viewfinder | no viewfinder |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1037k dots | 460k dots |
LCD Attachment | Tilting screen | Fixed screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Nikon 1 J5 | Panasonic GF3 |
Focus System | On-Sensor Phase-detect | Contrast-detect AF |
Continuous Shooting | 60 shutter flaps/s | 3.2 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | no |
Connectivity Specs | Nikon 1 J5 | Panasonic GF3 |
External Flash | no Hotshoe | no Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | mini HDMI |
Wifi Support | Wifi built-in | no Wifi |
Near-Field Communication | NFC built-in | no NFC |
Body Specs | Nikon 1 J5 | Panasonic GF3 |
Battery Type | Nikon EN-EL24 | Panasonic DMW-BLE9 |
Battery Life (CIPA) | 250 shots per charge | 300 shots per charge |
Body Dimensions |
98 x 60 x 32 mm (3.9 x 2.4 x 1.3 in) |
108 x 67 x 32 mm (4.3 x 2.6 x 1.3 in) |
Camera Weight | 231 g (8.1 oz) | 264 g (9.3 oz) |
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