Nikon D500 vs Panasonic S5

The Nikon D500 and the Panasonic Lumix DC-S5 are two enthusiast cameras that were revealed to the public, respectively, in January 2016 and September 2020. The D500 is a DSLR, while the S5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D500) and a full frame (S5) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Panasonic provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon D500		Panasonic S5
Digital single lens reflex		Mirrorless system camera
Nikon F mount lenses		Leica L mount lenses
20.7 MP – APS-C sensor		24 MP – Full Frame sensor
4K/30p Video		4K/60p Video
ISO 100-51,200 (50 - 1,640,000)		ISO 100-51,200 (50 - 204,800)
Optical viewfinder		Electronic viewfinder (2360k dots)
3.2" LCD – 2359k dots		3.0" LCD – 1840k dots
Tilting touchscreen		Swivel touchscreen
10 shutter flaps per second		7 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		Weathersealed body
1240 shots per battery charge		440 shots per battery charge
147 x 115 x 81 mm, 860 g		133 x 98 x 82 mm, 714 g

Check D500 offers at
ebay.com
Check S5 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D500 and the Panasonic Lumix DC-S5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Nikon D500 and the Panasonic S5. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S5 is notably smaller (23 percent) than the Nikon D500. Moreover, the S5 is markedly lighter (17 percent) than the D500. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the D500 gets 1240 shots out of its Nikon EN-EL15 battery, while the S5 can take 440 images on a single charge of its Panasonic DMW-BLK22 power pack. The power pack in the S5 can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Nikon D500	147 mm	115 mm	81 mm	860 g	1240	Y	Jan 2016	EUR 2 399	ebay.com
2.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	EUR 1 999	amazon.com
3.		Canon 6D Mark II	144 mm	111 mm	75 mm	765 g	1200	Y	Jun 2017	EUR 2 099	amazon.com
4.		Canon 80D	139 mm	105 mm	79 mm	730 g	960	Y	Feb 2016	EUR 1 285	ebay.com
5.		Nikon D300S	147 mm	115 mm	81 mm	938 g	950	Y	Jul 2009	EUR 1 399	ebay.com
6.		Nikon D600	141 mm	113 mm	82 mm	850 g	900	Y	Sep 2012	EUR 2 149	ebay.com
7.		Nikon D610	141 mm	113 mm	82 mm	850 g	900	Y	Oct 2013	EUR 1 949	ebay.com
8.		Nikon D750	141 mm	113 mm	78 mm	750 g	1230	Y	Sep 2014	EUR 2 149	ebay.com
9.		Nikon D7100	136 mm	107 mm	76 mm	765 g	950	Y	Feb 2013	EUR 1 179	ebay.com
10.		Nikon D7200	136 mm	107 mm	76 mm	765 g	1110	Y	Mar 2015	EUR 1 179	ebay.com
11.		Nikon D7500	136 mm	104 mm	73 mm	720 g	950	Y	Apr 2017	EUR 1 499	amazon.com
12.		Panasonic G9	137 mm	97 mm	92 mm	658 g	400	Y	Nov 2017	EUR 1 699	ebay.com
13.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	EUR 1 999	ebay.com
14.		Panasonic GH5 II	139 mm	98 mm	87 mm	727 g	400	Y	May 2021	EUR 1 699	amazon.com
15.		Panasonic S1	149 mm	110 mm	97 mm	1017 g	400	Y	Feb 2019	EUR 2 499	amazon.com
16.		Panasonic S5 II	134 mm	102 mm	90 mm	740 g	370	Y	Jan 2023	EUR 2 199	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The two cameras under review were launched at the same price and fall into the same market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Nikon D500 features an APS-C sensor and the Panasonic S5 a full frame sensor. The sensor area in the S5 is 130 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 24MP, the S5 offers a higher resolution than the D500 (20.7MP), but the S5 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 4.22μm for the D500) due to its larger sensor. Moreover, the S5 is a much more recent model (by 4 years and 7 months) than the D500, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Panasonic S5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S5 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Nikon D500 are 27.8 x 18.6 inches or 70.7 x 47.1 cm for good quality, 22.3 x 14.8 inches or 56.6 x 37.7 cm for very good quality, and 18.6 x 12.4 inches or 47.1 x 31.4 cm for excellent quality prints.

Unlike the D500, the S5 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Nikon D500 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-1640000. The corresponding ISO settings for the Panasonic Lumix DC-S5 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the S5 offers substantially better image quality than the D500 (overall score 11 points higher). The advantage is based on 1.1 bits higher color depth, 0.5 EV in additional dynamic range, and 1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon D500	APS-C	20.7	5568	3712	4K/30p	24.0	14.0	1324	83
2.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
3.		Canon 6D Mark II	Full Frame	26.0	6240	4160	1080/60p	24.4	11.9	2862	85
4.		Canon 80D	APS-C	24.0	6000	4000	1080/60p	23.6	13.2	1135	79
5.		Nikon D300S	APS-C	12.2	4288	2848	720/24p	22.5	12.2	787	70
6.		Nikon D600	Full Frame	24.2	6016	4016	1080/30p	25.1	14.2	2980	94
7.		Nikon D610	Full Frame	24.2	6016	4016	1080/30p	25.1	14.4	2925	94
8.		Nikon D750	Full Frame	24.2	6016	4016	1080/60p	24.8	14.5	2956	93
9.		Nikon D7100	APS-C	24.0	6000	4000	1080/60p	24.2	13.7	1256	83
10.		Nikon D7200	APS-C	24.0	6000	4000	1080/60p	24.5	14.6	1333	87
11.		Nikon D7500	APS-C	20.7	5568	3712	4K/30p	24.3	14.0	1483	86
12.		Panasonic G9	Four Thirds	20.2	5184	3888	4K/60p	23.1	12.8	1138	74
13.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
14.		Panasonic GH5 II	Four Thirds	20.2	5184	3888	4K/60p	23.7	13.1	1136	79
15.		Panasonic S1	Full Frame	24.0	6000	4000	4K/60p	25.2	14.5	3333	95
16.		Panasonic S5 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.6	3158	96
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the S5 provides a faster frame rate than the D500. It can shoot movie footage at 4K/60p, while the Nikon is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the S5 has an electronic viewfinder (2360k dots), while the D500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the S5 has a higher magnification than the one of the D500 (0.74x vs 0.67x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D500, the Panasonic S5, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon D500	optical	Y	3.2 / 2359	tilting	Y	1/8000s	10.0/s	n	n
2.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
3.		Canon 6D Mark II	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.5/s	n	n
4.		Canon 80D	optical	Y	3.0 / 1040	swivel	Y	1/8000s	7.0/s	Y	n
5.		Nikon D300S	optical	Y	3.0 / 920	fixed	n	1/8000s	7.0/s	Y	n
6.		Nikon D600	optical	Y	3.0 / 921	fixed	n	1/4000s	5.5/s	Y	n
7.		Nikon D610	optical	Y	3.2 / 921	fixed	n	1/4000s	6.0/s	Y	n
8.		Nikon D750	optical	Y	3.2 / 1229	tilting	n	1/4000s	6.0/s	Y	n
9.		Nikon D7100	optical	Y	3.2 / 1229	fixed	n	1/8000s	6.0/s	Y	n
10.		Nikon D7200	optical	Y	3.2 / 1229	fixed	n	1/8000s	6.0/s	Y	n
11.		Nikon D7500	optical	Y	3.2 / 922	tilting	Y	1/8000s	8.0/s	Y	n
12.		Panasonic G9	3680	Y	3.0 / 1040	swivel	Y	1/8000s	20.0/s	n	Y
13.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
14.		Panasonic GH5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	12.0/s	n	Y
15.		Panasonic S1	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
16.		Panasonic S5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	9.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the D500, but is missing on the S5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Nikon D500 and the Panasonic S5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The D500 writes its imaging data to SDXC or XQD cards, while the S5 uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Both the D500 and the S5 support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s (the second slot of the S5 only offers slower UHS-I transfer rates, though).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D500 and Panasonic Lumix DC-S5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon D500	Y	stereo / mono	Y	Y	mini	3.0	Y	Y	Y
2.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
3.		Canon 6D Mark II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon 80D	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
5.		Nikon D300S	Y	stereo / mono	Y	-	mini	2.0	-	-	-
6.		Nikon D600	Y	mono / mono	Y	Y	mini	2.0	-	-	-
7.		Nikon D610	Y	mono / mono	Y	Y	mini	2.0	-	-	-
8.		Nikon D750	Y	stereo / mono	Y	Y	mini	2.0	Y	-	-
9.		Nikon D7100	Y	stereo / mono	Y	Y	mini	2.0	-	-	-
10.		Nikon D7200	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
11.		Nikon D7500	Y	stereo / mono	Y	Y	mini	2.0	Y	-	Y
12.		Panasonic G9	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
13.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
14.		Panasonic GH5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
15.		Panasonic S1	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
16.		Panasonic S5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

Studio photographers will appreciate that the Nikon D500 (unlike the S5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The S5 is a recent model that features in the current product line-up of Panasonic. In contrast, the D500 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the D500 from Nikon. Further information on the features and operation of the D500 and S5 can be found, respectively, in the Nikon D500 Manual (free pdf) or the online Panasonic S5 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Nikon D500 or the Panasonic S5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Nikon D500:

• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2359k vs 1840k dots).
• Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
• Longer lasting: Can take more shots (1240 versus 440) on a single battery charge.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More heavily discounted: Has been available for much longer (launched in January 2016).

Arguments in favor of the Panasonic Lumix DC-S5:

• More detail: Has more megapixels (24 vs 20.7MP), which boosts linear resolution by 8%.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Scores substantially higher (11 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (1.1 bits more color depth).
• Better low-light sensitivity: Can shoot in dim conditions (1 stops ISO advantage).
• Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.67x).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More compact: Is smaller (133x98mm vs 147x115mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 146g or 17 percent) and is thus easier to take along.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• More modern: Reflects 4 years and 7 months of technical progress since the D500 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the S5 is the clear winner of the contest (17 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon D500 and the Panasonic S5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the D500 or the S5 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Nikon D500	5/5	+ +	4.7/5	91/100	4.5/5	5/5	Jan 2016	EUR 2 399	ebay.com
2.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	EUR 1 999	amazon.com
3.		Canon 6D Mark II	4/5	+	4/5	80/100	4.5/5	4/5	Jun 2017	EUR 2 099	amazon.com
4.		Canon 80D	4/5	+ +	4.5/5	84/100	4.5/5	4.5/5	Feb 2016	EUR 1 285	ebay.com
5.		Nikon D300S	5/5	+ +	..	82/100	4/5	4.5/5	Jul 2009	EUR 1 399	ebay.com
6.		Nikon D600	4/5	+ +	..	87/100	5/5	4.5/5	Sep 2012	EUR 2 149	ebay.com
7.		Nikon D610	4/5	+ +	..	87/100	4.5/5	4.5/5	Oct 2013	EUR 1 949	ebay.com
8.		Nikon D750	5/5	+ +	4/5	90/100	4.5/5	4.5/5	Sep 2014	EUR 2 149	ebay.com
9.		Nikon D7100	5/5	+ +	..	85/100	4.5/5	4.5/5	Feb 2013	EUR 1 179	ebay.com
10.		Nikon D7200	4/5	+ +	..	84/100	4.5/5	4.5/5	Mar 2015	EUR 1 179	ebay.com
11.		Nikon D7500	4.5/5	+ +	4.5/5	86/100	5/5	4.5/5	Apr 2017	EUR 1 499	amazon.com
12.		Panasonic G9	..	+ +	5/5	85/100	5/5	5/5	Nov 2017	EUR 1 699	ebay.com
13.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	EUR 1 999	ebay.com
14.		Panasonic GH5 II	4.5/5	..	4.5/5	85/100	4.5/5	5/5	May 2021	EUR 1 699	amazon.com
15.		Panasonic S1	4.5/5	+ +	4.5/5	88/100	4.5/5	4/5	Feb 2019	EUR 2 499	amazon.com
16.		Panasonic S5 II	4.5/5	+ +	5/5	90/100	4.5/5	5/5	Jan 2023	EUR 2 199	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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