Nikon D5500 vs Panasonic LX7

The Nikon D5500 and the Panasonic Lumix DMC-LX7 are two digital cameras that were announced, respectively, in January 2015 and July 2012. The D5500 is a DSLR, while the LX7 is a fixed lens compact. The cameras are based on an APS-C (D5500) and a 1/1.7-inch (LX7) sensor. The Nikon has a resolution of 24 megapixels, whereas the Panasonic provides 10 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon D5500		Panasonic LX7
Digital single lens reflex		Fixed lens compact camera
Nikon F mount lenses		24-90mm f/1.4-2.3
24 MP – APS-C sensor		10 MP – 1/1.7" sensor
1080/60p Video		1080/60p Video
ISO 100-25,600		ISO 80-6,400 (80 - 12,800)
Optical viewfinder		Viewfinder optional
3.2" LCD – 1037k dots		3.0" LCD – 920k dots
Swivel touchscreen		Fixed screen (not touch-sensitive)
5 shutter flaps per second		11 shutter flaps per second
820 shots per battery charge		330 shots per battery charge
124 x 97 x 70 mm, 470 g		111 x 68 x 46 mm, 298 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5500 and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Nikon D5500 and the Panasonic LX7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The D5500 can be obtained in two different colors (black, red), while the LX7 is also available in two color-versions, but different ones (black, white).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is considerably smaller (37 percent) than the Nikon D5500. In this context, it is worth noting that neither the D5500 nor the LX7 are weather-sealed.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX7 has a lens built in, whereas the D5500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D5500 and their specifications in the Nikon Lens Catalog.

Concerning battery life, the D5500 gets 820 shots out of its Nikon EN-EL14a battery, while the LX7 can take 330 images on a single charge of its Panasonic DMW-BCJ13 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Nikon D5500	124 mm	97 mm	70 mm	470 g	820	n	Jan 2015	US$ 899	ebay.com
2.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	US$ 499	ebay.com
3.		Canon 750D	132 mm	101 mm	78 mm	555 g	440	n	Feb 2015	US$ 749	ebay.com
4.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	US$ 549	ebay.com
5.		Canon M5	116 mm	89 mm	61 mm	427 g	295	n	Sep 2016	US$ 979	ebay.com
6.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270	n	Sep 2011	US$ 599	ebay.com
7.		Nikon D3200	125 mm	96 mm	77 mm	505 g	540	n	Apr 2012	US$ 599	ebay.com
8.		Nikon D3300	124 mm	98 mm	76 mm	430 g	700	n	Jan 2014	US$ 499	ebay.com
9.		Nikon D3400	124 mm	98 mm	76 mm	445 g	1200	n	Aug 2016	US$ 499	ebay.com
10.		Nikon D5100	128 mm	97 mm	79 mm	560 g	660	n	Apr 2011	US$ 749	ebay.com
11.		Nikon D5200	129 mm	98 mm	78 mm	555 g	500	n	Nov 2012	US$ 749	ebay.com
12.		Nikon D5300	125 mm	98 mm	76 mm	480 g	600	n	Oct 2013	US$ 799	ebay.com
13.		Nikon D5600	124 mm	97 mm	70 mm	465 g	970	n	Nov 2016	US$ 699	ebay.com
14.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	US$ 549	ebay.com
15.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	US$ 499	ebay.com
16.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	US$ 499	ebay.com
17.		Samsung NX30	127 mm	96 mm	58 mm	375 g	360	n	Jan 2014	US$ 999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The LX7 was launched at a lower price than the D5500, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Nikon D5500 features an APS-C sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 89 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.65. The sensor in the D5500 has a native 3:2 aspect ratio, while the one in the LX7 offers a 4:3 aspect. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 24MP, the D5500 offers a higher resolution than the LX7 (10MP), but the D5500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.05μm for the LX7) due to its larger sensor. Moreover, the D5500 is a much more recent model (by 2 years and 5 months) than the LX7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D5500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Nikon D5500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5500 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The Nikon D5500 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the D5500 provides substantially higher image quality than the LX7, with an overall score that is 34 points higher. This advantage is based on 3.4 bits higher color depth, 2.3 EV in additional dynamic range, and 3.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon D5500	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1438	84
2.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
3.		Canon 750D	APS-C	24.0	6000	4000	1080/30p	22.7	12.0	919	71
4.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
5.		Canon M5	APS-C	24.0	6000	4000	1080/60p	23.4	12.4	1262	77
6.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
7.		Nikon D3200	APS-C	24.1	6016	4000	1080/30p	24.1	13.2	1131	81
8.		Nikon D3300	APS-C	24.0	6000	4000	1080/60p	24.3	12.8	1385	82
9.		Nikon D3400	APS-C	24.0	6000	4000	1080/60p	24.8	13.9	1192	86
10.		Nikon D5100	APS-C	16.1	4928	3264	1080/30p	23.5	13.6	1183	80
11.		Nikon D5200	APS-C	24.0	6000	4000	1080/60i	24.2	13.9	1284	84
12.		Nikon D5300	APS-C	24.0	6000	4000	1080/60p	24.0	13.9	1338	83
13.		Nikon D5600	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1306	84
14.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
15.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
16.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
17.		Samsung NX30	APS-C	20.0	5472	3648	1080/60p	23.5	12.4	1014	76

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the D5500 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The table below summarizes some of the other core capabilities of the Nikon D5500 and Panasonic LX7 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon D5500	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
2.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
3.		Canon 750D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
4.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
5.		Canon M5	2360	n	3.2 / 1620	tilting	Y	1/4000s	9.0/s	Y	n
6.		Fujifilm X10	optical	n	2.8 / 460	fixed	n	1/4000s	10.0/s	Y	Y
7.		Nikon D3200	optical	n	3.0 / 921	fixed	n	1/4000s	4.0/s	Y	n
8.		Nikon D3300	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
9.		Nikon D3400	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
10.		Nikon D5100	optical	n	3.0 / 921	swivel	n	1/4000s	4.0/s	Y	n
11.		Nikon D5200	optical	n	3.0 / 921	swivel	n	1/4000s	5.0/s	Y	n
12.		Nikon D5300	optical	n	3.2 / 1037	swivel	n	1/4000s	5.0/s	Y	n
13.		Nikon D5600	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
14.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
15.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
16.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
17.		Samsung NX30	2359	n	3.0 / 1036	swivel	Y	1/8000s	9.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The D5500 has a touchscreen, while the LX7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The Nikon D5500 and the Panasonic LX7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the D5500 and the LX7 write their files to SDXC cards. The D5500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX7 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5500 and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon D5500	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
2.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
3.		Canon 750D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
4.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
5.		Canon M5	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
6.		Fujifilm X10	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Nikon D3200	Y	mono / mono	Y	-	mini	2.0	-	-	-
8.		Nikon D3300	Y	mono / mono	Y	-	mini	2.0	-	-	-
9.		Nikon D3400	Y	mono / mono	-	-	mini	2.0	-	-	Y
10.		Nikon D5100	Y	mono / mono	Y	-	mini	2.0	-	-	-
11.		Nikon D5200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
12.		Nikon D5300	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
13.		Nikon D5600	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
14.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
15.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
16.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-
17.		Samsung NX30	Y	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the D5500 has a microphone port, which is missing on the LX7. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Both the D5500 and the LX7 have been discontinued, but can regularly be found used on ebay. The LX7 was replaced by the Panasonic LX10, while the D5500 was followed by the Nikon D5600. Further information on the features and operation of the D5500 and LX7 can be found, respectively, in the Nikon D5500 Manual (free pdf) or the online Panasonic LX7 Manual.

Review summary

So what conclusions can be drawn? Is the Nikon D5500 better than the Panasonic LX7 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Nikon D5500:

• More detail: Offers more megapixels (24 vs 10MP) with a 58% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Scores substantially higher (34 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (3.4 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (2.3 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (3.3 stops ISO advantage).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• More flexible: Can take a variety of interchangeable lenses, including specialty optics.
• Longer lasting: Can take more shots (820 versus 330) on a single battery charge.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Reflects 2 years and 5 months of technical progress since the LX7 launch.

Reasons to prefer the Panasonic Lumix DMC-LX7:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
• Ready to shoot: Comes with an integrated lens, while the D5500 requires a separate lens.
• More compact: Is smaller (111x68mm vs 124x97mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the D5500).
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been around for much longer (launched in July 2012).

If the count of relative strengths (bullet points above) is taken as a measure, the D5500 is the clear winner of the match-up (18 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon D5500 and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D5500 or the LX7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Nikon D5500	5/5	+	..	79/100	4.5/5	4.5/5	Jan 2015	US$ 899	ebay.com
2.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	US$ 499	ebay.com
3.		Canon 750D	5/5	..	..	75/100	4.5/5	4.5/5	Feb 2015	US$ 749	ebay.com
4.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	US$ 549	ebay.com
5.		Canon M5	4/5	+	4/5	82/100	4/5	4/5	Sep 2016	US$ 979	ebay.com
6.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	US$ 599	ebay.com
7.		Nikon D3200	5/5	+ +	..	73/100	4.5/5	4.5/5	Apr 2012	US$ 599	ebay.com
8.		Nikon D3300	3/5	+	..	77/100	4.5/5	4.5/5	Jan 2014	US$ 499	ebay.com
9.		Nikon D3400	4/5	+	4/5	76/100	4/5	4.5/5	Aug 2016	US$ 499	ebay.com
10.		Nikon D5100	5/5	+ +	..	76/100	4.5/5	4.5/5	Apr 2011	US$ 749	ebay.com
11.		Nikon D5200	4/5	+ +	..	79/100	4.5/5	4.5/5	Nov 2012	US$ 749	ebay.com
12.		Nikon D5300	4/5	+ +	..	79/100	4.5/5	4.5/5	Oct 2013	US$ 799	ebay.com
13.		Nikon D5600	4/5	..	4/5	79/100	4.5/5	4/5	Nov 2016	US$ 699	ebay.com
14.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	US$ 549	ebay.com
15.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	US$ 499	ebay.com
16.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	US$ 499	ebay.com
17.		Samsung NX30	3/5	..	..	77/100	4.5/5	4.5/5	Jan 2014	US$ 999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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