Nikon Z fc vs Sony A1 II
The Nikon Z fc and the Sony A1 II are two digital cameras that were announced, respectively, in June 2021 and November 2024. Both the Z fc and the A1 II are mirrorless interchangeable lens cameras that are based on an APS-C (Z fc) and a full frame (A1 II) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Sony provides 49.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check Z fc price at
amazon.com

Check A1 II price at
amazon.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z fc and the Sony A1 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Nikon Z fc and the Sony A1 II. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The Z fc can be obtained in seven different colors (silver, grey, brown, pink, green, white, beige), while the A1 II is only available in black.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A1 II is somewhat larger (4 percent) than the Nikon Z fc. Moreover, the A1 II is substantially heavier (67 percent) than the Z fc. It is noteworthy in this context that the A1 II is splash and dust-proof, while the Z fc does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the Z fc gets 300 shots out of its Nikon EN-EL25 battery, while the A1 II can take 520 images on a single charge of its Sony NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Nikon Z fc | 135 mm | 94 mm | 44 mm | 445 g | 300 | n | Jun 2021 | US$ 959 | amazon.com | |
| 2. | Sony A1 II | 136 mm | 97 mm | 83 mm | 743 g | 520 | Y | Nov 2024 | US$ 6 499 | amazon.com | |
| 3. | Canon 77D | 131 mm | 100 mm | 76 mm | 540 g | 600 | n | Feb 2017 | US$ 899 | ebay.com | |
| 4. | Canon R10 | 123 mm | 88 mm | 83 mm | 429 g | 450 | n | May 2022 | US$ 979 | amazon.com | |
| 5. | Fujifilm X-T20 | 118 mm | 83 mm | 41 mm | 383 g | 350 | n | Jan 2017 | US$ 899 | ebay.com | |
| 6. | Nikon 1 V3 | 111 mm | 65 mm | 33 mm | 381 g | 310 | n | Mar 2014 | US$ 799 | ebay.com | |
| 7. | Nikon D3500 | 124 mm | 97 mm | 70 mm | 415 g | 1550 | n | Aug 2018 | US$ 429 | ebay.com | |
| 8. | Nikon D5300 | 125 mm | 98 mm | 76 mm | 480 g | 600 | n | Oct 2013 | US$ 799 | ebay.com | |
| 9. | Nikon D5500 | 124 mm | 97 mm | 70 mm | 470 g | 820 | n | Jan 2015 | US$ 899 | ebay.com | |
| 10. | Nikon D5600 | 124 mm | 97 mm | 70 mm | 465 g | 970 | n | Nov 2016 | US$ 699 | ebay.com | |
| 11. | Nikon Z30 | 128 mm | 74 mm | 60 mm | 405 g | 330 | Y | Jun 2022 | US$ 709 | amazon.com | |
| 12. | Nikon Z50 | 127 mm | 94 mm | 60 mm | 450 g | 320 | Y | Oct 2019 | US$ 859 | amazon.com | |
| 13. | Sony A1 | 129 mm | 97 mm | 81 mm | 737 g | 530 | Y | Jan 2021 | US$ 6 499 | amazon.com | |
| 14. | Sony A7R II | 127 mm | 96 mm | 60 mm | 625 g | 290 | Y | Jun 2015 | US$ 3 199 | ebay.com | |
| 15. | Sony A7R III | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Oct 2017 | US$ 3 199 | ebay.com | |
| 16. | Sony A7R IV | 129 mm | 96 mm | 78 mm | 665 g | 670 | Y | Jul 2019 | US$ 3 499 | ebay.com | |
| 17. | Sony A9 III | 136 mm | 97 mm | 83 mm | 702 g | 530 | Y | Nov 2023 | US$ 5 999 | amazon.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The Z fc was launched at a markedly lower price (by 85 percent) than the A1 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon Z fc features an APS-C sensor and the Sony A1 II a full frame sensor. The sensor area in the A1 II is 134 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 49.8MP, the A1 II offers a higher resolution than the Z fc (20.7MP), but the A1 II has marginally smaller individual pixels (pixel pitch of 4.16μm versus 4.22μm for the Z fc). Yet, the A1 II is a much more recent model (by 3 years and 4 months) than the Z fc, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony A1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A1 II for good quality output (200 dots per inch) amounts to 43.2 x 28.8 inches or 109.7 x 73.2 cm, for very good quality (250 dpi) 34.6 x 23 inches or 87.8 x 58.5 cm, and for excellent quality (300 dpi) 28.8 x 19.2 inches or 73.2 x 48.8 cm. The corresponding values for the Nikon Z fc are 27.8 x 18.6 inches or 70.7 x 47.1 cm for good quality, 22.3 x 14.8 inches or 56.6 x 37.7 cm for very good quality, and 18.6 x 12.4 inches or 47.1 x 31.4 cm for excellent quality prints.
Unlike the Z fc, the A1 II has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Nikon Z fc has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 100-204800. The corresponding ISO settings for the Sony A1 II are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
In terms of underlying technology, the Z fc is build around a CMOS sensor, while the A1 II uses a Stacked BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Nikon Z fc | APS-C | 20.7 | 5568 | 3712 | 4K/30p | 24.2 | 13.8 | 2131 | 85 | |
| 2. | Sony A1 II | Full Frame | 49.8 | 8640 | 5760 | 8k/30p | 25.4 | 14.8 | 3363 | 97 | |
| 3. | Canon 77D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.3 | 971 | 78 | |
| 4. | Canon R10 | APS-C | 24.0 | 6000 | 4000 | 4k/60p | 24.1 | 13.8 | 2085 | 84 | |
| 5. | Fujifilm X-T20 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.9 | 13.2 | 1704 | 81 | |
| 6. | Nikon 1 V3 | 1-inch | 18.2 | 5232 | 3488 | 1080/60p | 20.8 | 10.7 | 384 | 52 | |
| 7. | Nikon D3500 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.4 | 1851 | 83 | |
| 8. | Nikon D5300 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.9 | 1338 | 83 | |
| 9. | Nikon D5500 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 14.0 | 1438 | 84 | |
| 10. | Nikon D5600 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 14.0 | 1306 | 84 | |
| 11. | Nikon Z30 | APS-C | 20.7 | 5568 | 3712 | 4K/30p | 24.3 | 13.9 | 2230 | 86 | |
| 12. | Nikon Z50 | APS-C | 20.7 | 5568 | 3712 | 4K/30p | 24.1 | 13.6 | 1963 | 84 | |
| 13. | Sony A1 | Full Frame | 49.8 | 8640 | 5760 | 8k/30p | 25.9 | 14.5 | 3163 | 98 | |
| 14. | Sony A7R II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 13.9 | 3434 | 98 | |
| 15. | Sony A7R III | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
| 16. | Sony A7R IV | Full Frame | 60.2 | 9504 | 6336 | 4K/30p | 26.0 | 14.8 | 3344 | 99 | |
| 17. | Sony A9 III | Full Frame | 24.0 | 6000 | 4000 | 4K/120p | 25.4 | 14.7 | 3243 | 96 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A1 II provides a better video resolution than the Z fc. It can shoot movie footage at 8k/30p, while the Nikon is limited to 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A1 II offers a substantially higher resolution than the one in the Z fc (9437k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Nikon Z fc, the Sony A1 II, and comparable cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Nikon Z fc | 2360 | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 11.0/s | n | n | |
| 2. | Sony A1 II | 9437 | n | 3.2 / 2100 | full-flex | Y | 1/8000s | 30.0/s | n | Y | |
| 3. | Canon 77D | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
| 4. | Canon R10 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 15.0/s | Y | n | |
| 5. | Fujifilm X-T20 | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
| 6. | Nikon 1 V3 | optional | n | 3.0 / 1037 | tilting | Y | 1/4000s | 60.0/s | Y | n | |
| 7. | Nikon D3500 | optical | n | 3.0 / 921 | fixed | n | 1/4000s | 5.0/s | Y | n | |
| 8. | Nikon D5300 | optical | n | 3.2 / 1037 | swivel | n | 1/4000s | 5.0/s | Y | n | |
| 9. | Nikon D5500 | optical | n | 3.2 / 1037 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
| 10. | Nikon D5600 | optical | n | 3.2 / 1037 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
| 11. | Nikon Z30 | none | n | 3.0 / 1040 | swivel | Y | 1/4000s | 11.0/s | Y | n | |
| 12. | Nikon Z50 | 2360 | n | 3.2 / 1040 | tilting | Y | 1/4000s | 11.0/s | Y | n | |
| 13. | Sony A1 | 9437 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 30.0/s | n | Y | |
| 14. | Sony A7R II | 2400 | n | 3.0 / 1229 | tilting | n | 1/8000s | 5.0/s | n | Y | |
| 15. | Sony A7R III | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
| 16. | Sony A7R IV | 5760 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
| 17. | Sony A9 III | 9440 | n | 3.2 / 2100 | full-flex | Y | 1/80000s | 120.0/s | n | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One feature that is present on the Z fc, but is missing on the A1 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z fc and the Sony A1 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The Z fc writes its imaging data to SDXC cards, while the A1 II uses CFexpress (type A) or SDXC cards. The A1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the Z fc only has one slot. The A1 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the Z fc can use UHS-I cards (up to 104 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z fc and Sony A1 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Nikon Z fc | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
| 2. | Sony A1 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 3. | Canon 77D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
| 4. | Canon R10 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
| 5. | Fujifilm X-T20 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
| 6. | Nikon 1 V3 | - | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
| 7. | Nikon D3500 | Y | mono / mono | - | - | mini | 2.0 | - | - | Y | |
| 8. | Nikon D5300 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
| 9. | Nikon D5500 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
| 10. | Nikon D5600 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
| 11. | Nikon Z30 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
| 12. | Nikon Z50 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
| 13. | Sony A1 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 14. | Sony A7R II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
| 15. | Sony A7R III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
| 16. | Sony A7R IV | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
| 17. | Sony A9 III | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
It is notable that the A1 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The Z fc lacks such a headphone port.
Studio photographers will appreciate that the Sony A1 II (unlike the Z fc) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the Z fc and the A1 II are recent models that are part of the current product line-up. The A1 II replaced the earlier Sony A1, while the Z fc does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
Review summary
So what is the bottom line? Is the Nikon Z fc better than the Sony A1 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Nikon Z fc:
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Less heavy: Is lighter (by 298g or 40 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (85 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in June 2021).

Reasons to prefer the Sony A1 II:
- More detail: Has more megapixels (49.8 vs 20.7MP), which boosts linear resolution by 55%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (8k/30p vs 4K/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (9437k vs 2360k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.9x vs 0.68x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (30 vs 11 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (520 versus 300) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 3 years and 4 months of technical progress since the Z fc launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A1 II is the clear winner of the contest (22 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon Z fc and the Sony A1 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the Z fc or the A1 II perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Nikon Z fc | 4/5 | .. | 4.5/5 | 86/100 | 5/5 | 4.5/5 | Jun 2021 | US$ 959 | amazon.com | |
| 2. | Sony A1 II | .. | .. | .. | .. | .. | .. | Nov 2024 | US$ 6 499 | amazon.com | |
| 3. | Canon 77D | 4.5/5 | .. | 4/5 | 82/100 | 4.5/5 | 4/5 | Feb 2017 | US$ 899 | ebay.com | |
| 4. | Canon R10 | 4/5 | .. | 4.5/5 | 87/100 | 4/5 | 4.5/5 | May 2022 | US$ 979 | amazon.com | |
| 5. | Fujifilm X-T20 | 5/5 | + + | 5/5 | 82/100 | 5/5 | 4.5/5 | Jan 2017 | US$ 899 | ebay.com | |
| 6. | Nikon 1 V3 | 3/5 | .. | .. | 76/100 | 4.5/5 | 4/5 | Mar 2014 | US$ 799 | ebay.com | |
| 7. | Nikon D3500 | 4/5 | .. | 4/5 | 75/100 | 4/5 | 4.5/5 | Aug 2018 | US$ 429 | ebay.com | |
| 8. | Nikon D5300 | 4/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Oct 2013 | US$ 799 | ebay.com | |
| 9. | Nikon D5500 | 5/5 | + | .. | 79/100 | 4.5/5 | 4.5/5 | Jan 2015 | US$ 899 | ebay.com | |
| 10. | Nikon D5600 | 4/5 | .. | 4/5 | 79/100 | 4.5/5 | 4/5 | Nov 2016 | US$ 699 | ebay.com | |
| 11. | Nikon Z30 | 4/5 | .. | 4/5 | 86/100 | 4.5/5 | 4/5 | Jun 2022 | US$ 709 | amazon.com | |
| 12. | Nikon Z50 | 5/5 | .. | 5/5 | 85/100 | 4.5/5 | 4.5/5 | Oct 2019 | US$ 859 | amazon.com | |
| 13. | Sony A1 | 5/5 | o | 4.5/5 | 93/100 | 4.5/5 | 5/5 | Jan 2021 | US$ 6 499 | amazon.com | |
| 14. | Sony A7R II | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jun 2015 | US$ 3 199 | ebay.com | |
| 15. | Sony A7R III | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Oct 2017 | US$ 3 199 | ebay.com | |
| 16. | Sony A7R IV | 5/5 | + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Jul 2019 | US$ 3 499 | ebay.com | |
| 17. | Sony A9 III | 4.5/5 | .. | .. | 91/100 | .. | .. | Nov 2023 | US$ 5 999 | amazon.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Check Z fc price at
amazon.com

Check A1 II price at
amazon.com
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 80D vs Nikon Z fc
- Canon G7 X Mark II vs Nikon Z fc
- Canon R7 vs Sony A1 II
- Fujifilm GFX 100 II vs Sony A1 II
- Nikon Z fc vs Nikon Z6
- Nikon Z fc vs OM System OM-5 II
- Nikon Z fc vs Panasonic G80
- Nikon Z fc vs Sony A3000
- OM System OM-5 vs Sony A1 II
- Panasonic S5 II vs Sony A1 II
- Sony A1 II vs Sony ZV-1F
- Sony A1 II vs Sony ZV-E10 II
Specifications: Nikon Z fc vs Sony A1 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Nikon Z fc | Sony A1 II |
|---|---|---|
| Camera Type | Mirrorless system camera | Mirrorless system camera |
| Camera Lens | Sony E mount lenses | |
| Launch Date | June 2021 | November 2024 |
| Launch Price | USD 959 | USD 6,499 |
| Sensor Specs | Nikon Z fc | Sony A1 II |
| Sensor Technology | CMOS | Stacked BSI-CMOS |
| Sensor Format | APS-C Sensor | Full Frame Sensor |
| Sensor Size | 23.5 x 15.7 mm | 35.9 x 24.0 mm |
| Sensor Area | 368.95 mm2 | 861.6 mm2 |
| Sensor Diagonal | 28.3 mm | 43.2 mm |
| Crop Factor | 1.5x | 1.0x |
| Sensor Resolution | 20.7 Megapixels | 49.8 Megapixels |
| Image Resolution | 5568 x 3712 pixels | 8640 x 5760 pixels |
| Pixel Pitch | 4.22 μm | 4.16 μm |
| Pixel Density | 5.60 MP/cm2 | 5.78 MP/cm2 |
| Moiré control | no AA filter | no AA filter |
| Movie Capability | 4K/30p Video | 8k/30p Video |
| ISO Setting | 100 - 51,200 ISO | 100 - 32,000 ISO |
| ISO Boost | 100 - 204,800 ISO | 50 - 102,400 ISO |
| Image Processor | EXPEED 6 | Dual BIONZ XR |
| Screen Specs | Nikon Z fc | Sony A1 II |
| Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
| Viewfinder Field of View | 100% | 100% |
| Viewfinder Magnification | 0.68x | 0.9x |
| Viewfinder Resolution | 2360k dots | 9437k dots |
| Top-Level Screen | Control Panel | no Top Display |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.0inch | 3.2inch |
| LCD Resolution | 1040k dots | 2100k dots |
| LCD Attachment | Swivel screen | Fully flexible screen |
| Touch Input | Touchscreen | Touchscreen |
| Shooting Specs | Nikon Z fc | Sony A1 II |
| Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
| Continuous Shooting | 11 shutter flaps/s | 30 shutter flaps/s |
| Electronic Shutter | up to 1/4000s | up to 1/32000s |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Image Stabilization | Lens stabilization only | In-body stabilization |
| Fill Flash | no On-Board Flash | no On-Board Flash |
| Storage Medium | SDXC cards | CFexA or SDXC cards |
| Single or Dual Card Slots | Single card slot | Dual card slots |
| UHS card support | UHS-I | UHS-II |
| Connectivity Specs | Nikon Z fc | Sony A1 II |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | no PC Sync | PC Sync socket |
| USB Connector | USB 3.2 | USB 3.2 |
| HDMI Port | micro HDMI | full HDMI |
| Microphone Port | External MIC port | External MIC port |
| Headphone Socket | no Headphone port | Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
| Body Specs | Nikon Z fc | Sony A1 II |
| Environmental Sealing | not weather sealed | Weathersealed body |
| Battery Type | Nikon EN-EL25 | Sony NP-FZ100 |
| Battery Life (CIPA) | 300 shots per charge | 520 shots per charge |
| In-Camera Charging | USB charging | USB charging |
| Body Dimensions |
135 x 94 x 44 mm (5.3 x 3.7 x 1.7 in) |
136 x 97 x 83 mm (5.4 x 3.8 x 3.3 in) |
| Camera Weight | 445 g (15.7 oz) | 743 g (26.2 oz) |

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