Olympus E-M5 vs Panasonic G85

The Olympus OM-D E-M5 and the Panasonic Lumix DMC-G85 (labelled Panasonic G80 in some countries) are two digital cameras that were revealed to the public, respectively, in February 2012 and September 2016. Both the E-M5 and the G85 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Panasonic provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-M5		Panasonic G85
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Micro Four Thirds lenses
15.9 MP – Four Thirds sensor		15.8 MP – Four Thirds sensor
1080/60i Video		4K/30p Video
ISO 200-25,600		ISO 200-25,600
Electronic viewfinder (1440k dots)		Electronic viewfinder (2360k dots)
3.0" LCD – 610k dots		3.0" LCD – 1040k dots
Tilting touchscreen		Swivel touchscreen
9 shutter flaps per second		9 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
360 shots per battery charge		330 shots per battery charge
122 x 89 x 43 mm, 425 g		128 x 89 x 74 mm, 505 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M5 and the Panasonic Lumix DMC-G85? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Olympus E-M5 and the Panasonic G85 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The E-M5 can be obtained in two different colors (black, silver), while the G85 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G85 is somewhat larger (5 percent) than the Olympus E-M5. Moreover, the G85 is markedly heavier (19 percent) than the E-M5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the E-M5 gets 360 shots out of its Olympus BLN-1 battery, while the G85 can take 330 images on a single charge of its Panasonic DMW-BLC12 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Olympus E-M5	122 mm	89 mm	43 mm	425 g	360	Y	Feb 2012	EUR 1 099	ebay.com
2.		Panasonic G85	128 mm	89 mm	74 mm	505 g	330	Y	Sep 2016	EUR 899	ebay.com
3.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	EUR 1 499	ebay.com
4.		Olympus E-M1 II	134 mm	91 mm	67 mm	574 g	440	Y	Sep 2016	EUR 1 999	ebay.com
5.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	EUR 1 099	ebay.com
6.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	EUR 599	ebay.com
7.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	EUR 599	ebay.com
8.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	EUR 999	ebay.com
9.		Olympus E-PL7	115 mm	67 mm	38 mm	357 g	350	n	Aug 2014	EUR 599	ebay.com
10.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	EUR 1 199	ebay.com
11.		Panasonic G80	128 mm	89 mm	74 mm	505 g	330	Y	Sep 2016	EUR 899	ebay.com
12.		Panasonic G95	130 mm	94 mm	77 mm	536 g	290	Y	Apr 2019	EUR 999	ebay.com
13.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	EUR 999	ebay.com
14.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	EUR 1 199	ebay.com
15.		Panasonic GX85	122 mm	71 mm	44 mm	426 g	290	n	Apr 2016	EUR 799	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G85 was launched at a markedly lower price (by 31 percent) than the E-M5, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

While the two cameras under review share the same sensor size, the E-M5 offers a slightly higher resolution of 15.9 megapixels, compared with 15.8 MP of the G85. This megapixels advantage translates into a 0.3 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-M5 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 3.77μm for the G85). Moreover, it should be noted that the G85 is much more recent (by 4 years and 7 months) than the E-M5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of individual pixels. Coming back to sensor resolution, it should be mentioned that the G85 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The Olympus OM-D E-M5 has a native sensitivity range from ISO 200 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-G85 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-M5	Four Thirds	15.9	4608	3456	1080/60i	22.8	12.3	826	71
2.		Panasonic G85	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.5	656	71
3.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
4.		Olympus E-M1 II	Four Thirds	20.2	5184	3888	4K/30p	23.7	12.8	1312	80
5.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
6.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
7.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
8.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
9.		Olympus E-PL7	Four Thirds	15.9	4608	3456	1080/30p	22.7	12.4	873	72
10.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
11.		Panasonic G80	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.5	656	71
12.		Panasonic G95	Four Thirds	20.2	5184	3888	4K/30p	23.2	13.0	1273	75
13.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70
14.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
15.		Panasonic GX85	Four Thirds	15.8	4592	3448	4K/30p	22.9	12.6	662	71
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G85 provides a better video resolution than the E-M5. It can shoot movie footage at 4K/30p, while the Olympus is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the G85 offers a substantially higher resolution than the one in the E-M5 (2360k vs 1440k dots). The following table reports on some other key feature differences and similarities of the Olympus E-M5, the Panasonic G85, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-M5	1440	n	3.0 / 610	tilting	Y	1/4000s	9.0/s	n	Y
2.		Panasonic G85	2360	n	3.0 / 1040	swivel	Y	1/4000s	9.0/s	Y	Y
3.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
4.		Olympus E-M1 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
5.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
6.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
7.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
8.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
9.		Olympus E-PL7	optional	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	n	Y
10.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
11.		Panasonic G80	2360	n	3.0 / 1040	swivel	Y	1/4000s	9.0/s	Y	Y
12.		Panasonic G95	2360	n	3.0 / 1240	swivel	Y	1/4000s	9.0/s	Y	Y
13.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
14.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
15.		Panasonic GX85	2765	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The G85 has one, while the E-M5 does not. While the built-in flash of the G85 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G85 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic G85 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the E-M5 and the G85 write their files to SDXC cards. The G85 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the E-M5 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M5 and Panasonic Lumix DMC-G85 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-M5	Y	stereo / mono	-	-	mini	2.0	-	-	-
2.		Panasonic G85	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
3.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
4.		Olympus E-M1 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
5.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
6.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Olympus E-PL7	Y	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
11.		Panasonic G80	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
12.		Panasonic G95	Y	stereo / mono	Y	Y	micro	2.0	Y	-	Y
13.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
14.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
15.		Panasonic GX85	Y	stereo / mono	-	-	micro	2.0	Y	-	-

It is notable that the G85 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-M5 does not provide wifi capability.

Both the E-M5 and the G85 have been discontinued, but can regularly be found used on ebay. The E-M5 was replaced by the Olympus E-M5 II, while the G85 was followed by the Panasonic G95. Further information on the features and operation of the E-M5 and G85 can be found, respectively, in the Olympus E-M5 Manual (free pdf) or the online Panasonic G85 Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Olympus E-M5 and the Panasonic G85? Which camera is better? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Olympus OM-D E-M5:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better low-light sensitivity: Requires less light for good images (0.3 stops ISO advantage).
• Less heavy: Is lighter (by 80g or 16 percent) and hence easier to carry around.
• More heavily discounted: Has been available for much longer (launched in February 2012).

Reasons to prefer the Panasonic Lumix DMC-G85:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.58x).
• More detailed LCD: Has a higher resolution rear screen (1040k vs 610k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More affordable: Was introduced into a lower priced category (31 percent cheaper at launch).
• More modern: Reflects 4 years and 7 months of technical progress since the E-M5 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the G85 is the clear winner of the contest (15 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-M5 and the Panasonic G85 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the E-M5 or the G85 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Olympus E-M5	4/5	+ +	..	80/100	4.5/5	5/5	Feb 2012	EUR 1 099	ebay.com
2.		Panasonic G85	..	+ +	..	84/100	5/5	4.5/5	Sep 2016	EUR 899	ebay.com
3.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	EUR 1 499	ebay.com
4.		Olympus E-M1 II	5/5	+ +	5/5	85/100	4.5/5	4.5/5	Sep 2016	EUR 1 999	ebay.com
5.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	EUR 1 099	ebay.com
6.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	EUR 599	ebay.com
7.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	EUR 599	ebay.com
8.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	EUR 999	ebay.com
9.		Olympus E-PL7	4/5	+	..	..	5/5	4/5	Aug 2014	EUR 599	ebay.com
10.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	EUR 1 199	ebay.com
11.		Panasonic G80	..	+ +	..	84/100	5/5	4.5/5	Sep 2016	EUR 899	ebay.com
12.		Panasonic G95	4.5/5	+	4.5/5	83/100	4.5/5	4.5/5	Apr 2019	EUR 999	ebay.com
13.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	EUR 999	ebay.com
14.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	EUR 1 199	ebay.com
15.		Panasonic GX85	4.5/5	+ +	..	82/100	5/5	5/5	Apr 2016	EUR 799	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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