Olympus E-PL7 vs Sony A6500

The Olympus PEN E-PL7 and the Sony Alpha A6500 are two digital cameras that were announced, respectively, in August 2014 and October 2016. Both the E-PL7 and the A6500 are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-PL7) and an APS-C (A6500) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-PL7		Sony A6500
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
15.9 MP – Four Thirds sensor		24 MP – APS-C sensor
1080/30p Video		4K/30p Video
ISO 200-25,600		ISO 100-25,600 (100 - 51,200)
Viewfinder optional		Electronic viewfinder (2359k dots)
3.0" LCD – 1037k dots		3.0" LCD – 922k dots
Tilting touchscreen		Tilting touchscreen
8 shutter flaps per second		11 shutter flaps per second
In-body stabilization		In-body stabilization
not weather sealed		Weathersealed body
350 shots per battery charge		350 shots per battery charge
115 x 67 x 38 mm, 357 g		120 x 67 x 53 mm, 453 g

Check E-PL7 offers at
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Check A6500 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-PL7 and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Olympus E-PL7 and the Sony A6500. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The E-PL7 can be obtained in two different colors (black, silver), while the A6500 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is somewhat larger (4 percent) than the Olympus E-PL7. Moreover, the A6500 is markedly heavier (27 percent) than the E-PL7. It is noteworthy in this context that the A6500 is splash and dust-proof, while the E-PL7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-PL7) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

The power pack in the A6500 can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Olympus E-PL7	115 mm	67 mm	38 mm	357 g	350	n	Aug 2014	US$ 599	ebay.com
2.		Sony A6500	120 mm	67 mm	53 mm	453 g	350	Y	Oct 2016	US$ 1 399	ebay.com
3.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	US$ 699	ebay.com
4.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	US$ 649	ebay.com
5.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	US$ 999	ebay.com
6.		Olympus E-PL5	111 mm	64 mm	38 mm	325 g	360	n	Sep 2012	US$ 599	ebay.com
7.		Olympus E-PL6	111 mm	64 mm	38 mm	325 g	360	n	May 2013	US$ 599	ebay.com
8.		Olympus E-PL8	115 mm	67 mm	38 mm	357 g	350	n	Sep 2016	US$ 549	ebay.com
9.		Olympus E-PL9	117 mm	68 mm	39 mm	380 g	350	n	Feb 2018	US$ 599	ebay.com
10.		Olympus E-PM2	110 mm	64 mm	34 mm	269 g	360	n	Sep 2012	US$ 499	ebay.com
11.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	US$ 599	ebay.com
12.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	US$ 999	ebay.com
13.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	US$ 1 199	ebay.com
14.		Sony A77	143 mm	104 mm	81 mm	732 g	470	Y	Aug 2011	US$ 1 399	ebay.com
15.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	US$ 999	ebay.com
16.		Sony A6600	120 mm	67 mm	69 mm	503 g	810	Y	Aug 2019	US$ 1 399	amazon.com
17.		Sony A6700	122 mm	69 mm	64 mm	493 g	570	Y	Jul 2023	US$ 1 399	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-PL7 was launched at a markedly lower price (by 57 percent) than the A6500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Olympus E-PL7 features a Four Thirds sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-PL7 has a native 4:3 aspect ratio, while the one in the A6500 offers a 3:2 aspect.

With 24MP, the A6500 offers a higher resolution than the E-PL7 (15.9MP), but the A6500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.76μm for the E-PL7) due to its larger sensor. Moreover, the A6500 is a much more recent model (by 2 years and 1 month) than the E-PL7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-PL7 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Olympus PEN E-PL7 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A6500 offers substantially better image quality than the E-PL7 (overall score 13 points higher). The advantage is based on 1.8 bits higher color depth, 1.3 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-PL7	Four Thirds	15.9	4608	3456	1080/30p	22.7	12.4	873	72
2.		Sony A6500	APS-C	24.0	6000	4000	4K/30p	24.5	13.7	1405	85
3.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
4.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
5.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
6.		Olympus E-PL5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	889	72
7.		Olympus E-PL6	Four Thirds	15.9	4608	3456	1080/30p	22.5	12.0	717	68
8.		Olympus E-PL8	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.6	1030	73
9.		Olympus E-PL9	Four Thirds	15.9	4608	3456	4K/30p	23.1	12.8	1162	74
10.		Olympus E-PM2	Four Thirds	15.9	4608	3456	1080/30p	22.7	12.2	932	72
11.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
12.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70
13.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
14.		Sony A77	APS-C	24.0	6000	4000	1080/60p	24.0	13.2	801	78
15.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
16.		Sony A6600	APS-C	24.0	6000	4000	4K/30p	23.8	13.4	1497	82
17.		Sony A6700	APS-C	25.6	6192	4128	4K/120p	24.3	14.0	2329	86
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6500 provides a better video resolution than the E-PL7. It can shoot movie footage at 4K/30p, while the Olympus is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A6500 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-PL7 relies on live view and the rear LCD for framing. That said, the E-PL7 can be equipped with an optional viewfinder – the VF-4. The following table reports on some other key feature differences and similarities of the Olympus E-PL7, the Sony A6500, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-PL7	optional	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	n	Y
2.		Sony A6500	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	Y
3.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
4.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
5.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
6.		Olympus E-PL5	optional	n	3.0 / 460	tilting	Y	1/4000s	8.0/s	n	Y
7.		Olympus E-PL6	optional	n	3.0 / 460	tilting	Y	1/4000s	8.0/s	n	Y
8.		Olympus E-PL8	optional	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	n	Y
9.		Olympus E-PL9	none	n	3.0 / 1040	tilting	Y	1/4000s	8.6/s	Y	Y
10.		Olympus E-PM2	optional	n	3.0 / 460	fixed	Y	1/4000s	8.0/s	n	Y
11.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
12.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
13.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
14.		Sony A77	2359	Y	3.0 / 921	full-flex	n	1/8000s	12.0/s	Y	Y
15.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
16.		Sony A6600	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	n	Y
17.		Sony A6700	2360	n	3.0 / 1037	swivel	Y	1/4000s	11.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The A6500 has one, while the E-PL7 does not. While the built-in flash of the A6500 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Olympus E-PL7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The E-PL7 writes its imaging data to SDXC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-PL7 and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-PL7	Y	stereo / mono	-	-	micro	2.0	Y	-	-
2.		Sony A6500	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
3.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
4.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
5.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
6.		Olympus E-PL5	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Olympus E-PL6	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Olympus E-PL8	Y	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Olympus E-PL9	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
10.		Olympus E-PM2	Y	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
12.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
13.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
14.		Sony A77	Y	stereo / mono	Y	-	mini	2.0	-	-	-
15.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
16.		Sony A6600	Y	stereo / mono	Y	Y	YES	2.0	Y	Y	Y
17.		Sony A6700	Y	stereo / mono	Y	Y	YES	3.2	Y	Y	Y

It is notable that the A6500 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The E-PL7 does not feature such a mic input.

Both the E-PL7 and the A6500 have been discontinued, but can regularly be found used on ebay. The E-PL7 was replaced by the Olympus E-PL8, while the A6500 was followed by the Sony A6600. Further information on the features and operation of the E-PL7 and A6500 can be found, respectively, in the Olympus E-PL7 Manual (free pdf) or the online Sony A6500 Manual.

Review summary

So how do things add up? Is the Olympus E-PL7 better than the Sony A6500 or vice versa? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Olympus PEN E-PL7:

• More detailed LCD: Has a higher resolution rear screen (1037k vs 922k dots).
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Less heavy: Is lighter (by 96g or 21 percent) and hence easier to carry around.
• More affordable: Was introduced into a lower priced category (57 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in August 2014).

Arguments in favor of the Sony Alpha A6500:

• More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
• Better image quality: Scores substantially higher (13 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (1.8 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (1.3 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (0.7 stops ISO advantage).
• Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More modern: Reflects 2 years and 1 month of technical progress since the E-PL7 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the A6500 is the clear winner of the contest (16 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-PL7 and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-PL7 or the A6500. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Olympus E-PL7	4/5	+	..	..	5/5	4/5	Aug 2014	US$ 599	ebay.com
2.		Sony A6500	5/5	+ +	3.5/5	85/100	4.5/5	4.5/5	Oct 2016	US$ 1 399	ebay.com
3.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	US$ 699	ebay.com
4.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	US$ 649	ebay.com
5.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	US$ 999	ebay.com
6.		Olympus E-PL5	3/5	+ +	..	..	4.5/5	4.5/5	Sep 2012	US$ 599	ebay.com
7.		Olympus E-PL6	..	..	..	..	..	..	May 2013	US$ 599	ebay.com
8.		Olympus E-PL8	..	..	..	..	4.5/5	4/5	Sep 2016	US$ 549	ebay.com
9.		Olympus E-PL9	..	+	..	..	4.5/5	4/5	Feb 2018	US$ 599	ebay.com
10.		Olympus E-PM2	3/5	..	..	77/100	5/5	4.5/5	Sep 2012	US$ 499	ebay.com
11.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	US$ 599	ebay.com
12.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	US$ 999	ebay.com
13.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	US$ 1 199	ebay.com
14.		Sony A77	5/5	91/100	..	81/100	..	5/5	Aug 2011	US$ 1 399	ebay.com
15.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	US$ 999	ebay.com
16.		Sony A6600	4/5	+	4/5	83/100	4.5/5	4/5	Aug 2019	US$ 1 399	amazon.com
17.		Sony A6700	4.5/5	+	4.5/5	88/100	4.5/5	4.5/5	Jul 2023	US$ 1 399	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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