Panasonic FT7 vs GX9
The Panasonic Lumix DC-FT7 (called Panasonic TS7 in some regions) and the Panasonic Lumix DC-GX9 are two digital cameras that were revealed to the public, respectively, in May 2018 and February 2018. The FT7 is a fixed lens compact, while the GX9 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FT7) and a Four Thirds (GX9) sensor. Both cameras offer a resolution of 20.2 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-FT7 and the Panasonic Lumix DC-GX9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Panasonic FT7 and the Panasonic GX9 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The FT7 can be obtained in three different colors (black, blue, orange), while the GX9 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FT7 and the Panasonic GX9 are of equal size. It is worth mentioning in this context that the FT7 is splash and dust resistant, while the GX9 does not feature any corresponding weather-sealing. More than that, the FT7 is water-proof up to 31m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FT7 has a lens built in, whereas the GX9 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GX9 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the FT7 gets 300 shots out of its Panasonic DMW-BCM13 battery, while the GX9 can take 260 images on a single charge of its Panasonic DMW-BLG10 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FT7 | 117 mm | 76 mm | 37 mm | 319 g | 300 | Y | May 2018 | US$ 449 | ebay.com | |
2. | Panasonic GX9 | 124 mm | 72 mm | 47 mm | 407 g | 260 | n | Feb 2018 | US$ 849 | ebay.com | |
3. | Canon G1 X Mark III | 115 mm | 78 mm | 51 mm | 399 g | 200 | Y | Oct 2017 | US$ 1 299 | ebay.com | |
4. | Canon SX730 | 110 mm | 64 mm | 40 mm | 300 g | 250 | n | Apr 2017 | US$ 399 | ebay.com | |
5. | Canon SX740 | 110 mm | 64 mm | 40 mm | 299 g | 265 | n | Jul 2018 | US$ 399 | amazon.com | |
6. | Fujifilm X-A5 | 117 mm | 68 mm | 40 mm | 361 g | 450 | n | Jan 2018 | US$ 399 | ebay.com | |
7. | Fujifilm XF10 | 113 mm | 64 mm | 41 mm | 279 g | 330 | n | Jul 2018 | US$ 499 | ebay.com | |
8. | Nikon W300 | 112 mm | 66 mm | 29 mm | 231 g | 280 | Y | May 2017 | US$ 389 | ebay.com | |
9. | Panasonic FZ82 | 130 mm | 94 mm | 119 mm | 616 g | 330 | n | Jan 2017 | US$ 399 | amazon.com | |
10. | Panasonic GX7 | 123 mm | 71 mm | 55 mm | 402 g | 350 | n | Aug 2013 | US$ 999 | ebay.com | |
11. | Panasonic GX8 | 133 mm | 78 mm | 63 mm | 487 g | 330 | Y | Jul 2015 | US$ 1 199 | ebay.com | |
12. | Panasonic GX85 | 122 mm | 71 mm | 44 mm | 426 g | 290 | n | Apr 2016 | US$ 799 | amazon.com | |
13. | Panasonic LX100 II | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Aug 2018 | US$ 999 | ebay.com | |
14. | Panasonic TZ90 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | US$ 449 | ebay.com | |
15. | Panasonic TZ95 | 112 mm | 69 mm | 42 mm | 327 g | 380 | n | Feb 2019 | US$ 449 | ebay.com | |
16. | Panasonic ZS200 | 111 mm | 65 mm | 45 mm | 340 g | 370 | n | Feb 2018 | US$ 799 | amazon.com | |
17. | Ricoh WG-6 | 118 mm | 66 mm | 33 mm | 246 g | 340 | Y | Feb 2019 | US$ 399 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FT7 was launched at a lower price than the GX9, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic FT7 features a 1/2.3-inch sensor and the Panasonic GX9 a Four Thirds sensor. The sensor area in the GX9 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Even though the GX9 has a larger sensor, both cameras offer the same resolution of 20.2 megapixels. This implies that the GX9 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.34μm versus 1.18μm for the FT7), which gives it a potential advantage in terms of light gathering capacity. The two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the GX9 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Panasonic Lumix DC-FT7 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Panasonic Lumix DC-GX9 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
In terms of underlying technology, the FT7 is build around a BSI-CMOS sensor, while the GX9 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FT7 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1028 | 51 | |
2. | Panasonic GX9 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.1 | 12.8 | 1163 | 74 | |
3. | Canon G1 X Mark III | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 13.2 | 1649 | 81 | |
4. | Canon SX730 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.5 | 11.9 | 924 | 50 | |
5. | Canon SX740 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1050 | 51 | |
6. | Fujifilm X-A5 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.3 | 1800 | 82 | |
7. | Fujifilm XF10 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.4 | 1844 | 83 | |
8. | Nikon W300 | 1/2.3 | 15.9 | 4608 | 3456 | 4K/30p | 20.5 | 12.0 | 938 | 50 | |
9. | Panasonic FZ82 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.5 | 11.9 | 900 | 49 | |
10. | Panasonic GX7 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.6 | 12.2 | 718 | 70 | |
11. | Panasonic GX8 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.5 | 12.6 | 806 | 75 | |
12. | Panasonic GX85 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.9 | 12.6 | 662 | 71 | |
13. | Panasonic LX100 II | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | 22.8 | 12.7 | 979 | 72 | |
14. | Panasonic TZ90 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
15. | Panasonic TZ95 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.7 | 12.2 | 1103 | 52 | |
16. | Panasonic ZS200 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.0 | 12.2 | 449 | 64 | |
17. | Ricoh WG-6 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.7 | 12.2 | 1104 | 52 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GX9 offers a substantially higher resolution than the one in the FT7 (2760k vs 1170k dots). The adjacent table lists some of the other core features of the Panasonic FT7 and Panasonic GX9 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FT7 | 1170 | n | 3.0 / 1040 | fixed | n | 1/1300s | 10.0/s | Y | Y | |
2. | Panasonic GX9 | 2760 | n | 3.0 / 1240 | tilting | Y | 1/4000s | 9.0/s | Y | Y | |
3. | Canon G1 X Mark III | 2360 | n | 3.0 / 1040 | swivel | Y | 1/2000s | 9.0/s | Y | Y | |
4. | Canon SX730 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 5.9/s | Y | Y | |
5. | Canon SX740 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 10.0/s | Y | Y | |
6. | Fujifilm X-A5 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
7. | Fujifilm XF10 | none | n | 3.0 / 1040 | fixed | Y | 1/4000s | 6.0/s | Y | n | |
8. | Nikon W300 | none | n | 3.0 / 921 | fixed | n | 1/4000s | 7.0/s | Y | Y | |
9. | Panasonic FZ82 | 1166 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
10. | Panasonic GX7 | 2760 | n | 3.0 / 1040 | tilting | Y | 1/8000s | 5.0/s | Y | Y | |
11. | Panasonic GX8 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
12. | Panasonic GX85 | 2765 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | Y | |
13. | Panasonic LX100 II | 2764 | n | 3.0 / 1240 | fixed | Y | 1/4000s | 11.0/s | n | Y | |
14. | Panasonic TZ90 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
15. | Panasonic TZ95 | 2330 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
16. | Panasonic ZS200 | 2330 | n | 3.0 / 1240 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
17. | Ricoh WG-6 | none | n | 3.0 / 1040 | fixed | n | 1/4000s | 1.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GX9 has a touchscreen, while the FT7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GX9 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the FT7 and the GX9 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-FT7 and Panasonic Lumix DC-GX9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FT7 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
2. | Panasonic GX9 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
3. | Canon G1 X Mark III | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
4. | Canon SX730 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
5. | Canon SX740 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
6. | Fujifilm X-A5 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
7. | Fujifilm XF10 | - | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
8. | Nikon W300 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
9. | Panasonic FZ82 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Panasonic GX7 | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
11. | Panasonic GX8 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
12. | Panasonic GX85 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
13. | Panasonic LX100 II | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
14. | Panasonic TZ90 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
15. | Panasonic TZ95 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
16. | Panasonic ZS200 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
17. | Ricoh WG-6 | - | mono / mono | - | - | micro | 3.0 | - | - | - |
It is notable that the GX9 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The FT7 does not feature such an accessory-socket.
Both the FT7 and the GX9 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Panasonic. Further information on the features and operation of the FT7 and GX9 can be found, respectively, in the Panasonic FT7 Manual (free pdf) or the online Panasonic GX9 Manual.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Panasonic FT7 and the Panasonic GX9? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Panasonic Lumix DC-FT7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Ready to shoot: Has a lens built-in, whereas the GX9 requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GX9).
- Longer lasting: Can take more shots (300 versus 260) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
Advantages of the Panasonic Lumix DC-GX9:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2760k vs 1170k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.45x).
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1040k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1300s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
If the count of relative strengths (bullet points above) is taken as a measure, the GX9 is the clear winner of the contest (15 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FT7 and the Panasonic GX9 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the FT7 and the GX9 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FT7 | .. | + | .. | .. | 3.5/5 | 3.5/5 | May 2018 | US$ 449 | ebay.com | |
2. | Panasonic GX9 | 4/5 | + | 4/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2018 | US$ 849 | ebay.com | |
3. | Canon G1 X Mark III | 5/5 | + | 4/5 | 79/100 | 4.5/5 | 4.5/5 | Oct 2017 | US$ 1 299 | ebay.com | |
4. | Canon SX730 | .. | + | .. | .. | 4/5 | 4/5 | Apr 2017 | US$ 399 | ebay.com | |
5. | Canon SX740 | .. | + | 3.5/5 | .. | 4/5 | 4/5 | Jul 2018 | US$ 399 | amazon.com | |
6. | Fujifilm X-A5 | .. | + | 4.1/5 | .. | 4/5 | 3.5/5 | Jan 2018 | US$ 399 | ebay.com | |
7. | Fujifilm XF10 | .. | .. | 4/5 | 75/100 | 4/5 | 4.5/5 | Jul 2018 | US$ 499 | ebay.com | |
8. | Nikon W300 | .. | + | .. | .. | 4/5 | 4/5 | May 2017 | US$ 389 | ebay.com | |
9. | Panasonic FZ82 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Jan 2017 | US$ 399 | amazon.com | |
10. | Panasonic GX7 | 4/5 | + | .. | 79/100 | 5/5 | 5/5 | Aug 2013 | US$ 999 | ebay.com | |
11. | Panasonic GX8 | 5/5 | + | .. | 82/100 | 4.5/5 | 4.5/5 | Jul 2015 | US$ 1 199 | ebay.com | |
12. | Panasonic GX85 | 4.5/5 | + + | .. | 82/100 | 5/5 | 5/5 | Apr 2016 | US$ 799 | amazon.com | |
13. | Panasonic LX100 II | 4.5/5 | + | 4.2/5 | 82/100 | 4.5/5 | 4.5/5 | Aug 2018 | US$ 999 | ebay.com | |
14. | Panasonic TZ90 | .. | + + | 4/5 | .. | 4/5 | 4/5 | Apr 2017 | US$ 449 | ebay.com | |
15. | Panasonic TZ95 | .. | + + | .. | .. | 4.5/5 | .. | Feb 2019 | US$ 449 | ebay.com | |
16. | Panasonic ZS200 | .. | + + | 4.5/5 | 81/100 | 4.5/5 | 4.5/5 | Feb 2018 | US$ 799 | amazon.com | |
17. | Ricoh WG-6 | .. | .. | .. | .. | 3.5/5 | 3.5/5 | Feb 2019 | US$ 399 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 500D vs Panasonic GX9
- Canon 5D Mark III vs Panasonic FT7
- Canon 77D vs Panasonic FT7
- Canon M50 vs Panasonic FT7
- Fujifilm X-A10 vs Panasonic FT7
- Fujifilm X-T1 vs Panasonic FT7
- Leica V-LUX 1 vs Panasonic FT7
- Nikon D40 vs Panasonic GX9
- Nikon Zf vs Panasonic GX9
- Olympus E-M10 II vs Panasonic GX9
- Panasonic G2 vs Panasonic GX9
- Panasonic GX9 vs Sony A7R III
Specifications: Panasonic FT7 vs Panasonic GX9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic FT7 | Panasonic GX9 |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 28-128mm f/3.3-5.9 | Micro Four Thirds lenses |
Launch Date | May 2018 | February 2018 |
Launch Price | USD 449 | USD 849 |
Sensor Specs | Panasonic FT7 | Panasonic GX9 |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | 1/2.3" Sensor | Four Thirds Sensor |
Sensor Size | 6.17 x 4.55 mm | 17.3 x 13.0 mm |
Sensor Area | 28.0735 mm2 | 224.9 mm2 |
Sensor Diagonal | 7.7 mm | 21.6 mm |
Crop Factor | 5.6x | 2.0x |
Sensor Resolution | 20.2 Megapixels | 20.2 Megapixels |
Image Resolution | 5184 x 3888 pixels | 5184 x 3888 pixels |
Pixel Pitch | 1.18 μm | 3.34 μm |
Pixel Density | 71.80 MP/cm2 | 8.96 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 4K/30p Video | 4K/30p Video |
ISO Setting | 80 - 3,200 ISO | 200 - 25,600 ISO |
ISO Boost | 80 - 6,400 ISO | 100 - 25,600 ISO |
Image Processor | Venus | Venus |
Screen Specs | Panasonic FT7 | Panasonic GX9 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.45x | 0.70x |
Viewfinder Resolution | 1170k dots | 2760k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 1240k dots |
LCD Attachment | Fixed screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Panasonic FT7 | Panasonic GX9 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/1300s | 1/4000s |
Continuous Shooting | 10 shutter flaps/s | 9 shutter flaps/s |
Electronic Shutter | up to 1/16000s | up to 1/16000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | Lens-based stabilization | In-body stabilization |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Panasonic FT7 | Panasonic GX9 |
External Flash | no Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Panasonic FT7 | Panasonic GX9 |
Environmental Sealing | Waterproof body (31m) | not weather sealed |
Battery Type | Panasonic DMW-BCM13 | Panasonic DMW-BLG10 |
Battery Life (CIPA) | 300 shots per charge | 260 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
117 x 76 x 37 mm (4.6 x 3.0 x 1.5 in) |
124 x 72 x 47 mm (4.9 x 2.8 x 1.9 in) |
Camera Weight | 319 g (11.3 oz) | 407 g (14.4 oz) |
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