Panasonic FZ150 vs S1

The Panasonic Lumix DMC-FZ150 and the Panasonic Lumix DC-S1 are two digital cameras that were revealed to the public, respectively, in August 2011 and February 2019. The FZ150 is a fixed lens compact, while the S1 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FZ150) and a full frame (S1) sensor. The FZ150 has a resolution of 12 megapixels, whereas the S1 provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic FZ150		Panasonic S1
Fixed lens compact camera		Mirrorless system camera
25-600mm f/2.8-5.2		Leica L mount lenses
12 MP – 1/2.3" sensor		24 MP – Full Frame sensor
1080/60p Video		4K/60p Video
ISO 100-3,200 (100 - 6,400)		ISO 100-51,200 (50 - 204,800)
Electronic viewfinder (202k dots)		Electronic viewfinder (5760k dots)
3.0" LCD – 460k dots		3.2" LCD – 2100k dots
Swivel screen (not touch-sensitive)		Fully flexible touchscreen
12 shutter flaps per second		9 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
410 shots per battery charge		400 shots per battery charge
124 x 82 x 92 mm, 528 g		149 x 110 x 97 mm, 1017 g

Check FZ150 offers at
ebay.com
Check S1 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ150 and the Panasonic Lumix DC-S1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic FZ150 and the Panasonic S1. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1 is considerably larger (61 percent) than the Panasonic FZ150. It is noteworthy in this context that the S1 is splash and dust-proof, while the FZ150 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ150 has a lens built in, whereas the S1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the FZ150 gets 410 shots out of its Panasonic DMW-BMB9 battery, while the S1 can take 400 images on a single charge of its Panasonic DMW-BLJ31 power pack. The power pack in the S1 can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	US$ 499	ebay.com
2.		Panasonic S1	149 mm	110 mm	97 mm	1017 g	400	Y	Feb 2019	US$ 2 499	ebay.com
3.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	US$ 2 499	amazon.com
4.		Canon SX30	123 mm	92 mm	108 mm	601 g	370	n	Sep 2010	US$ 429	ebay.com
5.		Canon SX40	123 mm	92 mm	108 mm	600 g	380	n	Sep 2011	US$ 429	ebay.com
6.		Canon SX50	123 mm	87 mm	106 mm	595 g	315	n	Sep 2012	US$ 429	ebay.com
7.		Canon SX60	128 mm	93 mm	114 mm	650 g	340	n	Sep 2014	US$ 549	ebay.com
8.		Leica V-LUX 4	125 mm	87 mm	110 mm	588 g	540	n	Sep 2012	US$ 949	ebay.com
9.		Panasonic FZ100	124 mm	82 mm	92 mm	540 g	410	n	Jul 2010	US$ 499	ebay.com
10.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	US$ 599	ebay.com
11.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	US$ 499	ebay.com
12.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	US$ 499	ebay.com
13.		Panasonic S1 II	134 mm	102 mm	92 mm	800 g	350	Y	May 2025	US$ 3 199	amazon.com
14.		Panasonic S1H	151 mm	114 mm	110 mm	1052 g	400	Y	May 2019	US$ 3 999	amazon.com
15.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	US$ 3 699	ebay.com
16.		Panasonic ZS70	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	US$ 449	ebay.com
17.		Sony A900	156 mm	117 mm	82 mm	895 g	880	Y	Sep 2008	US$ 2 999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ150 was launched at a lower price than the S1, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic FZ150 features a 1/2.3-inch sensor and the Panasonic S1 a full frame sensor. The sensor area in the S1 is 2925 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the FZ150 has a native 4:3 aspect ratio, while the one in the S1 offers a 3:2 aspect.

With 24MP, the S1 offers a higher resolution than the FZ150 (12MP), but the S1 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 1.53μm for the FZ150) due to its larger sensor. Moreover, the S1 is a much more recent model (by 7 years and 5 months) than the FZ150, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Panasonic S1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ150 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

Unlike the FZ150, the S1 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC-FZ150 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Panasonic Lumix DC-S1 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the S1 offers substantially better image quality than the FZ150 (overall score 55 points higher). The advantage is based on 5.8 bits higher color depth, 3.6 EV in additional dynamic range, and 4.7 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
2.		Panasonic S1	Full Frame	24.0	6000	4000	4K/60p	25.2	14.5	3333	95
3.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
4.		Canon SX30	1/2.3	14.0	4320	3240	720/30p	19.4	10.7	320	39
5.		Canon SX40	1/2.3	12.0	4000	3000	1080/24p	19.6	10.9	409	41
6.		Canon SX50	1/2.3	12.0	4000	3000	1080/24p	20.3	11.2	179	47
7.		Canon SX60	1/2.3	14.2	4608	3072	1080/60p	19.2	10.8	127	39
8.		Leica V-LUX 4	1/2.3	12.0	4000	3000	1080/60p	19.8	11.1	501	43
9.		Panasonic FZ100	1/2.3	14.0	4320	3240	1080/60i	19.4	10.7	306	39
10.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
11.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
12.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
13.		Panasonic S1 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.8	3406	97
14.		Panasonic S1H	Full Frame	24.0	6000	4000	6K/30p	25.2	14.2	2805	94
15.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
16.		Panasonic ZS70	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
17.		Sony A900	Full Frame	24.4	6048	4032	none	23.7	12.3	1431	79
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the S1 provides a better video resolution than the FZ150. It can shoot movie footage at 4K/60p, while the FZ150 is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the S1 offers a substantially higher resolution than the one in the FZ150 (5760k vs 202k dots). The following table reports on some other key feature differences and similarities of the Panasonic FZ150, the Panasonic S1, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
2.		Panasonic S1	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
3.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
4.		Canon SX30	202	n	2.7 / 230	swivel	n	1/3200s	0.6/s	Y	Y
5.		Canon SX40	202	n	2.7 / 230	swivel	n	1/3200s	10.3/s	Y	Y
6.		Canon SX50	202	n	3.0 / 461	swivel	n	1/2000s	2.2/s	Y	Y
7.		Canon SX60	922	n	3.0 / 922	swivel	n	1/2000s	6.4/s	Y	Y
8.		Leica V-LUX 4	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
9.		Panasonic FZ100	202	n	3.0 / 460	swivel	n	1/2000s	11.0/s	Y	Y
10.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
11.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
12.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
13.		Panasonic S1 II	5760	n	3.2 / 1840	full-flex	Y	1/8000s	10.0/s	n	Y
14.		Panasonic S1H	5760	Y	3.2 / 2330	swivel	Y	1/8000s	9.0/s	n	Y
15.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
16.		Panasonic ZS70	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
17.		Sony A900	optical	Y	3.0 / 922	fixed	n	1/8000s	5.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The FZ150 has one, while the S1 does not. While the built-in flash of the FZ150 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic S1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The FZ150 writes its imaging data to SDXC cards, while the S1 uses SDXC or XQD cards. The S1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the FZ150 only has one slot. The S1 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the FZ150 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ150 and Panasonic Lumix DC-S1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
2.		Panasonic S1	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
3.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
4.		Canon SX30	Y	stereo / mono	-	-	YES	2.0	-	-	-
5.		Canon SX40	Y	stereo / mono	-	-	YES	2.0	-	-	-
6.		Canon SX50	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Canon SX60	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
8.		Leica V-LUX 4	Y	stereo / mono	Y	-	mini	2.0	-	-	-
9.		Panasonic FZ100	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
11.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-
12.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
13.		Panasonic S1 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Panasonic S1H	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
15.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
16.		Panasonic ZS70	-	stereo / mono	-	-	micro	2.0	Y	-	-
17.		Sony A900	Y	- / -	-	-	mini	2.0	-	-	-

It is notable that the S1 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the FZ150 does not provide wifi capability.

Studio photographers will appreciate that the Panasonic S1 (unlike the FZ150) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the FZ150 and the S1 have been discontinued, but can regularly be found used on ebay. The FZ150 was replaced by the Panasonic FZ200, while the S1 was followed by the Panasonic S1 II. Further information on the features and operation of the FZ150 and S1 can be found, respectively, in the Panasonic FZ150 Manual (free pdf) or the online Panasonic S1 Manual.

Review summary

So what is the bottom line? Is the Panasonic FZ150 better than the Panasonic S1 or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Panasonic Lumix DMC-FZ150:

• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 9 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has a lens built-in, whereas the S1 requires a separate lens.
• More compact: Is smaller (124x82mm vs 149x110mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the S1).
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been available for much longer (launched in August 2011).

Arguments in favor of the Panasonic Lumix DC-S1:

• More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Scores substantially higher (55 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (5.8 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (3.6 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (4.7 stops ISO advantage).
• Better video: Provides higher definition movie capture (4K/60p vs 1080/60p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 202k dots).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 460k dots).
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
• More modern: Reflects 7 years and 5 months of technical progress since the FZ150 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the S1 is the clear winner of the contest (28 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic FZ150 and the Panasonic S1 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the FZ150 or the S1. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	US$ 499	ebay.com
2.		Panasonic S1	4.5/5	+ +	4.5/5	88/100	4.5/5	4/5	Feb 2019	US$ 2 499	ebay.com
3.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	US$ 2 499	amazon.com
4.		Canon SX30	3/5	+ +	..	..	3.5/5	4/5	Sep 2010	US$ 429	ebay.com
5.		Canon SX40	..	+	..	..	4.5/5	4/5	Sep 2011	US$ 429	ebay.com
6.		Canon SX50	3/5	+ +	..	72/100	4.5/5	4.5/5	Sep 2012	US$ 429	ebay.com
7.		Canon SX60	3/5	+ +	..	75/100	4/5	4.5/5	Sep 2014	US$ 549	ebay.com
8.		Leica V-LUX 4	..	..	..	..	..	..	Sep 2012	US$ 949	ebay.com
9.		Panasonic FZ100	..	+	..	..	4.5/5	4.5/5	Jul 2010	US$ 499	ebay.com
10.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	US$ 599	ebay.com
11.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	US$ 499	ebay.com
12.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	US$ 499	ebay.com
13.		Panasonic S1 II	..	..	..	..	..	..	May 2025	US$ 3 199	amazon.com
14.		Panasonic S1H	..	..	4/5	90/100	..	..	May 2019	US$ 3 999	amazon.com
15.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	US$ 3 699	ebay.com
16.		Panasonic ZS70	..	+ +	..	..	4/5	4/5	Apr 2017	US$ 449	ebay.com
17.		Sony A900	..	+ +	..	+ +	4.5/5	5/5	Sep 2008	US$ 2 999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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