Panasonic FZ80D vs Sony A7C

The Panasonic Lumix DC-FZ80D (called Panasonic FZ82D in some regions) and the Sony Alpha A7C are two digital cameras that were officially introduced, respectively, in July 2024 and September 2020. The FZ80D is a fixed lens compact, while the A7C is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FZ80D) and a full frame (A7C) sensor. The Panasonic has a resolution of 18 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic FZ80D		Sony A7C
Fixed lens compact camera		Mirrorless system camera
20-1200mm f/2.8-5.9		Sony E mount lenses
18 MP – 1/2.3" sensor		24 MP – Full Frame sensor
4K/30p Video		4K/30p Video
ISO 80-3,200 (80 - 6,400)		ISO 100-51,200 (50 - 204,800)
Electronic viewfinder (2360k dots)		Electronic viewfinder (2360k dots)
3.0" LCD – 1840k dots		3.0" LCD – 922k dots
Fixed touchscreen		Swivel touchscreen
10 shutter flaps per second		10 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
330 shots per battery charge		740 shots per battery charge
130 x 94 x 119 mm, 616 g		124 x 71 x 60 mm, 509 g

Check FZ80D price at
amazon.com
Check A7C price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-FZ80D and the Sony Alpha A7C? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic FZ80D and the Sony A7C is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The A7C can be obtained in two different colors (black, silver), while the FZ80D is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7C is notably smaller (28 percent) than the Panasonic FZ80D. It is noteworthy in this context that the A7C is splash and dust-proof, while the FZ80D does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ80D has a lens built in, whereas the A7C is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7C and their specifications in the Sony FE Lens Catalog.

Concerning battery life, the FZ80D gets 330 shots out of its Panasonic DMW-BMB9 battery, while the A7C can take 740 images on a single charge of its Sony NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic FZ80D	130 mm	94 mm	119 mm	616 g	330	n	Jul 2024	US$ 479	amazon.com
2.		Sony A7C	124 mm	71 mm	60 mm	509 g	740	Y	Sep 2020	US$ 1 799	amazon.com
3.		Canon SX70	127 mm	91 mm	117 mm	608 g	325	n	Sep 2018	US$ 549	amazon.com
4.		Nikon B700	125 mm	85 mm	107 mm	565 g	350	n	Feb 2016	US$ 499	ebay.com
5.		Panasonic FZ80	130 mm	94 mm	119 mm	616 g	330	n	Jan 2017	US$ 399	ebay.com
6.		Panasonic FZ100	124 mm	82 mm	92 mm	540 g	410	n	Jul 2010	US$ 499	ebay.com
7.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	US$ 499	ebay.com
8.		Panasonic TS7	117 mm	76 mm	37 mm	319 g	300	Y	May 2018	US$ 449	ebay.com
9.		Panasonic ZS70	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	US$ 449	ebay.com
10.		Panasonic ZS80	112 mm	69 mm	42 mm	327 g	380	n	Feb 2019	US$ 449	ebay.com
11.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	US$ 1 699	ebay.com
12.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	US$ 1 999	ebay.com
13.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	US$ 1 999	amazon.com
14.		Sony A7C II	124 mm	71 mm	63 mm	514 g	540	Y	Aug 2023	US$ 2 199	amazon.com
15.		Sony A850	156 mm	117 mm	82 mm	895 g	880	Y	Aug 2009	US$ 1 999	ebay.com
16.		Sony HX350	130 mm	93 mm	103 mm	652 g	300	n	Dec 2016	US$ 449	ebay.com
17.		Sony HX400V	130 mm	93 mm	103 mm	660 g	300	n	Feb 2014	US$ 499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ80D was launched at a lower price than the A7C, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic FZ80D features a 1/2.3-inch sensor and the Sony A7C a full frame sensor. The sensor area in the A7C is 2925 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the FZ80D has a native 4:3 aspect ratio, while the one in the A7C offers a 3:2 aspect.

With 24MP, the A7C offers a higher resolution than the FZ80D (18MP), but the A7C nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 1.25μm for the FZ80D) due to its larger sensor. However, the FZ80D is a much more recent model (by 3 years and 9 months) than the A7C, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the FZ80D has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A7C implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7C for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ80D are 24.5 x 18.4 inches or 62.2 x 46.6 cm for good quality, 19.6 x 14.7 inches or 49.7 x 37.3 cm for very good quality, and 16.3 x 12.2 inches or 41.5 x 31.1 cm for excellent quality prints.

The A7C has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DC-FZ80D has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Sony Alpha A7C are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic FZ80D	1/2.3	18.0	4896	3672	4K/30p	20.9	12.8	1634	54
2.		Sony A7C	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3407	95
3.		Canon SX70	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1063	51
4.		Nikon B700	1/2.3	20.2	5184	3888	4K/30p	20.4	11.8	818	48
5.		Panasonic FZ80	1/2.3	18.0	4896	3672	4K/30p	20.5	11.9	900	49
6.		Panasonic FZ100	1/2.3	14.0	4320	3240	1080/60i	19.4	10.7	306	39
7.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
8.		Panasonic TS7	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1028	51
9.		Panasonic ZS70	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
10.		Panasonic ZS80	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1103	52
11.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
12.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
13.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
14.		Sony A7C II	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3237	96
15.		Sony A850	Full Frame	24.4	6048	4032	none	23.8	12.2	1415	79
16.		Sony HX350	1/2.3	19.9	5152	3864	1080/60p	20.5	11.9	896	49
17.		Sony HX400V	1/2.3	20.2	5184	3888	1080/60p	20.1	11.4	629	45
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The FZ80D and the A7C are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The table below summarizes some of the other core capabilities of the Panasonic FZ80D and Sony A7C in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic FZ80D	2360	n	3.0 / 1840	fixed	Y	1/2000s	10.0/s	Y	Y
2.		Sony A7C	2360	n	3.0 / 922	swivel	Y	1/4000s	10.0/s	n	Y
3.		Canon SX70	2360	n	3.0 / 922	swivel	n	1/2000s	10.0/s	Y	Y
4.		Nikon B700	921	n	3.0 / 921	swivel	n	1/4000s	5.0/s	Y	Y
5.		Panasonic FZ80	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
6.		Panasonic FZ100	202	n	3.0 / 460	swivel	n	1/2000s	11.0/s	Y	Y
7.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
8.		Panasonic TS7	1170	n	3.0 / 1040	fixed	n	1/1300s	10.0/s	Y	Y
9.		Panasonic ZS70	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
10.		Panasonic ZS80	2330	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
11.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
12.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
13.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
14.		Sony A7C II	2360	n	3.0 / 1037	swivel	Y	1/4000s	10.0/s	n	Y
15.		Sony A850	optical	Y	3.0 / 922	fixed	n	1/8000s	3.0/s	n	Y
16.		Sony HX350	202	n	3.0 / 922	tilting	n	1/4000s	10.0/s	Y	Y
17.		Sony HX400V	210	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The FZ80D has one, while the A7C does not. While the built-in flash of the FZ80D is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Sony A7C has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The FZ80D writes its imaging data to SDXC cards, while the A7C uses SDXC or Memory Stick PRO Duo cards. The A7C supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the FZ80D can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-FZ80D and Sony Alpha A7C and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic FZ80D	Y	stereo / mono	-	-	micro	3.0	-	-	-
2.		Sony A7C	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
3.		Canon SX70	-	stereo / mono	Y	-	micro	2.0	Y	-	Y
4.		Nikon B700	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
5.		Panasonic FZ80	Y	stereo / mono	-	-	micro	2.0	Y	-	-
6.		Panasonic FZ100	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
8.		Panasonic TS7	-	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Panasonic ZS70	-	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Panasonic ZS80	-	stereo / mono	-	-	micro	2.0	Y	-	Y
11.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
12.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
13.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
14.		Sony A7C II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
15.		Sony A850	Y	- / -	-	-	mini	2.0	-	-	-
16.		Sony HX350	-	stereo / mono	-	-	micro	2.0	-	-	-
17.		Sony HX400V	Y	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the A7C offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the FZ80D does not provide wifi capability.

Both the FZ80D and the A7C are recent models that are part of the current product line-up. The FZ80D replaced the earlier Panasonic FZ80, while the A7C does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.

Review summary

So what is the bottom line? Is there a clear favorite between the Panasonic FZ80D and the Sony A7C? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Panasonic Lumix DC-FZ80D:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.59x).
• More detailed LCD: Has a higher resolution rear screen (1840k vs 922k dots).
• Ready to shoot: Has a lens built-in, whereas the A7C requires a separate lens.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 3 years and 9 months of technical progress since the A7C launch.

Reasons to prefer the Sony Alpha A7C:

• More detail: Has more megapixels (24 vs 18MP), which boosts linear resolution by 18%.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• More compact: Is smaller (124x71mm vs 130x94mm) and will fit more readily into a bag.
• Longer lasting: Gets more shots (740 versus 330) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More heavily discounted: Has been around for much longer (launched in September 2020).

If the number of relative strengths (bullet points above) is taken as a guide, the A7C is the clear winner of the contest (22 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic FZ80D and the Sony A7C place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the FZ80D or the A7C. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic FZ80D	..	..	..	..	..	..	Jul 2024	US$ 479	amazon.com
2.		Sony A7C	3.5/5	..	3.5/5	86/100	4/5	4/5	Sep 2020	US$ 1 799	amazon.com
3.		Canon SX70	..	+ +	3.5/5	..	3.5/5	3.5/5	Sep 2018	US$ 549	amazon.com
4.		Nikon B700	..	+	..	..	4/5	4/5	Feb 2016	US$ 499	ebay.com
5.		Panasonic FZ80	..	+ +	..	..	4.5/5	4.5/5	Jan 2017	US$ 399	ebay.com
6.		Panasonic FZ100	..	+	..	..	4.5/5	4.5/5	Jul 2010	US$ 499	ebay.com
7.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	US$ 499	ebay.com
8.		Panasonic TS7	..	+	..	..	..	3.5/5	May 2018	US$ 449	ebay.com
9.		Panasonic ZS70	..	+ +	..	..	4/5	4/5	Apr 2017	US$ 449	ebay.com
10.		Panasonic ZS80	..	+ +	..	..	4.5/5	..	Feb 2019	US$ 449	ebay.com
11.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	US$ 1 699	ebay.com
12.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	US$ 1 999	ebay.com
13.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	US$ 1 999	amazon.com
14.		Sony A7C II	4/5	..	4/5	87/100	4.5/5	4.5/5	Aug 2023	US$ 2 199	amazon.com
15.		Sony A850	3/5	..	..	75/100	..	4.5/5	Aug 2009	US$ 1 999	ebay.com
16.		Sony HX350	..	..	..	..	..	4/5	Dec 2016	US$ 449	ebay.com
17.		Sony HX400V	4/5	+ +	..	..	4/5	4/5	Feb 2014	US$ 499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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