Panasonic G1 vs S5 II

The Panasonic Lumix DMC-G1 and the Panasonic Lumix DC-S5 II are two digital cameras that were announced, respectively, in September 2008 and January 2023. Both the G1 and the S5 II are mirrorless interchangeable lens cameras that are based on a Four Thirds (G1) and a full frame (S5 II) sensor. The G1 has a resolution of 12 megapixels, whereas the S5 II provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic G1		Panasonic S5 II
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Leica L mount lenses
12 MP – Four Thirds sensor		24 MP – Full Frame sensor
no Video		6K/30p Video
ISO 100-1,600 (100 - 3,200)		ISO 100-51,200 (50 - 204,800)
Electronic viewfinder (1440k dots)		Electronic viewfinder (3680k dots)
3.0" LCD – 460k dots		3.0" LCD – 1840k dots
Swivel screen (not touch-sensitive)		Swivel touchscreen
3 shutter flaps per second		9 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
410 shots per battery charge		370 shots per battery charge
124 x 84 x 45 mm, 360 g		134 x 102 x 90 mm, 740 g

Check G1 offers at
ebay.com
Check S5 II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G1 and the Panasonic Lumix DC-S5 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic G1 and the Panasonic S5 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S5 II is notably larger (31 percent) than the Panasonic G1. Moreover, the S5 II is substantially heavier (106 percent) than the G1. It is noteworthy in this context that the S5 II is splash and dust-proof, while the G1 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the G1 gets 410 shots out of its Panasonic DMW-BLB13 battery, while the S5 II can take 370 images on a single charge of its Panasonic DMW-BLK22 power pack. The power pack in the S5 II can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	US$ 599	ebay.com
2.		Panasonic S5 II	134 mm	102 mm	90 mm	740 g	370	Y	Jan 2023	US$ 1 999	amazon.com
3.		Nikon Zf	144 mm	103 mm	49 mm	710 g	380	Y	Sep 2023	US$ 1 999	amazon.com
4.		Olympus E-410	130 mm	91 mm	53 mm	435 g	500	n	Mar 2007	US$ 699	ebay.com
5.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	US$ 599	ebay.com
6.		Panasonic G9 II	134 mm	102 mm	90 mm	658 g	390	Y	Sep 2023	US$ 1 899	amazon.com
7.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	US$ 499	ebay.com
8.		Panasonic GF1	119 mm	71 mm	36 mm	385 g	380	n	Sep 2009	US$ 749	ebay.com
9.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	US$ 549	ebay.com
10.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	US$ 549	ebay.com
11.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	US$ 499	ebay.com
12.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	US$ 499	ebay.com
13.		Panasonic GH1	124 mm	90 mm	45 mm	385 g	300	n	Mar 2009	US$ 899	ebay.com
14.		Panasonic GH6	138 mm	100 mm	100 mm	823 g	360	Y	Feb 2022	US$ 2 199	amazon.com
15.		Panasonic GH7	138 mm	100 mm	100 mm	805 g	380	Y	Jun 2024	US$ 2 199	amazon.com
16.		Panasonic L10	135 mm	96 mm	78 mm	556 g	450	n	Aug 2007	US$ 599	ebay.com
17.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	US$ 1 999	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G1 was launched at a markedly lower price (by 70 percent) than the S5 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic G1 features a Four Thirds sensor and the Panasonic S5 II a full frame sensor. The sensor area in the S5 II is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G1 has a native 4:3 aspect ratio, while the one in the S5 II offers a 3:2 aspect.

With 24MP, the S5 II offers a higher resolution than the G1 (12MP), but the S5 II nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 4.33μm for the G1) due to its larger sensor. Moreover, the S5 II is a much more recent model (by 14 years and 3 months) than the G1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the S5 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Panasonic S5 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S5 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The S5 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the G1, the S5 II has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC-G1 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Panasonic Lumix DC-S5 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

In terms of underlying technology, the G1 is build around a CMOS sensor, while the S5 II uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
2.		Panasonic S5 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.6	3158	96
3.		Nikon Zf	Full Frame	24.3	6048	4024	4K/60p	25.4	14.7	3243	96
4.		Olympus E-410	Four Thirds	10.0	3648	2736	none	21.1	10.0	494	51
5.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
6.		Panasonic G9 II	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.5	1710	78
7.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
8.		Panasonic GF1	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	513	54
9.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
10.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
11.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
12.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
13.		Panasonic GH1	Four Thirds	12.0	4000	3000	1080/24p	21.6	11.6	772	64
14.		Panasonic GH6	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.4	1555	77
15.		Panasonic GH7	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.6	1784	78
16.		Panasonic L10	Four Thirds	10.0	3648	2736	none	21.3	10.8	429	55
17.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The S5 II indeed provides for movie recording, while the G1 does not. The highest resolution format that the S5 II can use is 6K/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the S5 II offers a substantially higher resolution than the one in the G1 (3680k vs 1440k dots). The following table reports on some other key feature differences and similarities of the Panasonic G1, the Panasonic S5 II, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
2.		Panasonic S5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	9.0/s	n	Y
3.		Nikon Zf	3690	n	3.2 / 2100	swivel	Y	1/8000s	14.0/s	n	Y
4.		Olympus E-410	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	n
5.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
6.		Panasonic G9 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	10.0/s	n	Y
7.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
8.		Panasonic GF1	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
9.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
10.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
11.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
12.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
13.		Panasonic GH1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
14.		Panasonic GH6	3680	n	3.0 / 1840	full-flex	Y	1/8000s	14.0/s	n	Y
15.		Panasonic GH7	3680	n	3.0 / 1840	full-flex	Y	1/8000s	14.0/s	n	Y
16.		Panasonic L10	optical	n	2.5 / 207	swivel	n	1/4000s	3.0/s	Y	n
17.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The G1 has one, while the S5 II does not. While the built-in flash of the G1 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S5 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic S5 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The G1 writes its imaging data to SDHC cards, while the S5 II uses SDXC cards. The S5 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the G1 only has one slot. The S5 II supports UHS-II cards (on both slots), while the G1 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G1 and Panasonic Lumix DC-S5 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
2.		Panasonic S5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Nikon Zf	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
4.		Olympus E-410	Y	- / -	-	-	-	2.0	-	-	-
5.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Panasonic G9 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
7.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
8.		Panasonic GF1	Y	mono / mono	-	-	mini	2.0	-	-	-
9.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
13.		Panasonic GH1	Y	stereo / -	Y	-	mini	2.0	-	-	-
14.		Panasonic GH6	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
15.		Panasonic GH7	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
16.		Panasonic L10	Y	- / -	-	-	-	2.0	-	-	-
17.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y

It is notable that the S5 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the G1 does not provide wifi capability.

The S5 II is a recent model that features in the current product line-up of Panasonic. In contrast, the G1 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the G1 was succeeded by the Panasonic G2. Further information on the features and operation of the G1 and S5 II can be found, respectively, in the Panasonic G1 Manual (free pdf) or the online Panasonic S5 II Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Panasonic G1 or the Panasonic S5 II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Panasonic Lumix DMC-G1:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More compact: Is smaller (124x84mm vs 134x102mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 380g or 51 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (410 versus 370) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in September 2008).

Reasons to prefer the Panasonic Lumix DC-S5 II:

• More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Broader imaging potential: Can capture not only stills but also 6K/30p video.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3680k vs 1440k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.70x).
• More detailed LCD: Has a higher resolution rear screen (1840k vs 460k dots).
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (9 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More modern: Reflects 14 years and 3 months of technical progress since the G1 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the S5 II is the clear winner of the contest (26 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic G1 and the Panasonic S5 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the G1 and the S5 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	US$ 599	ebay.com
2.		Panasonic S5 II	4.5/5	+ +	5/5	90/100	4.5/5	5/5	Jan 2023	US$ 1 999	amazon.com
3.		Nikon Zf	4.5/5	..	4.5/5	90/100	4.5/5	5/5	Sep 2023	US$ 1 999	amazon.com
4.		Olympus E-410	..	86/100	..	+ +	4/5	4.5/5	Mar 2007	US$ 699	ebay.com
5.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	US$ 599	ebay.com
6.		Panasonic G9 II	5/5	..	4.5/5	87/100	..	4.5/5	Sep 2023	US$ 1 899	amazon.com
7.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	US$ 499	ebay.com
8.		Panasonic GF1	..	85/100	..	69/100	4.5/5	4.5/5	Sep 2009	US$ 749	ebay.com
9.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	US$ 549	ebay.com
10.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	US$ 549	ebay.com
11.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	US$ 499	ebay.com
12.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	US$ 499	ebay.com
13.		Panasonic GH1	..	+ +	..	72/100	4.5/5	4.5/5	Mar 2009	US$ 899	ebay.com
14.		Panasonic GH6	5/5	+ +	5/5	87/100	5/5	5/5	Feb 2022	US$ 2 199	amazon.com
15.		Panasonic GH7	..	..	..	..	..	..	Jun 2024	US$ 2 199	amazon.com
16.		Panasonic L10	..	85/100	..	+	3.5/5	4/5	Aug 2007	US$ 599	ebay.com
17.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	US$ 1 999	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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