Panasonic G5 vs G6
The Panasonic Lumix DMC-G5 and the Panasonic Lumix DMC-G6 are two digital cameras that were announced, respectively, in July 2012 and April 2013. Both the G5 and the G6 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. Both cameras offer a resolution of 15.9 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G5 and the Panasonic Lumix DMC-G6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Panasonic G5 and the Panasonic G6 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The G5 can be obtained in two different colors (black, silver), while the G6 is available in three color-versions (black, silver, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G6 is somewhat larger (4 percent) than the Panasonic G5. However, the G6 is slightly lighter (2 percent) than the G5. In this context, it is worth noting that neither the G5 nor the G6 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G5 | 120 mm | 83 mm | 71 mm | 396 g | 320 | n | Jul 2012 | US$ 599 | ebay.com | |
2. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | US$ 599 | ebay.com | |
3. | Olympus E-M10 | 119 mm | 82 mm | 46 mm | 396 g | 320 | n | Jan 2014 | US$ 699 | ebay.com | |
4. | Olympus E-PL5 | 111 mm | 64 mm | 38 mm | 325 g | 360 | n | Sep 2012 | US$ 599 | ebay.com | |
5. | Panasonic G3 | 115 mm | 84 mm | 47 mm | 336 g | 270 | n | May 2011 | US$ 599 | ebay.com | |
6. | Panasonic G7 | 125 mm | 86 mm | 77 mm | 410 g | 350 | n | May 2015 | US$ 649 | ebay.com | |
7. | Panasonic G10 | 124 mm | 84 mm | 74 mm | 388 g | 380 | n | Mar 2010 | US$ 499 | ebay.com | |
8. | Panasonic GF3 | 108 mm | 67 mm | 32 mm | 264 g | 300 | n | Jun 2011 | US$ 549 | ebay.com | |
9. | Panasonic GF5 | 108 mm | 67 mm | 37 mm | 267 g | 360 | n | Apr 2012 | US$ 499 | ebay.com | |
10. | Panasonic GF6 | 111 mm | 65 mm | 38 mm | 323 g | 340 | n | Apr 2013 | US$ 499 | ebay.com | |
11. | Panasonic GH2 | 124 mm | 90 mm | 76 mm | 442 g | 330 | n | Sep 2010 | US$ 899 | ebay.com | |
12. | Panasonic GX1 | 116 mm | 68 mm | 39 mm | 318 g | 320 | n | Nov 2011 | US$ 699 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The two cameras under review were launched at the same price and fall into the same market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 15.9 megapixels. This similarity in sensor specs implies that both the G5 and the G6 have the same pixel density, as well as the same pixel size. It should, however, be noted that the G6 is a somewhat more recent model (by 9 months) than the G5, and its sensor might have benefitted from technological advances during this time.
The Panasonic Lumix DMC-G5 has a native sensitivity range from ISO 160 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-G6 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 160-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.4 | 11.6 | 618 | 61 | |
2. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
3. | Olympus E-M10 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.3 | 884 | 72 | |
4. | Olympus E-PL5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.3 | 889 | 72 | |
5. | Panasonic G3 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 21.0 | 10.6 | 667 | 56 | |
6. | Panasonic G7 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.8 | 12.4 | 904 | 71 | |
7. | Panasonic G10 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.1 | 411 | 52 | |
8. | Panasonic GF3 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.6 | 10.1 | 459 | 50 | |
9. | Panasonic GF5 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.5 | 10.0 | 573 | 50 | |
10. | Panasonic GF6 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 20.7 | 10.6 | 622 | 54 | |
11. | Panasonic GH2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 21.2 | 11.3 | 655 | 60 | |
12. | Panasonic GX1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 20.8 | 10.6 | 703 | 55 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The G5 and the G6 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 1440k dots. The adjacent table lists some of the other core features of the Panasonic G5 and Panasonic G6 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G5 | 1440 | n | 3.0 / 920 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
2. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
3. | Olympus E-M10 | 1440 | n | 3.0 / 1037 | tilting | Y | 1/4000s | 8.0/s | Y | Y | |
4. | Olympus E-PL5 | optional | n | 3.0 / 460 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
5. | Panasonic G3 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 4.0/s | Y | n | |
6. | Panasonic G7 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
7. | Panasonic G10 | 202 | n | 3.0 / 460 | fixed | n | 1/4000s | 2.6/s | Y | n | |
8. | Panasonic GF3 | none | n | 3.0 / 460 | fixed | Y | 1/4000s | 3.2/s | Y | n | |
9. | Panasonic GF5 | none | n | 3.0 / 920 | fixed | Y | 1/4000s | 4.0/s | Y | n | |
10. | Panasonic GF6 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
11. | Panasonic GH2 | 1534 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
12. | Panasonic GX1 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 4.2/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G5 and the G6 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G5 and Panasonic Lumix DMC-G6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
2. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
3. | Olympus E-M10 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
4. | Olympus E-PL5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
5. | Panasonic G3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
6. | Panasonic G7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
7. | Panasonic G10 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
8. | Panasonic GF3 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Panasonic GF5 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
10. | Panasonic GF6 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
11. | Panasonic GH2 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
12. | Panasonic GX1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
It is notable that the G6 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the G5 does not provide wifi capability.
Both the G5 and the G6 have been discontinued, but can regularly be found used on ebay. The G5 was replaced by the Panasonic G6, while the G6 was followed by the Panasonic G7. Further information on the features and operation of the G5 and G6 can be found, respectively, in the Panasonic G5 Manual (free pdf) or the online Panasonic G6 Manual.
Review summary
So how do things add up? Which of the two cameras – the Panasonic G5 or the Panasonic G6 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DMC-G5:
- More heavily discounted: Has been on the market for longer (launched in July 2012).
Arguments in favor of the Panasonic Lumix DMC-G6:
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed LCD: Has a higher resolution rear screen (1036k vs 920k dots).
- Faster burst: Shoots at higher frequency (7 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Was introduced somewhat (9 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the G6 is the clear winner of the contest (8 : 1 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G5 and the Panasonic G6 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the G5 and the G6 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2012 | US$ 599 | ebay.com | |
2. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | US$ 599 | ebay.com | |
3. | Olympus E-M10 | 4/5 | .. | .. | 80/100 | 5/5 | 5/5 | Jan 2014 | US$ 699 | ebay.com | |
4. | Olympus E-PL5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Sep 2012 | US$ 599 | ebay.com | |
5. | Panasonic G3 | 3/5 | + + | .. | 75/100 | 4.5/5 | 5/5 | May 2011 | US$ 599 | ebay.com | |
6. | Panasonic G7 | 4/5 | + + | 3.5/5 | 80/100 | 5/5 | 4.5/5 | May 2015 | US$ 649 | ebay.com | |
7. | Panasonic G10 | 3/5 | .. | .. | 70/100 | 4/5 | 4/5 | Mar 2010 | US$ 499 | ebay.com | |
8. | Panasonic GF3 | 3/5 | 82/100 | .. | 71/100 | 4.5/5 | 4/5 | Jun 2011 | US$ 549 | ebay.com | |
9. | Panasonic GF5 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2012 | US$ 499 | ebay.com | |
10. | Panasonic GF6 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Apr 2013 | US$ 499 | ebay.com | |
11. | Panasonic GH2 | 5/5 | + + | .. | 79/100 | 4.5/5 | 5/5 | Sep 2010 | US$ 899 | ebay.com | |
12. | Panasonic GX1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Nov 2011 | US$ 699 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark II vs Panasonic G6
- Canon SL2 vs Panasonic G6
- Leica V-LUX 1 vs Panasonic G5
- Leica X2 vs Panasonic G5
- Nikon D610 vs Panasonic G5
- Panasonic G5 vs Panasonic TZ90
- Panasonic G5 vs Sony H400
- Panasonic G5 vs Sony HX99
- Panasonic G6 vs Panasonic G7
- Panasonic G6 vs Panasonic G80
- Panasonic G6 vs Pentax KP
- Panasonic G6 vs Sony A6100
Specifications: Panasonic G5 vs Panasonic G6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic G5 | Panasonic G6 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Micro Four Thirds lenses | Micro Four Thirds lenses |
Launch Date | July 2012 | April 2013 |
Launch Price | USD 599 | USD 599 |
Sensor Specs | Panasonic G5 | Panasonic G6 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | Four Thirds Sensor |
Sensor Size | 17.3 x 13.0 mm | 17.3 x 13.0 mm |
Sensor Area | 224.9 mm2 | 224.9 mm2 |
Sensor Diagonal | 21.6 mm | 21.6 mm |
Crop Factor | 2.0x | 2.0x |
Sensor Resolution | 15.9 Megapixels | 15.9 Megapixels |
Image Resolution | 4608 x 3456 pixels | 4608 x 3456 pixels |
Pixel Pitch | 3.76 μm | 3.76 μm |
Pixel Density | 7.08 MP/cm2 | 7.08 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | 1080/60p Video |
ISO Setting | 160 - 12,800 ISO | 160 - 12,800 ISO |
ISO Boost | no Enhancement | 160 - 25,600 ISO |
Image Processor | Venus VII FHD | Venus |
DXO Sensor Quality (score) | 61 | 61 |
DXO Color Depth (bits) | 21.4 | 21.3 |
DXO Dynamic Range (EV) | 11.6 | 11.5 |
DXO Low Light (ISO) | 618 | 639 |
Screen Specs | Panasonic G5 | Panasonic G6 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.70x | 0.70x |
Viewfinder Resolution | 1440k dots | 1440k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 920k dots | 1036k dots |
LCD Attachment | Swivel screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Panasonic G5 | Panasonic G6 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 6 shutter flaps/s | 7 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/4000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Panasonic G5 | Panasonic G6 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Microphone Port | no MIC socket | External MIC port |
Wifi Support | no Wifi | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Body Specs | Panasonic G5 | Panasonic G6 |
Battery Type | Panasonic DMW-BLC12 | Panasonic DMW-BLC12 |
Battery Life (CIPA) | 320 shots per charge | 340 shots per charge |
Body Dimensions |
120 x 83 x 71 mm (4.7 x 3.3 x 2.8 in) |
122 x 85 x 71 mm (4.8 x 3.3 x 2.8 in) |
Camera Weight | 396 g (14.0 oz) | 390 g (13.8 oz) |
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