Panasonic GF5 vs Sony RX1

The Panasonic Lumix DMC-GF5 and the Sony Cyber-shot DSC-RX1 are two digital cameras that were officially introduced, respectively, in April 2012 and September 2012. The GF5 is a mirrorless interchangeable lens camera, while the RX1 is a fixed lens compact. The cameras are based on a Four Thirds (GF5) and a full frame (RX1) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GF5		Sony RX1
Mirrorless system camera		Fixed lens compact camera
Micro Four Thirds lenses		35mm f/2.0
12 MP – Four Thirds sensor		24 MP – Full Frame sensor
1080/60i Video		1080/60p Video
ISO 160-6,400 (160 - 12,800)		ISO 100-25,600 (50 - 102,400)
No viewfinder, LCD framing		Viewfinder optional
3.0" LCD – 920k dots		3.0" LCD – 1229k dots
Fixed touchscreen		Fixed screen (not touch-sensitive)
4 shutter flaps per second		5 shutter flaps per second
360 shots per battery charge		270 shots per battery charge
108 x 67 x 37 mm, 267 g		113 x 65 x 70 mm, 482 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF5 and the Sony Cyber-shot DSC-RX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic GF5 and the Sony RX1. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The GF5 can be obtained in three different colors (black, red, white), while the RX1 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX1 is somewhat larger (2 percent) than the Panasonic GF5. In this context, it is worth noting that neither the GF5 nor the RX1 are weather-sealed.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX1 has a lens built in, whereas the GF5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GF5 and their specifications in the Micro Four Thirds Lens Catalog.

Concerning battery life, the GF5 gets 360 shots out of its Panasonic DMW-BLE9 battery, while the RX1 can take 270 images on a single charge of its Sony NP-BX1 power pack. The power pack in the RX1 can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	US$ 499	ebay.com
2.		Sony RX1	113 mm	65 mm	70 mm	482 g	270	n	Sep 2012	US$ 2 799	ebay.com
3.		Nikon D5300	125 mm	98 mm	76 mm	480 g	600	n	Oct 2013	US$ 799	ebay.com
4.		Olympus E-PM1	110 mm	64 mm	34 mm	265 g	330	n	Jun 2011	US$ 499	ebay.com
5.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	US$ 599	ebay.com
6.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	US$ 599	ebay.com
7.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	US$ 499	ebay.com
8.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	US$ 549	ebay.com
9.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	US$ 549	ebay.com
10.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	US$ 499	ebay.com
11.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	US$ 699	ebay.com
12.		Panasonic GX800	107 mm	65 mm	33 mm	269 g	210	n	Jan 2017	US$ 549	ebay.com
13.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	US$ 499	ebay.com
14.		Sony A3000	128 mm	91 mm	85 mm	411 g	470	n	Aug 2013	US$ 329	ebay.com
15.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	US$ 1 349	ebay.com
16.		Sony RX1R	113 mm	65 mm	70 mm	482 g	270	n	Jun 2013	US$ 2 799	ebay.com
17.		Sony RX1R II	113 mm	65 mm	72 mm	507 g	220	n	Oct 2015	US$ 3 299	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic GF5 features a Four Thirds sensor and the Sony RX1 a full frame sensor. The sensor area in the RX1 is 279 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GF5 has a native 4:3 aspect ratio, while the one in the RX1 offers a 3:2 aspect.

With 24MP, the RX1 offers a higher resolution than the GF5 (12MP), but the RX1 nevertheless has larger individual pixels (pixel pitch of 5.96μm versus 4.33μm for the GF5) due to its larger sensor. Moreover, the RX1 is a somewhat more recent model (by 5 months) than the GF5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony RX1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX1 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GF5 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Panasonic Lumix DMC-GF5 has a native sensitivity range from ISO 160 to ISO 6400, which can be extended to ISO 160-12800. The corresponding ISO settings for the Sony Cyber-shot DSC-RX1 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the RX1 offers substantially better image quality than the GF5 (overall score 43 points higher). The advantage is based on 4.6 bits higher color depth, 4.3 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
2.		Sony RX1	Full Frame	24.0	6000	4000	1080/60p	25.1	14.3	2534	93
3.		Nikon D5300	APS-C	24.0	6000	4000	1080/60p	24.0	13.9	1338	83
4.		Olympus E-PM1	Four Thirds	12.2	4032	3024	1080/60i	21.0	10.3	499	52
5.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
6.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
7.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
8.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
9.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
10.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
11.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
12.		Panasonic GX800	Four Thirds	15.8	4592	3448	4K/30p	23.2	13.3	586	73
13.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
14.		Sony A3000	APS-C	19.8	5456	3632	1080/60i	23.7	12.8	1068	78
15.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81
16.		Sony RX1R	Full Frame	24.0	6000	4000	1080/60p	25.0	13.6	2537	91
17.		Sony RX1R II	Full Frame	42.2	7952	5304	1080/60p	25.8	13.9	3204	97

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the RX1 provides a faster frame rate than the GF5. It can shoot movie footage at 1080/60p, while the Panasonic is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The GF5 and the RX1 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the RX1 can be equipped with an optional viewfinder – the FDA-EV1MK. The following table reports on some other key feature differences and similarities of the Panasonic GF5, the Sony RX1, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
2.		Sony RX1	optional	n	3.0 / 1229	fixed	n	1/4000s	5.0/s	Y	n
3.		Nikon D5300	optical	n	3.2 / 1037	swivel	n	1/4000s	5.0/s	Y	n
4.		Olympus E-PM1	optional	n	3.0 / 460	fixed	n	1/4000s	5.5/s	n	Y
5.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
6.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
7.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
8.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
9.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
10.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
11.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
12.		Panasonic GX800	none	n	3.0 / 1040	tilting	Y	1/500s	10.0/s	Y	n
13.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
14.		Sony A3000	202	n	3.0 / 230	fixed	n	1/4000s	2.5/s	Y	n
15.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
16.		Sony RX1R	optional	n	3.0 / 1229	fixed	n	1/4000s	5.0/s	Y	n
17.		Sony RX1R II	2360	n	3.0 / 1229	tilting	n	1/4000s	5.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GF5 has a touchscreen, while the RX1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The GF5 writes its imaging data to SDXC cards, while the RX1 uses SDXC or Memory Stick PRO Duo cards. The GF5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the RX1 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF5 and Sony Cyber-shot DSC-RX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
2.		Sony RX1	Y	stereo / mono	Y	-	mini	2.0	-	-	-
3.		Nikon D5300	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
4.		Olympus E-PM1	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
7.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
8.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
9.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
10.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
11.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic GX800	-	stereo / mono	-	-	micro	2.0	Y	-	-
13.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Sony A3000	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-
16.		Sony RX1R	Y	stereo / mono	Y	-	mini	2.0	-	-	-
17.		Sony RX1R II	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-

It is notable that the RX1 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The GF5 does not feature such a mic input.

Both the GF5 and the RX1 have been discontinued, but can regularly be found used on ebay. The GF5 was replaced by the Panasonic GF6, while the RX1 was followed by the Sony RX1R. Further information on the features and operation of the GF5 and RX1 can be found, respectively, in the Panasonic GF5 Manual (free pdf) or the online Sony RX1 Manual.

Review summary

So how do things add up? Which of the two cameras – the Panasonic GF5 or the Sony RX1 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Panasonic Lumix DMC-GF5:

• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• Longer lasting: Can take more shots (360 versus 270) on a single battery charge.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More heavily discounted: Has been on the market for longer (launched in April 2012).

Arguments in favor of the Sony Cyber-shot DSC-RX1:

• More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
• Better image quality: Scores substantially higher (43 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (4.6 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (4.3 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (2.1 stops ISO advantage).
• Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
• More detailed LCD: Has a higher resolution rear screen (1229k vs 920k dots).
• Faster burst: Shoots at higher frequency (5 vs 4 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has an integrated lens, whereas the GF5 necessitates an extra lens.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• More modern: Was introduced somewhat (5 months) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the RX1 is the clear winner of the contest (14 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GF5 and the Sony RX1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the GF5 or the RX1 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	US$ 499	ebay.com
2.		Sony RX1	5/5	..	..	79/100	4/5	4.5/5	Sep 2012	US$ 2 799	ebay.com
3.		Nikon D5300	4/5	+ +	..	79/100	4.5/5	4.5/5	Oct 2013	US$ 799	ebay.com
4.		Olympus E-PM1	..	86/100	..	71/100	4.5/5	4.5/5	Jun 2011	US$ 499	ebay.com
5.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	US$ 599	ebay.com
6.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	US$ 599	ebay.com
7.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	US$ 499	ebay.com
8.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	US$ 549	ebay.com
9.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	US$ 549	ebay.com
10.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	US$ 499	ebay.com
11.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	US$ 699	ebay.com
12.		Panasonic GX800	..	+	..	76/100	4.5/5	4.5/5	Jan 2017	US$ 549	ebay.com
13.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	US$ 499	ebay.com
14.		Sony A3000	3/5	+	..	..	4/5	4/5	Aug 2013	US$ 329	ebay.com
15.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	US$ 1 349	ebay.com
16.		Sony RX1R	5/5	..	..	..	4/5	4.5/5	Jun 2013	US$ 2 799	ebay.com
17.		Sony RX1R II	5/5	..	..	82/100	..	4.5/5	Oct 2015	US$ 3 299	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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