Panasonic GF7 vs Ricoh WG-60
The Panasonic Lumix DMC-GF7 and the Ricoh WG-60 are two digital cameras that were officially introduced, respectively, in January 2015 and October 2018. The GF7 is a mirrorless interchangeable lens camera, while the WG-60 is a fixed lens compact. The cameras are based on a Four Thirds (GF7) and a 1/2.3-inch (WG-60) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Ricoh provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF7 and the Ricoh WG-60? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Panasonic GF7 and the Ricoh WG-60. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The GF7 can be obtained in two different colors (black, pink), while the WG-60 is also available in two color-versions, but different ones (black, red).



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Ricoh WG-60 is notably larger (10 percent) than the Panasonic GF7. It is noteworthy in this context that the WG-60 is splash and dust-proof, while the GF7 does not feature any corresponding weather-sealing. More than that, the WG-60 is water-proof up to 14m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the WG-60 has a lens built in, whereas the GF7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GF7 and their specifications in the Micro Four Thirds Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GF7 | 107 mm | 65 mm | 33 mm | 266 g | 230 | n | Jan 2015 | US$ 499 | ebay.com | |
| 2. | Ricoh WG-60 | 123 mm | 62 mm | 30 mm | 193 g | 300 | Y | Oct 2018 | US$ 279 | ebay.com | |
| 3. | Fujifilm XP120 | 110 mm | 71 mm | 28 mm | 203 g | 210 | Y | Jan 2017 | US$ 229 | ebay.com | |
| 4. | Fujifilm XP130 | 110 mm | 71 mm | 28 mm | 207 g | 240 | Y | Jan 2018 | US$ 229 | ebay.com | |
| 5. | Nikon W300 | 112 mm | 66 mm | 29 mm | 231 g | 280 | Y | May 2017 | US$ 389 | ebay.com | |
| 6. | Panasonic G3 | 115 mm | 84 mm | 47 mm | 336 g | 270 | n | May 2011 | US$ 599 | ebay.com | |
| 7. | Panasonic G5 | 120 mm | 83 mm | 71 mm | 396 g | 320 | n | Jul 2012 | US$ 599 | ebay.com | |
| 8. | Panasonic G7 | 125 mm | 86 mm | 77 mm | 410 g | 350 | n | May 2015 | US$ 649 | ebay.com | |
| 9. | Panasonic GF2 | 113 mm | 68 mm | 33 mm | 310 g | 300 | n | Nov 2010 | US$ 549 | ebay.com | |
| 10. | Panasonic GF3 | 108 mm | 67 mm | 32 mm | 264 g | 300 | n | Jun 2011 | US$ 549 | ebay.com | |
| 11. | Panasonic GF5 | 108 mm | 67 mm | 37 mm | 267 g | 360 | n | Apr 2012 | US$ 499 | ebay.com | |
| 12. | Panasonic GF6 | 111 mm | 65 mm | 38 mm | 323 g | 340 | n | Apr 2013 | US$ 499 | ebay.com | |
| 13. | Panasonic GM5 | 99 mm | 60 mm | 36 mm | 211 g | 220 | n | Sep 2014 | US$ 749 | ebay.com | |
| 14. | Panasonic GX1 | 116 mm | 68 mm | 39 mm | 318 g | 320 | n | Nov 2011 | US$ 699 | ebay.com | |
| 15. | Panasonic GX850 | 107 mm | 65 mm | 33 mm | 269 g | 210 | n | Jan 2017 | US$ 549 | ebay.com | |
| 16. | Pentax WG-90 | 123 mm | 62 mm | 30 mm | 194 g | 300 | Y | Nov 2023 | US$ 279 | amazon.com | |
| 17. | Pentax WG-1000 | 116 mm | 69 mm | 51 mm | 220 g | 300 | Y | Jun 2024 | US$ 229 | amazon.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The WG-60 was launched at a lower price than the GF7, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GF7 features a Four Thirds sensor and the Ricoh WG-60 a 1/2.3-inch sensor. The sensor area in the WG-60 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

Despite having a smaller sensor, the WG-60 offers a slightly higher resolution of 15.9 megapixels, compared with 15.8 MP of the GF7. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.33μm versus 3.77μm for the GF7). However, it should be noted that the WG-60 is much more recent (by 3 years and 9 months) than the GF7, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the WG-60 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Panasonic Lumix DMC-GF7 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Ricoh WG-60 are ISO 125 to ISO 6400 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GF7 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.7 | 12.3 | 874 | 70 | |
| 2. | Ricoh WG-60 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.6 | 12.2 | 1072 | 51 | |
| 3. | Fujifilm XP120 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.5 | 11.9 | 900 | 49 | |
| 4. | Fujifilm XP130 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.6 | 12.1 | 1000 | 51 | |
| 5. | Nikon W300 | 1/2.3 | 15.9 | 4608 | 3456 | 4K/30p | 20.5 | 12.0 | 938 | 50 | |
| 6. | Panasonic G3 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 21.0 | 10.6 | 667 | 56 | |
| 7. | Panasonic G5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.4 | 11.6 | 618 | 61 | |
| 8. | Panasonic G7 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.8 | 12.4 | 904 | 71 | |
| 9. | Panasonic GF2 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 21.2 | 10.3 | 506 | 54 | |
| 10. | Panasonic GF3 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.6 | 10.1 | 459 | 50 | |
| 11. | Panasonic GF5 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.5 | 10.0 | 573 | 50 | |
| 12. | Panasonic GF6 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 20.7 | 10.6 | 622 | 54 | |
| 13. | Panasonic GM5 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.1 | 11.7 | 721 | 66 | |
| 14. | Panasonic GX1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 20.8 | 10.6 | 703 | 55 | |
| 15. | Panasonic GX850 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 23.2 | 13.3 | 586 | 73 | |
| 16. | Pentax WG-90 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.9 | 12.8 | 1570 | 54 | |
| 17. | Pentax WG-1000 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/30p | 20.9 | 12.8 | 1626 | 54 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GF7 provides a higher frame rate than the WG-60. It can shoot video footage at 1080/60p, while the Ricoh is limited to 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The GF7 and the WG-60 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The adjacent table lists some of the other core features of the Panasonic GF7 and Ricoh WG-60 along with similar information for a selection of comparators.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GF7 | none | n | 3.0 / 1040 | tilting | Y | 1/500s | 5.8/s | Y | n | |
| 2. | Ricoh WG-60 | none | n | 2.7 / 230 | fixed | n | 1/4000s | 8.0/s | Y | n | |
| 3. | Fujifilm XP120 | none | n | 3.0 / 920 | fixed | n | 1/2000s | 10.0/s | Y | Y | |
| 4. | Fujifilm XP130 | none | n | 3.0 / 920 | fixed | n | 1/2000s | 10.0/s | Y | Y | |
| 5. | Nikon W300 | none | n | 3.0 / 921 | fixed | n | 1/4000s | 7.0/s | Y | Y | |
| 6. | Panasonic G3 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 4.0/s | Y | n | |
| 7. | Panasonic G5 | 1440 | n | 3.0 / 920 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
| 8. | Panasonic G7 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
| 9. | Panasonic GF2 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 2.6/s | Y | n | |
| 10. | Panasonic GF3 | none | n | 3.0 / 460 | fixed | Y | 1/4000s | 3.2/s | Y | n | |
| 11. | Panasonic GF5 | none | n | 3.0 / 920 | fixed | Y | 1/4000s | 4.0/s | Y | n | |
| 12. | Panasonic GF6 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
| 13. | Panasonic GM5 | 1166 | n | 3.0 / 921 | fixed | Y | 1/500s | 5.8/s | n | n | |
| 14. | Panasonic GX1 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 4.2/s | Y | n | |
| 15. | Panasonic GX850 | none | n | 3.0 / 1040 | tilting | Y | 1/500s | 10.0/s | Y | n | |
| 16. | Pentax WG-90 | none | n | 2.7 / 230 | fixed | n | 1/4000s | 8.0/s | Y | n | |
| 17. | Pentax WG-1000 | none | n | 2.7 / 230 | fixed | n | 1/2000s | 8.0/s | Y | n | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GF7 has a touchscreen, while the WG-60 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The GF7 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the WG-60 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GF7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Ricoh WG-60 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GF7 and the WG-60 write their files to SDXC cards. The GF7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the WG-60 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF7 and Ricoh WG-60 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GF7 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 2. | Ricoh WG-60 | - | mono / mono | - | - | micro | 2.0 | - | - | - | |
| 3. | Fujifilm XP120 | - | mono / mono | - | - | micro | 2.0 | Y | - | - | |
| 4. | Fujifilm XP130 | - | mono / mono | - | - | micro | 2.0 | Y | - | Y | |
| 5. | Nikon W300 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
| 6. | Panasonic G3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 7. | Panasonic G5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 8. | Panasonic G7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
| 9. | Panasonic GF2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 10. | Panasonic GF3 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 11. | Panasonic GF5 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 12. | Panasonic GF6 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
| 13. | Panasonic GM5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 14. | Panasonic GX1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 15. | Panasonic GX850 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 16. | Pentax WG-90 | - | mono / mono | - | - | micro | 2.0 | - | - | - | |
| 17. | Pentax WG-1000 | - | mono / mono | - | - | - | 2.0 | - | - | - |
It is notable that the GF7 offers wifi support, while the WG-60 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the GF7 and the WG-60 have been discontinued, but can regularly be found used on ebay. The GF7 was replaced by the Panasonic GX850, while the WG-60 does not have a direct successor. Further information on the features and operation of the GF7 and WG-60 can be found, respectively, in the Panasonic GF7 Manual (free pdf) or the online Ricoh WG-60 Manual.
Review summary
So how do things add up? Which of the two cameras – the Panasonic GF7 or the Ricoh WG-60 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Panasonic Lumix DMC-GF7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60p).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been available for much longer (launched in January 2015).

Advantages of the Ricoh WG-60:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 5.8 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has an integrated lens, whereas the GF7 necessitates an extra lens.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the GF7).
- Longer lasting: Gets more shots (300 versus 230) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 14m).
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 3 years and 9 months of technical progress since the GF7 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GF7 is the clear winner of the match-up (17 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GF7 and the Ricoh WG-60 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GF7 or the WG-60. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GF7 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Jan 2015 | US$ 499 | ebay.com | |
| 2. | Ricoh WG-60 | .. | .. | .. | .. | .. | .. | Oct 2018 | US$ 279 | ebay.com | |
| 3. | Fujifilm XP120 | .. | o | .. | .. | 3.5/5 | 4/5 | Jan 2017 | US$ 229 | ebay.com | |
| 4. | Fujifilm XP130 | .. | o | .. | .. | 3.5/5 | 4/5 | Jan 2018 | US$ 229 | ebay.com | |
| 5. | Nikon W300 | .. | + | .. | .. | 4/5 | 4/5 | May 2017 | US$ 389 | ebay.com | |
| 6. | Panasonic G3 | 3/5 | + + | .. | 75/100 | 4.5/5 | 5/5 | May 2011 | US$ 599 | ebay.com | |
| 7. | Panasonic G5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2012 | US$ 599 | ebay.com | |
| 8. | Panasonic G7 | 4/5 | + + | 3.5/5 | 80/100 | 5/5 | 4.5/5 | May 2015 | US$ 649 | ebay.com | |
| 9. | Panasonic GF2 | 3/5 | 82/100 | .. | 70/100 | 4.5/5 | 4.5/5 | Nov 2010 | US$ 549 | ebay.com | |
| 10. | Panasonic GF3 | 3/5 | 82/100 | .. | 71/100 | 4.5/5 | 4/5 | Jun 2011 | US$ 549 | ebay.com | |
| 11. | Panasonic GF5 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2012 | US$ 499 | ebay.com | |
| 12. | Panasonic GF6 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Apr 2013 | US$ 499 | ebay.com | |
| 13. | Panasonic GM5 | 3.5/5 | + | .. | 77/100 | 5/5 | 4.5/5 | Sep 2014 | US$ 749 | ebay.com | |
| 14. | Panasonic GX1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Nov 2011 | US$ 699 | ebay.com | |
| 15. | Panasonic GX850 | .. | + | .. | 76/100 | 4.5/5 | 4.5/5 | Jan 2017 | US$ 549 | ebay.com | |
| 16. | Pentax WG-90 | .. | .. | .. | .. | .. | .. | Nov 2023 | US$ 279 | amazon.com | |
| 17. | Pentax WG-1000 | .. | .. | .. | .. | .. | .. | Jun 2024 | US$ 229 | amazon.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon R5 Mark II vs Panasonic GF7
- Fujifilm X-E2S vs Ricoh WG-60
- Fujifilm X-T1 vs Panasonic GF7
- Leica SL2 vs Ricoh WG-60
- Nikon D300 vs Ricoh WG-60
- Nikon D7100 vs Panasonic GF7
- Olympus E-500 vs Ricoh WG-60
- Panasonic G80 vs Panasonic GF7
- Panasonic GF7 vs Sony A7C
- Panasonic GF7 vs Sony A7R III
- Pentax K-1 vs Ricoh WG-60
- Ricoh WG-60 vs Sony A77 II
Specifications: Panasonic GF7 vs Ricoh WG-60
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Panasonic GF7 | Ricoh WG-60 |
|---|---|---|
| Camera Type | Mirrorless system camera | Fixed lens compact camera |
| Camera Lens | Micro Four Thirds lenses | 28-140mm f/3.5-5.5 |
| Launch Date | January 2015 | October 2018 |
| Launch Price | USD 499 | USD 279 |
| Sensor Specs | Panasonic GF7 | Ricoh WG-60 |
| Sensor Technology | CMOS | CMOS |
| Sensor Format | Four Thirds Sensor | 1/2.3" Sensor |
| Sensor Size | 17.3 x 13.0 mm | 6.17 x 4.55 mm |
| Sensor Area | 224.9 mm2 | 28.0735 mm2 |
| Sensor Diagonal | 21.6 mm | 7.7 mm |
| Crop Factor | 2.0x | 5.6x |
| Sensor Resolution | 15.8 Megapixels | 15.9 Megapixels |
| Image Resolution | 4592 x 3448 pixels | 4608 x 3456 pixels |
| Pixel Pitch | 3.77 μm | 1.33 μm |
| Pixel Density | 7.04 MP/cm2 | 56.73 MP/cm2 |
| Moiré control | Anti-Alias filter | no AA filter |
| Movie Capability | 1080/60p Video | 1080/60p Video |
| ISO Setting | 200 - 25,600 ISO | 125 - 6,400 ISO |
| ISO Boost | 100 - 25,600 ISO | no Enhancement |
| Screen Specs | Panasonic GF7 | Ricoh WG-60 |
| Viewfinder Type | no viewfinder | no viewfinder |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.0inch | 2.7inch |
| LCD Resolution | 1040k dots | 230k dots |
| LCD Attachment | Tilting screen | Fixed screen |
| Touch Input | Touchscreen | no Touchscreen |
| Shooting Specs | Panasonic GF7 | Ricoh WG-60 |
| Focus System | Contrast-detect AF | Contrast-detect AF |
| Manual Focusing Aid | Focus Peaking | no Peaking Feature |
| Continuous Shooting | 5.8 shutter flaps/s | 8 shutter flaps/s |
| Electronic Shutter | up to 1/16000s | no E-Shutter |
| Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
| Fill Flash | Built-in Flash | Built-in Flash |
| Storage Medium | SDXC cards | SDXC cards |
| Single or Dual Card Slots | Single card slot | Single card slot |
| UHS card support | UHS-I | no |
| Connectivity Specs | Panasonic GF7 | Ricoh WG-60 |
| External Flash | no Hotshoe | no Hotshoe |
| USB Connector | USB 2.0 | USB 2.0 |
| HDMI Port | micro HDMI | micro HDMI |
| Wifi Support | Wifi built-in | no Wifi |
| Near-Field Communication | NFC built-in | no NFC |
| Body Specs | Panasonic GF7 | Ricoh WG-60 |
| Environmental Sealing | not weather sealed | Waterproof body (14m) |
| Battery Type | Panasonic DMW-BLH7 | Ricoh D-LI92 |
| Battery Life (CIPA) | 230 shots per charge | 300 shots per charge |
| Body Dimensions |
107 x 65 x 33 mm (4.2 x 2.6 x 1.3 in) |
123 x 62 x 30 mm (4.8 x 2.4 x 1.2 in) |
| Camera Weight | 266 g (9.4 oz) | 193 g (6.8 oz) |

Check GF7 offers at
ebay.com

Check WG-60 offers at
ebay.com
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