Panasonic GH7 vs Pentax K-70
The Panasonic Lumix DC-GH7 and the Pentax K-70 are two digital cameras that were revealed to the public, respectively, in June 2024 and June 2016. The GH7 is a mirrorless interchangeable lens camera, while the K-70 is a DSLR. The cameras are based on a Four Thirds (GH7) and an APS-C (K-70) sensor. The Panasonic has a resolution of 25 megapixels, whereas the Pentax provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check GH7 price at
amazon.com

Check K-70 offers at
ebay.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-GH7 and the Pentax K-70? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Panasonic GH7 and the Pentax K-70 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The K-70 can be obtained in two different colors (black, silver), while the GH7 is only available in black.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-70 is notably smaller (15 percent) than the Panasonic GH7. Moreover, the K-70 is markedly lighter (15 percent) than the GH7. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GH7 gets 380 shots out of its Panasonic DMW-BLK22 battery, while the K-70 can take 410 images on a single charge of its Pentax D-LI109 power pack. The power pack in the GH7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GH7 | 138 mm | 100 mm | 100 mm | 805 g | 380 | Y | Jun 2024 | US$ 2 199 | amazon.com | |
| 2. | Pentax K-70 | 126 mm | 93 mm | 74 mm | 688 g | 410 | Y | Jun 2016 | US$ 649 | ebay.com | |
| 3. | Nikon Z6 III | 139 mm | 102 mm | 74 mm | 670 g | 380 | Y | Jun 2024 | US$ 2 499 | amazon.com | |
| 4. | Nikon Zf | 144 mm | 103 mm | 49 mm | 710 g | 380 | Y | Sep 2023 | US$ 1 999 | amazon.com | |
| 5. | Panasonic G9 II | 134 mm | 102 mm | 90 mm | 658 g | 390 | Y | Sep 2023 | US$ 1 899 | amazon.com | |
| 6. | Panasonic GH5 | 139 mm | 98 mm | 87 mm | 725 g | 410 | Y | Jan 2017 | US$ 1 999 | ebay.com | |
| 7. | Panasonic GH5 II | 139 mm | 98 mm | 87 mm | 727 g | 400 | Y | May 2021 | US$ 1 699 | amazon.com | |
| 8. | Panasonic GH6 | 138 mm | 100 mm | 100 mm | 823 g | 360 | Y | Feb 2022 | US$ 2 199 | amazon.com | |
| 9. | Panasonic S1 II | 134 mm | 102 mm | 92 mm | 800 g | 350 | Y | May 2025 | US$ 3 199 | amazon.com | |
| 10. | Panasonic S5 | 133 mm | 98 mm | 82 mm | 714 g | 440 | Y | Sep 2020 | US$ 1 999 | amazon.com | |
| 11. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | US$ 1 999 | amazon.com | |
| 12. | Pentax K-3 | 131 mm | 100 mm | 77 mm | 800 g | 560 | Y | Oct 2013 | US$ 1 299 | ebay.com | |
| 13. | Pentax K-3 II | 131 mm | 100 mm | 77 mm | 800 g | 720 | Y | Apr 2015 | US$ 1 099 | ebay.com | |
| 14. | Pentax K-3 III | 135 mm | 104 mm | 74 mm | 820 g | 800 | Y | Mar 2021 | US$ 1 999 | amazon.com | |
| 15. | Pentax K-50 | 130 mm | 97 mm | 71 mm | 650 g | 410 | Y | Jun 2013 | US$ 599 | ebay.com | |
| 16. | Pentax KP | 132 mm | 101 mm | 76 mm | 703 g | 390 | Y | Jan 2017 | US$ 1 099 | ebay.com | |
| 17. | Pentax K-S2 | 123 mm | 91 mm | 73 mm | 678 g | 410 | Y | Feb 2015 | US$ 749 | ebay.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The K-70 was launched at a markedly lower price (by 70 percent) than the GH7, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GH7 features a Four Thirds sensor and the Pentax K-70 an APS-C sensor. The sensor area in the K-70 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GH7 has a native 4:3 aspect ratio, while the one in the K-70 offers a 3:2 aspect.

Despite having a smaller sensor, the Panasonic GH7 offers a higher resolution of 25 megapixels, compared with 24 MP of the Pentax K-70. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.00μm versus 3.91μm for the K-70). However, it should be noted that the GH7 is much more recent (by 7 years and 11 months) than the K-70, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Both cameras have the capacity to capture high quality composite images by combining multiple shots after shifting the sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-GH7 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-25600. The corresponding ISO settings for the Pentax K-70 are ISO 100 to ISO 102400 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GH7 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.6 | 1784 | 78 | |
| 2. | Pentax K-70 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 23.8 | 13.1 | 1639 | 80 | |
| 3. | Nikon Z6 III | Full Frame | 24.3 | 6048 | 4024 | 6K/60p | 25.4 | 14.8 | 3318 | 97 | |
| 4. | Nikon Zf | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.4 | 14.7 | 3243 | 96 | |
| 5. | Panasonic G9 II | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.5 | 1710 | 78 | |
| 6. | Panasonic GH5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.9 | 13.0 | 807 | 77 | |
| 7. | Panasonic GH5 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.7 | 13.1 | 1136 | 79 | |
| 8. | Panasonic GH6 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.4 | 1555 | 77 | |
| 9. | Panasonic S1 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.8 | 3406 | 97 | |
| 10. | Panasonic S5 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.1 | 14.5 | 2697 | 94 | |
| 11. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
| 12. | Pentax K-3 | APS-C | 24.1 | 6016 | 4000 | 1080/60i | 23.7 | 13.4 | 1216 | 80 | |
| 13. | Pentax K-3 II | APS-C | 24.1 | 6016 | 4000 | 1080/60i | 23.6 | 13.6 | 1106 | 80 | |
| 14. | Pentax K-3 III | APS-C | 25.6 | 6192 | 4128 | 4K/30p | 24.2 | 13.7 | 2083 | 85 | |
| 15. | Pentax K-50 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.7 | 13.0 | 1120 | 79 | |
| 16. | Pentax KP | APS-C | 24.1 | 6016 | 4000 | 1080/60i | 23.9 | 13.2 | 1699 | 81 | |
| 17. | Pentax K-S2 | APS-C | 20.0 | 5472 | 3648 | 1080/30p | 23.6 | 12.9 | 1514 | 79 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GH7 provides a higher video resolution than the K-70. It can shoot video footage at 5.7K/60p, while the Pentax is limited to 1080/60i.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GH7 has an electronic viewfinder (3680k dots), while the K-70 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GH7 has a higher magnification than the one of the K-70 (0.8x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Panasonic GH7, the Pentax K-70, and comparable cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GH7 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
| 2. | Pentax K-70 | optical | n | 3.0 / 921 | swivel | n | 1/6000s | 6.0/s | Y | Y | |
| 3. | Nikon Z6 III | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 14.0/s | n | Y | |
| 4. | Nikon Zf | 3690 | n | 3.2 / 2100 | swivel | Y | 1/8000s | 14.0/s | n | Y | |
| 5. | Panasonic G9 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
| 6. | Panasonic GH5 | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 7. | Panasonic GH5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 8. | Panasonic GH6 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
| 9. | Panasonic S1 II | 5760 | n | 3.2 / 1840 | full-flex | Y | 1/8000s | 10.0/s | n | Y | |
| 10. | Panasonic S5 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 7.0/s | n | Y | |
| 11. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
| 12. | Pentax K-3 | optical | Y | 3.2 / 1037 | fixed | n | 1/8000s | 8.3/s | Y | Y | |
| 13. | Pentax K-3 II | optical | Y | 3.2 / 1037 | fixed | n | 1/8000s | 8.3/s | n | Y | |
| 14. | Pentax K-3 III | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 12.0/s | n | Y | |
| 15. | Pentax K-50 | optical | n | 3.0 / 921 | fixed | n | 1/6000s | 6.0/s | Y | Y | |
| 16. | Pentax KP | optical | n | 3.0 / 921 | tilting | n | 1/6000s | 7.0/s | Y | Y | |
| 17. | Pentax K-S2 | optical | n | 3.0 / 921 | swivel | n | 1/6000s | 5.4/s | Y | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GH7 has a touchscreen, while the K-70 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH7 and the Pentax K-70 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GH7 writes its imaging data to CFexpress (type B) or SDXC cards, while the K-70 uses SDXC cards. The GH7 features dual card slots, which can be very useful in case a memory card fails. In contrast, the K-70 only has one slot. The GH7 supports UHS-II cards (on both slots), while the K-70 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-GH7 and Pentax K-70 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GH7 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 2. | Pentax K-70 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
| 3. | Nikon Z6 III | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 4. | Nikon Zf | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 5. | Panasonic G9 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 6. | Panasonic GH5 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
| 7. | Panasonic GH5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 8. | Panasonic GH6 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 9. | Panasonic S1 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 10. | Panasonic S5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 11. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 12. | Pentax K-3 | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
| 13. | Pentax K-3 II | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
| 14. | Pentax K-3 III | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 15. | Pentax K-50 | Y | mono / mono | - | - | micro | 2.0 | - | - | - | |
| 16. | Pentax KP | Y | stereo / mono | Y | - | - | 2.0 | Y | - | - | |
| 17. | Pentax K-S2 | Y | mono / mono | Y | - | micro | 2.0 | Y | Y | - |
It is notable that the GH7 has a headphone jack, which is not present on the K-70 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Studio photographers will appreciate that the Panasonic GH7 (unlike the K-70) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GH7 is a recent model that features in the current product line-up of Panasonic. In contrast, the K-70 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the K-70 from Pentax. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Pentax websites.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Panasonic GH7 or the Pentax K-70 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Panasonic Lumix DC-GH7:
- Better video: Provides higher definition movie capture (5.7K/60p vs 1080/60i).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.8x vs 0.63x).
- More detailed LCD: Has a higher resolution rear screen (1840k vs 921k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/6000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 7 years and 11 months of technical progress since the K-70 launch.

Arguments in favor of the Pentax K-70:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More compact: Is smaller (126x93mm vs 138x100mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 117g or 15 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in June 2016).
If the count of individual advantages (bullet points above) is taken as a guide, the GH7 is the clear winner of the match-up (18 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GH7 and the Pentax K-70 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GH7 or the K-70. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GH7 | .. | .. | .. | .. | .. | .. | Jun 2024 | US$ 2 199 | amazon.com | |
| 2. | Pentax K-70 | 4.5/5 | .. | 4/5 | 79/100 | 4.5/5 | 4.5/5 | Jun 2016 | US$ 649 | ebay.com | |
| 3. | Nikon Z6 III | .. | .. | .. | .. | .. | .. | Jun 2024 | US$ 2 499 | amazon.com | |
| 4. | Nikon Zf | 4.5/5 | .. | 4.5/5 | 90/100 | 4.5/5 | 5/5 | Sep 2023 | US$ 1 999 | amazon.com | |
| 5. | Panasonic G9 II | 5/5 | .. | 4.5/5 | 87/100 | .. | 4.5/5 | Sep 2023 | US$ 1 899 | amazon.com | |
| 6. | Panasonic GH5 | 4.5/5 | + + | .. | 85/100 | 4.5/5 | 5/5 | Jan 2017 | US$ 1 999 | ebay.com | |
| 7. | Panasonic GH5 II | 4.5/5 | .. | 4.5/5 | 85/100 | 4.5/5 | 5/5 | May 2021 | US$ 1 699 | amazon.com | |
| 8. | Panasonic GH6 | 5/5 | + + | 5/5 | 87/100 | 5/5 | 5/5 | Feb 2022 | US$ 2 199 | amazon.com | |
| 9. | Panasonic S1 II | .. | .. | .. | .. | .. | .. | May 2025 | US$ 3 199 | amazon.com | |
| 10. | Panasonic S5 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Sep 2020 | US$ 1 999 | amazon.com | |
| 11. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | US$ 1 999 | amazon.com | |
| 12. | Pentax K-3 | 4/5 | .. | .. | 83/100 | 5/5 | 5/5 | Oct 2013 | US$ 1 299 | ebay.com | |
| 13. | Pentax K-3 II | 4.5/5 | .. | .. | .. | 5/5 | 5/5 | Apr 2015 | US$ 1 099 | ebay.com | |
| 14. | Pentax K-3 III | 4/5 | .. | 3/5 | .. | 4.5/5 | .. | Mar 2021 | US$ 1 999 | amazon.com | |
| 15. | Pentax K-50 | 5/5 | .. | .. | .. | 5/5 | 4.5/5 | Jun 2013 | US$ 599 | ebay.com | |
| 16. | Pentax KP | 4/5 | .. | 3/5 | 82/100 | 5/5 | 4.5/5 | Jan 2017 | US$ 1 099 | ebay.com | |
| 17. | Pentax K-S2 | 4.5/5 | .. | .. | .. | 5/5 | 4.5/5 | Feb 2015 | US$ 749 | ebay.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Check GH7 price at
amazon.com

Check K-70 offers at
ebay.com
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon R5 vs Panasonic GH7
- Canon SX540 vs Pentax K-70
- Fujifilm X-A3 vs Pentax K-70
- Fujifilm X-E5 vs Panasonic GH7
- Fujifilm X-S20 vs Panasonic GH7
- Nikon D1 vs Pentax K-70
- Nikon D4 vs Pentax K-70
- Nikon P1100 vs Panasonic GH7
- Panasonic G7 vs Panasonic GH7
- Panasonic GH7 vs Sony A7R IVA
- Pentax K-500 vs Pentax K-70
- Pentax K-70 vs Sony A7C II
Specifications: Panasonic GH7 vs Pentax K-70
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Panasonic GH7 | Pentax K-70 |
|---|---|---|
| Camera Type | Mirrorless system camera | Digital single lens reflex |
| Camera Lens | Micro Four Thirds lenses | Pentax K mount lenses |
| Launch Date | June 2024 | June 2016 |
| Launch Price | USD 2,199 | USD 649 |
| Sensor Specs | Panasonic GH7 | Pentax K-70 |
| Sensor Technology | CMOS | CMOS |
| Sensor Format | Four Thirds Sensor | APS-C Sensor |
| Sensor Size | 17.3 x 13.0 mm | 23.5 x 15.6 mm |
| Sensor Area | 224.9 mm2 | 366.6 mm2 |
| Sensor Diagonal | 21.6 mm | 28.2 mm |
| Crop Factor | 2.0x | 1.5x |
| Sensor Resolution | 25 Megapixels | 24 Megapixels |
| Image Resolution | 5776 x 4336 pixels | 6000 x 4000 pixels |
| Pixel Pitch | 3.00 μm | 3.91 μm |
| Pixel Density | 11.14 MP/cm2 | 6.55 MP/cm2 |
| Moiré control | no AA filter | no AA filter |
| Movie Capability | 5.7K/60p Video | 1080/60i Video |
| ISO Setting | 100 - 25,600 ISO | 100 - 102,400 ISO |
| ISO Boost | 50 - 25,600 ISO | no Enhancement |
| Image Processor | Venus | PRIME MII |
| Screen Specs | Panasonic GH7 | Pentax K-70 |
| Viewfinder Type | Electronic viewfinder | Optical viewfinder |
| Viewfinder Field of View | 100% | 100% |
| Viewfinder Magnification | 0.8x | 0.63x |
| Viewfinder Resolution | 3680k dots | |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.0inch | 3.0inch |
| LCD Resolution | 1840k dots | 921k dots |
| LCD Attachment | Fully flexible screen | Swivel screen |
| Touch Input | Touchscreen | no Touchscreen |
| Shooting Specs | Panasonic GH7 | Pentax K-70 |
| Focus System | On-Sensor Phase-detect | Phase-detect AF |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/8000s | 1/6000s |
| Continuous Shooting | 14 shutter flaps/s | 6 shutter flaps/s |
| Shutter Life Expectancy | 200 000 actuations | 100 000 actuations |
| Electronic Shutter | up to 1/32000s | no E-Shutter |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Image Stabilization | In-body stabilization | In-body stabilization |
| Fill Flash | no On-Board Flash | Built-in Flash |
| Storage Medium | CFexB or SDXC cards | SDXC cards |
| Single or Dual Card Slots | Dual card slots | Single card slot |
| UHS card support | Dual UHS-II | UHS-I |
| Connectivity Specs | Panasonic GH7 | Pentax K-70 |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | PC Sync socket | no PC Sync |
| USB Connector | USB 3.2 | USB 2.0 |
| HDMI Port | full HDMI | mini HDMI |
| Microphone Port | External MIC port | External MIC port |
| Headphone Socket | Headphone port | no Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | Bluetooth built-in | no Bluetooth |
| Body Specs | Panasonic GH7 | Pentax K-70 |
| Environmental Sealing | Weathersealed body | Weathersealed body |
| Battery Type | Panasonic DMW-BLK22 | Pentax D-LI109 |
| Battery Life (CIPA) | 380 shots per charge | 410 shots per charge |
| In-Camera Charging | USB charging | no USB charging |
| Body Dimensions |
138 x 100 x 100 mm (5.4 x 3.9 x 3.9 in) |
126 x 93 x 74 mm (5.0 x 3.7 x 2.9 in) |
| Camera Weight | 805 g (28.4 oz) | 688 g (24.3 oz) |

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