Panasonic GM5 vs Sony ZV-E10 II

The Panasonic Lumix DMC-GM5 and the Sony ZV-E10 II are two digital cameras that were officially introduced, respectively, in September 2014 and July 2024. Both the GM5 and the ZV-E10 II are mirrorless interchangeable lens cameras that are based on a Four Thirds (GM5) and an APS-C (ZV-E10 II) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 25.6 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GM5		Sony ZV-E10 II
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
15.8 MP – Four Thirds sensor		25.6 MP – APS-C sensor
1080/60p Video		4K/60p Video
ISO 200-25,600		ISO 100-32,000 (50 - 102,400)
Electronic viewfinder (1166k dots)		No viewfinder, LCD framing
3.0" LCD – 921k dots		3.0" LCD – 1036k dots
Fixed touchscreen		Swivel touchscreen
5.8 shutter flaps per second		11 shutter flaps per second
220 shots per battery charge		610 shots per battery charge
99 x 60 x 36 mm, 211 g		115 x 68 x 54 mm, 377 g

Check GM5 offers at
ebay.com
Check ZV-E10 II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GM5 and the Sony ZV-E10 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic GM5 and the Sony ZV-E10 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The GM5 can be obtained in two different colors (black, silver), while the ZV-E10 II is also available in two color-versions, but different ones (black, white).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony ZV-E10 II is notably larger (32 percent) than the Panasonic GM5. Moreover, the ZV-E10 II is substantially heavier (79 percent) than the GM5. In this context, it is worth noting that neither the GM5 nor the ZV-E10 II are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GM5) and the Sony E-Mount Lens Catalog (ZV-E10 II). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the GM5 gets 220 shots out of its Panasonic DMW-BLH7 battery, while the ZV-E10 II can take 610 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the ZV-E10 II can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic GM5	99 mm	60 mm	36 mm	211 g	220	n	Sep 2014	US$ 749	ebay.com
2.		Sony ZV-E10 II	115 mm	68 mm	54 mm	377 g	610	n	Jul 2024	US$ 999	amazon.com
3.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	US$ 599	ebay.com
4.		Panasonic G7	125 mm	86 mm	77 mm	410 g	350	n	May 2015	US$ 649	ebay.com
5.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	US$ 899	ebay.com
6.		Panasonic GH4	133 mm	93 mm	84 mm	560 g	500	Y	Feb 2014	US$ 1 499	ebay.com
7.		Panasonic GM1	99 mm	55 mm	30 mm	204 g	230	n	Oct 2013	US$ 749	ebay.com
8.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	US$ 699	ebay.com
9.		Panasonic GX85	122 mm	71 mm	44 mm	426 g	290	n	Apr 2016	US$ 799	amazon.com
10.		Panasonic LX100	115 mm	66 mm	55 mm	393 g	300	n	Sep 2014	US$ 899	ebay.com
11.		Ricoh GR	117 mm	61 mm	35 mm	245 g	290	n	Apr 2013	US$ 799	ebay.com
12.		Ricoh GR II	117 mm	63 mm	35 mm	251 g	320	n	Jun 2015	US$ 699	ebay.com
13.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	US$ 599	ebay.com
14.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	US$ 999	ebay.com
15.		Sony NEX-6	120 mm	67 mm	43 mm	345 g	360	n	Sep 2012	US$ 999	ebay.com
16.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	US$ 1 349	ebay.com
17.		Sony ZV-E10	115 mm	64 mm	45 mm	343 g	440	n	Jul 2021	US$ 699	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GM5 was launched at a somewhat lower price (by 25 percent) than the ZV-E10 II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic GM5 features a Four Thirds sensor and the Sony ZV-E10 II an APS-C sensor. The sensor area in the ZV-E10 II is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GM5 has a native 4:3 aspect ratio, while the one in the ZV-E10 II offers a 3:2 aspect.

With 25.6MP, the ZV-E10 II offers a higher resolution than the GM5 (15.8MP), but the ZV-E10 II nevertheless has marginally larger individual pixels (pixel pitch of 3.79μm versus 3.77μm for the GM5) due to its larger sensor. Moreover, the ZV-E10 II is a much more recent model (by 9 years and 9 months) than the GM5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony ZV-E10 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZV-E10 II for good quality output (200 dots per inch) amounts to 31 x 20.6 inches or 78.6 x 52.4 cm, for very good quality (250 dpi) 24.8 x 16.5 inches or 62.9 x 41.9 cm, and for excellent quality (300 dpi) 20.6 x 13.8 inches or 52.4 x 35 cm. The corresponding values for the Panasonic GM5 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The ZV-E10 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-GM5 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony ZV-E10 II are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the GM5 is build around a CMOS sensor, while the ZV-E10 II uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GM5	Four Thirds	15.8	4592	3448	1080/60p	22.1	11.7	721	66
2.		Sony ZV-E10 II	APS-C	25.6	6192	4128	4K/60p	24.3	14.1	2429	86
3.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
4.		Panasonic G7	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.4	904	71
5.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
6.		Panasonic GH4	Four Thirds	15.9	4608	3456	4K/30p	23.2	12.8	791	74
7.		Panasonic GM1	Four Thirds	15.8	4592	3448	1080/60i	22.3	11.7	660	66
8.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
9.		Panasonic GX85	Four Thirds	15.8	4592	3448	4K/30p	22.9	12.6	662	71
10.		Panasonic LX100	Four Thirds	12.7	4112	3088	4K/30p	22.3	12.5	553	67
11.		Ricoh GR	APS-C	16.1	4928	3264	1080/30p	23.6	13.5	972	78
12.		Ricoh GR II	APS-C	16.1	4928	3264	1080/30p	23.6	13.7	1078	80
13.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
14.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
15.		Sony NEX-6	APS-C	16.0	4912	3264	1080/60i	23.7	13.1	1018	78
16.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81
17.		Sony ZV-E10	APS-C	24.0	6000	4000	4K/30p	24.2	13.8	2134	85
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the ZV-E10 II provides a better video resolution than the GM5. It can shoot movie footage at 4K/60p, while the Panasonic is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the GM5 has an electronic viewfinder (1166k dots), which can be very helpful when shooting in bright sunlight. In contrast, the ZV-E10 II relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic GM5, the Sony ZV-E10 II, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GM5	1166	n	3.0 / 921	fixed	Y	1/500s	5.8/s	n	n
2.		Sony ZV-E10 II	none	n	3.0 / 1036	swivel	Y	1/4000s	11.0/s	n	n
3.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
4.		Panasonic G7	2360	n	3.0 / 1040	swivel	Y	1/4000s	7.0/s	Y	n
5.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
6.		Panasonic GH4	2359	n	3.0 / 1036	swivel	Y	1/8000s	12.0/s	Y	n
7.		Panasonic GM1	none	n	3.0 / 1036	fixed	Y	1/500s	5.0/s	Y	n
8.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
9.		Panasonic GX85	2765	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
10.		Panasonic LX100	2764	n	3.0 / 921	fixed	n	1/4000s	11.0/s	n	Y
11.		Ricoh GR	optional	n	3.0 / 1230	fixed	n	1/4000s	4.0/s	Y	n
12.		Ricoh GR II	optional	n	3.0 / 1230	fixed	n	1/4000s	4.0/s	Y	n
13.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
14.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
15.		Sony NEX-6	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
16.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
17.		Sony ZV-E10	none	n	3.0 / 922	swivel	Y	1/4000s	11.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic GM5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GM5 writes its imaging data to SDXC cards, while the ZV-E10 II uses SDXC or Memory Stick PRO Duo cards. The ZV-E10 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the GM5 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GM5 and Sony ZV-E10 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GM5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
2.		Sony ZV-E10 II	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
3.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
4.		Panasonic G7	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
5.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
6.		Panasonic GH4	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
7.		Panasonic GM1	-	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
9.		Panasonic GX85	Y	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Panasonic LX100	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
11.		Ricoh GR	Y	mono / mono	-	-	micro	2.0	-	-	-
12.		Ricoh GR II	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
13.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
14.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
15.		Sony NEX-6	Y	stereo / mono	-	-	mini	2.0	Y	-	-
16.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-
17.		Sony ZV-E10	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y

It is notable that the ZV-E10 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The GM5 lacks such a headphone port.

The ZV-E10 II is a recent model that features in the current product line-up of Sony. In contrast, the GM5 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the GM5 from Panasonic. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Panasonic GM5 or the Sony ZV-E10 II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Panasonic Lumix DMC-GM5:

• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (99x60mm vs 115x68mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 166g or 44 percent) and hence easier to carry around.
• More affordable: Was introduced into a lower priced segment (25 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in September 2014).

Reasons to prefer the Sony ZV-E10 II:

• More detail: Has more megapixels (25.6 vs 15.8MP), which boosts linear resolution by 30%.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4K/60p vs 1080/60p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed LCD: Has a higher resolution rear screen (1036k vs 921k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
• Faster burst: Shoots at higher frequency (11 vs 5.8 flaps/sec) to capture the decisive moment.
• Longer lasting: Gets more shots (610 versus 220) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 9 years and 9 months of technical progress since the GM5 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the ZV-E10 II is the clear winner of the contest (21 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GM5 and the Sony ZV-E10 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GM5 or the ZV-E10 II perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic GM5	3.5/5	+	..	77/100	5/5	4.5/5	Sep 2014	US$ 749	ebay.com
2.		Sony ZV-E10 II	..	..	..	..	..	..	Jul 2024	US$ 999	amazon.com
3.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	US$ 599	ebay.com
4.		Panasonic G7	4/5	+ +	3.5/5	80/100	5/5	4.5/5	May 2015	US$ 649	ebay.com
5.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	US$ 899	ebay.com
6.		Panasonic GH4	5/5	+ +	..	85/100	5/5	5/5	Feb 2014	US$ 1 499	ebay.com
7.		Panasonic GM1	3/5	+	..	78/100	5/5	4.5/5	Oct 2013	US$ 749	ebay.com
8.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	US$ 699	ebay.com
9.		Panasonic GX85	4.5/5	+ +	..	82/100	5/5	5/5	Apr 2016	US$ 799	amazon.com
10.		Panasonic LX100	5/5	+ +	..	85/100	5/5	5/5	Sep 2014	US$ 899	ebay.com
11.		Ricoh GR	5/5	..	..	79/100	4.5/5	4.5/5	Apr 2013	US$ 799	ebay.com
12.		Ricoh GR II	..	..	..	..	4.5/5	4.5/5	Jun 2015	US$ 699	ebay.com
13.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	US$ 599	ebay.com
14.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	US$ 999	ebay.com
15.		Sony NEX-6	5/5	+ +	..	78/100	4.5/5	4.5/5	Sep 2012	US$ 999	ebay.com
16.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	US$ 1 349	ebay.com
17.		Sony ZV-E10	4/5	..	4/5	82/100	4.5/5	4.5/5	Jul 2021	US$ 699	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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