Panasonic S1 II vs Sony ZV-1F

The Panasonic Lumix DC-S1 II and the Sony ZV-1F are two digital cameras that were revealed to the public, respectively, in May 2025 and October 2022. The S1 II is a mirrorless interchangeable lens camera, while the ZV-1F is a fixed lens compact. The cameras are based on a full frame (S1 II) and an one-inch (ZV-1F) sensor. The Panasonic has a resolution of 24 megapixels, whereas the Sony provides 20 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic S1 II		Sony ZV-1F
Mirrorless system camera		Fixed lens compact camera
Leica L mount lenses		20mm f/2.0
24 MP – Full Frame sensor		20 MP – 1" sensor
6K/30p Video		4K/30p Video
ISO 100-51,200 (50 - 204,800)		ISO 125-12,800 (80 - 25,600)
Electronic viewfinder (5760k dots)		No viewfinder, LCD framing
3.2" LCD – 1840k dots		3.0" LCD – 922k dots
Fully flexible touchscreen		Swivel touchscreen
10 shutter flaps per second		16 shutter flaps per second
In-body stabilization		no shake reduction
Weathersealed body		not weather sealed
350 shots per battery charge		360 shots per battery charge
134 x 102 x 92 mm, 800 g		106 x 60 x 46 mm, 256 g

Check S1 II price at
amazon.com
Check ZV-1F price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-S1 II and the Sony ZV-1F? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic S1 II and the Sony ZV-1F are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony ZV-1F is considerably smaller (53 percent) than the Panasonic S1 II. It is worth mentioning in this context that the S1 II is splash and dust resistant, while the ZV-1F does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZV-1F has a lens built in, whereas the S1 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the S1 II gets 350 shots out of its Panasonic DMW-BLK22 battery, while the ZV-1F can take 360 images on a single charge of its Sony NP-BX1 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic S1 II	134 mm	102 mm	92 mm	800 g	350	Y	May 2025	US$ 3 199	amazon.com
2.		Sony ZV-1F	106 mm	60 mm	46 mm	256 g	360	n	Oct 2022	US$ 499	amazon.com
3.		Leica SL2-S	146 mm	107 mm	83 mm	931 g	510	Y	Dec 2020	US$ 4 899	amazon.com
4.		Leica SL3	141 mm	108 mm	85 mm	854 g	320	Y	Mar 2024	US$ 6 999	amazon.com
5.		Leica SL3-S	141 mm	108 mm	85 mm	852 g	315	Y	Jan 2025	US$ 5 299	amazon.com
6.		Panasonic GH7	138 mm	100 mm	100 mm	805 g	380	Y	Jun 2024	US$ 2 199	amazon.com
7.		Panasonic S1	149 mm	110 mm	97 mm	1017 g	400	Y	Feb 2019	US$ 2 499	ebay.com
8.		Panasonic S1H	151 mm	114 mm	110 mm	1052 g	400	Y	May 2019	US$ 3 999	amazon.com
9.		Panasonic S1R II	134 mm	102 mm	92 mm	795 g	350	Y	May 2025	US$ 3 299	amazon.com
10.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	US$ 1 999	amazon.com
11.		Panasonic S5 II	134 mm	102 mm	90 mm	740 g	370	Y	Jan 2023	US$ 1 999	amazon.com
12.		Panasonic S9	126 mm	74 mm	47 mm	486 g	470	n	May 2024	US$ 1 499	amazon.com
13.		Sony RX100 II	102 mm	58 mm	38 mm	281 g	350	n	Jun 2013	US$ 749	ebay.com
14.		Sony RX100 III	102 mm	58 mm	41 mm	290 g	320	n	May 2014	US$ 799	ebay.com
15.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	US$ 999	ebay.com
16.		Sony RX100 V	102 mm	58 mm	41 mm	299 g	220	n	Oct 2016	US$ 999	ebay.com
17.		Sony ZV-1 II	106 mm	60 mm	47 mm	292 g	290	n	May 2023	US$ 899	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The ZV-1F was launched at a lower price than the S1 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic S1 II features a full frame sensor and the Sony ZV-1F an one-inch sensor. The sensor area in the ZV-1F is 86 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 24MP, the S1 II offers a higher resolution than the ZV-1F (20MP), but the S1 II nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 2.41μm for the ZV-1F) due to its larger sensor. Moreover, the S1 II is a much more recent model (by 2 years and 7 months) than the ZV-1F, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the S1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Panasonic S1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Sony ZV-1F are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.

The S1 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the ZV-1F, the S1 II has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DC-S1 II has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Sony ZV-1F are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.

Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic S1 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.8	3406	97
2.		Sony ZV-1F	1-inch	20.0	5472	3648	4K/30p	22.3	12.8	904	67
3.		Leica SL2-S	Full Frame	24.0	6000	4000	4K/60p	25.2	14.1	3504	95
4.		Leica SL3	Full Frame	60.3	9520	6336	8K/30p	25.4	14.8	3295	97
5.		Leica SL3-S	Full Frame	24.0	6000	4000	6K/30p	25.4	14.8	3383	97
6.		Panasonic GH7	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.6	1784	78
7.		Panasonic S1	Full Frame	24.0	6000	4000	4K/60p	25.2	14.5	3333	95
8.		Panasonic S1H	Full Frame	24.0	6000	4000	6K/30p	25.2	14.2	2805	94
9.		Panasonic S1R II	Full Frame	44.2	8144	5424	8K/30p	25.4	14.8	3406	97
10.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
11.		Panasonic S5 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.6	3158	96
12.		Panasonic S9	Full Frame	24.0	6000	4000	6K/30p	25.4	14.8	3297	96
13.		Sony RX100 II	1-inch	20.0	5472	3648	1080/60p	22.5	12.4	483	67
14.		Sony RX100 III	1-inch	20.0	5472	3648	1080/60p	22.4	12.3	495	67
15.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70
16.		Sony RX100 V	1-inch	20.0	5472	3648	4K/30p	22.8	12.4	586	70
17.		Sony ZV-1 II	1-inch	20.0	5472	3648	4K/30p	22.3	12.9	965	67
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the S1 II provides a higher video resolution than the ZV-1F. It can shoot video footage at 6K/30p, while the Sony is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the S1 II has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the ZV-1F relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic S1 II, the Sony ZV-1F, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic S1 II	5760	n	3.2 / 1840	full-flex	Y	1/8000s	10.0/s	n	Y
2.		Sony ZV-1F	none	n	3.0 / 922	swivel	Y	1/2000s	16.0/s	n	n
3.		Leica SL2-S	5760	Y	3.2 / 2100	fixed	Y	1/8000s	20.0/s	n	Y
4.		Leica SL3	5760	Y	3.2 / 2333	tilting	Y	1/8000s	5.0/s	n	Y
5.		Leica SL3-S	5760	Y	3.2 / 2333	tilting	Y	1/8000s	30.0/s	n	Y
6.		Panasonic GH7	3680	n	3.0 / 1840	full-flex	Y	1/8000s	14.0/s	n	Y
7.		Panasonic S1	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
8.		Panasonic S1H	5760	Y	3.2 / 2330	swivel	Y	1/8000s	9.0/s	n	Y
9.		Panasonic S1R II	5760	n	3.2 / 1840	full-flex	Y	1/8000s	9.0/s	n	Y
10.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
11.		Panasonic S5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	9.0/s	n	Y
12.		Panasonic S9	none	n	3.0 / 1840	swivel	Y	1/8000s	30.0/s	n	Y
13.		Sony RX100 II	optional	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
14.		Sony RX100 III	1440	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
15.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
16.		Sony RX100 V	2359	n	3.0 / 1229	tilting	n	1/2000s	24.0/s	Y	Y
17.		Sony ZV-1 II	none	n	3.0 / 922	swivel	Y	1/2000s	24.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic S1 II and the Sony ZV-1F both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The S1 II writes its imaging data to CFexpress (type B) or SDXC cards, while the ZV-1F uses SDXC or Memory Stick PRO Duo cards. The S1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the ZV-1F only has one slot. The S1 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the ZV-1F can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-S1 II and Sony ZV-1F and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic S1 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
2.		Sony ZV-1F	-	stereo / mono	Y	-	-	3.0	Y	-	Y
3.		Leica SL2-S	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
4.		Leica SL3	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
5.		Leica SL3-S	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
6.		Panasonic GH7	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
7.		Panasonic S1	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
8.		Panasonic S1H	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
9.		Panasonic S1R II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
10.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
11.		Panasonic S5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
12.		Panasonic S9	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
13.		Sony RX100 II	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
14.		Sony RX100 III	-	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Sony RX100 V	-	stereo / mono	-	-	micro	2.0	Y	Y	-
17.		Sony ZV-1 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y

It is notable that the S1 II has a hotshoe, while the ZV-1F does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Studio photographers will appreciate that the Panasonic S1 II (unlike the ZV-1F) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the S1 II and the ZV-1F are recent models that are part of the current product line-up. The S1 II replaced the earlier Panasonic S1, while the ZV-1F does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Panasonic S1 II or the Sony ZV-1F – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Panasonic Lumix DC-S1 II:

• More detail: Offers more megapixels (24 vs 20MP) with a 10% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (6K/30p vs 4K/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1840k vs 922k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 2 years and 7 months of technical progress since the ZV-1F launch.

Reasons to prefer the Sony ZV-1F:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Faster burst: Shoots at higher frequency (16 vs 10 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has an integrated lens, whereas the S1 II necessitates an extra lens.
• More compact: Is smaller (106x60mm vs 134x102mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the S1 II).
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been around for much longer (launched in October 2022).

If the count of relative strengths (bullet points above) is taken as a measure, the S1 II is the clear winner of the match-up (23 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic S1 II and the Sony ZV-1F place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the S1 II or the ZV-1F perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic S1 II	..	..	..	..	..	..	May 2025	US$ 3 199	amazon.com
2.		Sony ZV-1F	..	..	4/5	78/100	..	4/5	Oct 2022	US$ 499	amazon.com
3.		Leica SL2-S	4/5	..	4/5	..	4.5/5	4.5/5	Dec 2020	US$ 4 899	amazon.com
4.		Leica SL3	..	..	4.5/5	..	..	4.5/5	Mar 2024	US$ 6 999	amazon.com
5.		Leica SL3-S	..	..	..	..	..	..	Jan 2025	US$ 5 299	amazon.com
6.		Panasonic GH7	..	..	..	..	..	..	Jun 2024	US$ 2 199	amazon.com
7.		Panasonic S1	4.5/5	+ +	4.5/5	88/100	4.5/5	4/5	Feb 2019	US$ 2 499	ebay.com
8.		Panasonic S1H	..	..	4/5	90/100	..	..	May 2019	US$ 3 999	amazon.com
9.		Panasonic S1R II	..	..	..	..	..	..	May 2025	US$ 3 299	amazon.com
10.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	US$ 1 999	amazon.com
11.		Panasonic S5 II	4.5/5	+ +	5/5	90/100	4.5/5	5/5	Jan 2023	US$ 1 999	amazon.com
12.		Panasonic S9	..	..	..	..	..	..	May 2024	US$ 1 499	amazon.com
13.		Sony RX100 II	5/5	+ +	..	79/100	4.5/5	4.5/5	Jun 2013	US$ 749	ebay.com
14.		Sony RX100 III	5/5	+ +	..	82/100	4.5/5	5/5	May 2014	US$ 799	ebay.com
15.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	US$ 999	ebay.com
16.		Sony RX100 V	4.5/5	+ +	..	83/100	4/5	4.5/5	Oct 2016	US$ 999	ebay.com
17.		Sony ZV-1 II	4.5/5	..	3.5/5	83/100	3.5/5	4.5/5	May 2023	US$ 899	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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