Panasonic S1R vs Sony NEX-5T

The Panasonic Lumix DC-S1R and the Sony Alpha NEX-5T are two digital cameras that were revealed to the public, respectively, in February 2019 and August 2013. Both the S1R and the NEX-5T are mirrorless interchangeable lens cameras that are based on a full frame (S1R) and an APS-C (NEX-5T) sensor. The Panasonic has a resolution of 46.7 megapixels, whereas the Sony provides 16 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic S1R		Sony NEX-5T
Mirrorless system camera		Mirrorless system camera
Leica L mount lenses		Sony E mount lenses
46.7 MP – Full Frame sensor		16 MP – APS-C sensor
4K/60p Video		1080/60p Video
ISO 100-25,600 (50 - 51,200)		ISO 100-25,600
Electronic viewfinder (5760k dots)		Viewfinder optional
3.2" LCD – 2100k dots		3.0" LCD – 922k dots
Fully flexible touchscreen		Tilting touchscreen
9 shutter flaps per second		10 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		not weather sealed
380 shots per battery charge		330 shots per battery charge
149 x 110 x 97 mm, 1016 g		111 x 59 x 39 mm, 276 g

Check S1R price at
amazon.com
Check NEX-5T offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-S1R and the Sony Alpha NEX-5T? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic S1R and the Sony NEX-5T is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The NEX-5T can be obtained in two different colors (black, silver), while the S1R is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5T is considerably smaller (60 percent) than the Panasonic S1R. Moreover, the NEX-5T is substantially lighter (73 percent) than the S1R. It is worth mentioning in this context that the S1R is splash and dust resistant, while the NEX-5T does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the S1R gets 380 shots out of its Panasonic DMW-BLJ31 battery, while the NEX-5T can take 330 images on a single charge of its Sony NP-FW50 power pack. The power pack in the S1R can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	US$ 3 699	amazon.com
2.		Sony NEX-5T	111 mm	59 mm	39 mm	276 g	330	n	Aug 2013	US$ 699	ebay.com
3.		Canon R5	138 mm	98 mm	88 mm	738 g	320	Y	Jul 2020	US$ 3 899	amazon.com
4.		Leica SL2	146 mm	107 mm	42 mm	953 g	370	Y	Nov 2019	US$ 5 999	amazon.com
5.		Leica SL2-S	146 mm	107 mm	83 mm	931 g	510	Y	Dec 2020	US$ 4 899	amazon.com
6.		Nikon Z7	134 mm	101 mm	67 mm	675 g	330	Y	Aug 2018	US$ 3 399	ebay.com
7.		Nikon Z8	144 mm	119 mm	83 mm	910 g	340	Y	May 2023	US$ 3 999	amazon.com
8.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	US$ 1 999	ebay.com
9.		Panasonic S1	149 mm	110 mm	97 mm	1017 g	400	Y	Feb 2019	US$ 2 499	amazon.com
10.		Panasonic S1H	151 mm	114 mm	110 mm	1052 g	400	Y	May 2019	US$ 3 999	amazon.com
11.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	US$ 1 999	amazon.com
12.		Sony A99 II	143 mm	104 mm	76 mm	849 g	490	Y	Sep 2016	US$ 3 199	ebay.com
13.		Sony A5100	110 mm	63 mm	36 mm	283 g	400	n	Aug 2014	US$ 549	ebay.com
14.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	US$ 599	ebay.com
15.		Sony NEX-3	117 mm	62 mm	33 mm	297 g	330	n	May 2010	US$ 599	ebay.com
16.		Sony NEX-5R	111 mm	59 mm	39 mm	276 g	330	n	Aug 2012	US$ 749	ebay.com
17.		Sony NEX-F3	117 mm	67 mm	42 mm	314 g	470	n	May 2012	US$ 599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The NEX-5T was launched at a markedly lower price (by 81 percent) than the S1R, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic S1R features a full frame sensor and the Sony NEX-5T an APS-C sensor. The sensor area in the NEX-5T is 58 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 46.7MP, the S1R offers a higher resolution than the NEX-5T (16MP), but the S1R has smaller individual pixels (pixel pitch of 4.30μm versus 4.78μm for the NEX-5T). However, the S1R is a much more recent model (by 5 years and 5 months) than the NEX-5T, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the S1R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Panasonic S1R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1R for good quality output (200 dots per inch) amounts to 41.8 x 27.9 inches or 106.3 x 70.9 cm, for very good quality (250 dpi) 33.5 x 22.3 inches or 85 x 56.7 cm, and for excellent quality (300 dpi) 27.9 x 18.6 inches or 70.8 x 47.3 cm. The corresponding values for the Sony NEX-5T are 24.6 x 16.3 inches or 62.4 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.9 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.6 x 27.6 cm for excellent quality prints.

Unlike the NEX-5T, the S1R has the capacity to capture high quality composite images (187MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DC-S1R has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-51200. The corresponding ISO settings for the Sony Alpha NEX-5T are ISO 100 to ISO 25600 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the S1R provides substantially higher image quality than the NEX-5T, with an overall score that is 22 points higher. This advantage is based on 2.8 bits higher color depth, 1.1 EV in additional dynamic range, and 1.8 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
2.		Sony NEX-5T	APS-C	16.0	4912	3264	1080/60p	23.6	13.0	1015	78
3.		Canon R5	Full Frame	44.8	8192	5464	8K/30p	25.3	14.6	3042	95
4.		Leica SL2	Full Frame	46.7	8368	5584	4K/60p	25.3	14.3	2866	95
5.		Leica SL2-S	Full Frame	24.0	6000	4000	4K/60p	25.2	14.1	3504	95
6.		Nikon Z7	Full Frame	45.4	8256	5504	4K/30p	26.3	14.6	2668	99
7.		Nikon Z8	Full Frame	45.4	8256	5504	8K/30p	26.3	14.2	2548	98
8.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
9.		Panasonic S1	Full Frame	24.0	6000	4000	4K/60p	25.2	14.5	3333	95
10.		Panasonic S1H	Full Frame	24.0	6000	4000	6K/30p	25.2	14.2	2805	94
11.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
12.		Sony A99 II	Full Frame	42.2	7952	5304	4K/30p	25.4	13.4	2317	92
13.		Sony A5100	APS-C	24.0	6000	4000	1080/60p	23.8	12.7	1347	80
14.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
15.		Sony NEX-3	APS-C	14.0	4592	3056	720/30p	22.1	12.0	830	68
16.		Sony NEX-5R	APS-C	16.0	4912	3264	1080/60i	23.7	13.1	910	78
17.		Sony NEX-F3	APS-C	16.0	4912	3264	1080/60i	22.7	12.3	1114	73
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the S1R provides a higher video resolution than the NEX-5T. It can shoot video footage at 4K/60p, while the Sony is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the S1R has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NEX-5T relies on live view and the rear LCD for framing. That said, the NEX-5T can be equipped with an optional viewfinder – the FDA-EV1S. The table below summarizes some of the other core capabilities of the Panasonic S1R and Sony NEX-5T in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
2.		Sony NEX-5T	optional	n	3.0 / 922	tilting	Y	1/4000s	10.0/s	n	n
3.		Canon R5	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
4.		Leica SL2	5760	Y	3.2 / 2100	fixed	Y	1/8000s	10.0/s	n	Y
5.		Leica SL2-S	5760	Y	3.2 / 2100	fixed	Y	1/8000s	20.0/s	n	Y
6.		Nikon Z7	3690	Y	3.2 / 2100	tilting	Y	1/8000s	9.0/s	n	Y
7.		Nikon Z8	3690	Y	3.2 / 2089	full-flex	Y	1/32000s	30.0/s	n	Y
8.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
9.		Panasonic S1	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
10.		Panasonic S1H	5760	Y	3.2 / 2330	swivel	Y	1/8000s	9.0/s	n	Y
11.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
12.		Sony A99 II	2400	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	n	Y
13.		Sony A5100	none	n	3.0 / 922	tilting	Y	1/4000s	6.0/s	Y	n
14.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
15.		Sony NEX-3	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
16.		Sony NEX-5R	optional	n	3.0 / 920	tilting	Y	1/4000s	10.0/s	n	n
17.		Sony NEX-F3	optional	n	3.0 / 920	tilting	n	1/4000s	5.5/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the S1R, but is missing on the NEX-5T is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic S1R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The S1R writes its imaging data to SDXC or XQD cards, while the NEX-5T uses SDXC or Memory Stick PRO Duo cards. The S1R features dual card slots, which can be very useful in case a memory card fails. In contrast, the NEX-5T only has one slot. The S1R supports UHS-II cards (on both slots), while the NEX-5T cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-S1R and Sony Alpha NEX-5T and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
2.		Sony NEX-5T	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
3.		Canon R5	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
4.		Leica SL2	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
5.		Leica SL2-S	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
6.		Nikon Z7	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
7.		Nikon Z8	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
8.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
9.		Panasonic S1	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
10.		Panasonic S1H	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
11.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
12.		Sony A99 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y
13.		Sony A5100	-	stereo / mono	-	-	micro	2.0	Y	Y	-
14.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony NEX-3	Y	stereo / mono	-	-	mini	2.0	-	-	-
16.		Sony NEX-5R	Y	stereo / mono	-	-	mini	2.0	Y	-	-
17.		Sony NEX-F3	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the S1R has a microphone port, which is missing on the NEX-5T. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Panasonic S1R (unlike the NEX-5T) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The S1R is a recent model that features in the current product line-up of Panasonic. In contrast, the NEX-5T has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the NEX-5T was succeeded by the Sony A5100. Further information on the features and operation of the S1R and NEX-5T can be found, respectively, in the Panasonic S1R Manual (free pdf) or the online Sony NEX-5T Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Panasonic S1R and the Sony NEX-5T? Which camera is better? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Panasonic Lumix DC-S1R:

• More detail: Offers more megapixels (46.7 vs 16MP) with a 71% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Scores substantially higher (22 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (2.8 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (1.1 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (1.8 stops ISO advantage).
• Better video: Provides higher definition movie capture (4K/60p vs 1080/60p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 922k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Can take more shots (380 versus 330) on a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More modern: Reflects 5 years and 5 months of technical progress since the NEX-5T launch.

Advantages of the Sony Alpha NEX-5T:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• More compact: Is smaller (111x59mm vs 149x110mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 740g or 73 percent) and is thus easier to take along.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced into a lower priced category (81 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in August 2013).

If the number of relative strengths (bullet points above) is taken as a guide, the S1R is the clear winner of the match-up (29 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic S1R and the Sony NEX-5T place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the S1R and the NEX-5T in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	US$ 3 699	amazon.com
2.		Sony NEX-5T	..	..	..	..	4.5/5	4.5/5	Aug 2013	US$ 699	ebay.com
3.		Canon R5	4.5/5	+	4/5	91/100	4.5/5	4.5/5	Jul 2020	US$ 3 899	amazon.com
4.		Leica SL2	4/5	..	4.5/5	..	4.5/5	4/5	Nov 2019	US$ 5 999	amazon.com
5.		Leica SL2-S	4/5	..	4/5	..	4.5/5	4.5/5	Dec 2020	US$ 4 899	amazon.com
6.		Nikon Z7	5/5	+	4.8/5	89/100	4.5/5	5/5	Aug 2018	US$ 3 399	ebay.com
7.		Nikon Z8	5/5	..	5/5	94/100	5/5	4.5/5	May 2023	US$ 3 999	amazon.com
8.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	US$ 1 999	ebay.com
9.		Panasonic S1	4.5/5	+ +	4.5/5	88/100	4.5/5	4/5	Feb 2019	US$ 2 499	amazon.com
10.		Panasonic S1H	..	..	4/5	90/100	..	..	May 2019	US$ 3 999	amazon.com
11.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	US$ 1 999	amazon.com
12.		Sony A99 II	..	..	4.5/5	85/100	4.5/5	4.5/5	Sep 2016	US$ 3 199	ebay.com
13.		Sony A5100	4.5/5	+	..	..	4.5/5	5/5	Aug 2014	US$ 549	ebay.com
14.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	US$ 599	ebay.com
15.		Sony NEX-3	..	..	..	70/100	4.5/5	4/5	May 2010	US$ 599	ebay.com
16.		Sony NEX-5R	..	..	..	..	4.5/5	4.5/5	Aug 2012	US$ 749	ebay.com
17.		Sony NEX-F3	4/5	..	..	74/100	4.5/5	4.5/5	May 2012	US$ 599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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