Pentax K-500 vs Sony ZV-E1

The Pentax K-500 and the Sony ZV-E1 are two digital cameras that were announced, respectively, in June 2013 and March 2023. The K-500 is a DSLR, while the ZV-E1 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (K-500) and a full frame (ZV-E1) sensor. The Pentax has a resolution of 16.1 megapixels, whereas the Sony provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Pentax K-500		Sony ZV-E1
Digital single lens reflex		Mirrorless system camera
Pentax K mount lenses		Sony E mount lenses
16.1 MP – APS-C sensor		12 MP – Full Frame sensor
1080/30p Video		4K/60p Video
ISO 100-51,200		ISO 80-102,400 (40 - 409,600)
Optical viewfinder		No viewfinder, LCD framing
3.0" LCD – 921k dots		3.0" LCD – 1037k dots
Fixed screen (not touch-sensitive)		Swivel touchscreen
6 shutter flaps per second		10 shutter flaps per second
In-body stabilization		In-body stabilization
not weather sealed		Weathersealed body
710 shots per battery charge		570 shots per battery charge
130 x 97 x 71 mm, 646 g		121 x 72 x 54 mm, 483 g

Check K-500 offers at
ebay.com
Check ZV-E1 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Pentax K-500 and the Sony ZV-E1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Pentax K-500 and the Sony ZV-E1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The ZV-E1 can be obtained in two different colors (black, white), while the K-500 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony ZV-E1 is considerably smaller (31 percent) than the Pentax K-500. Moreover, the ZV-E1 is markedly lighter (25 percent) than the K-500. It is noteworthy in this context that the ZV-E1 is splash and dust-proof, while the K-500 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The power pack in the ZV-E1 can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Pentax K-500	130 mm	97 mm	71 mm	646 g	710	n	Jun 2013	US$ 549	ebay.com
2.		Sony ZV-E1	121 mm	72 mm	54 mm	483 g	570	Y	Mar 2023	US$ 2 199	amazon.com
3.		Leica X Vario	133 mm	73 mm	95 mm	680 g	450	n	Jun 2013	US$ 2 849	ebay.com
4.		Olympus E-PM2	110 mm	64 mm	34 mm	269 g	360	n	Sep 2012	US$ 499	ebay.com
5.		Pentax K-3	131 mm	100 mm	77 mm	800 g	560	Y	Oct 2013	US$ 1 299	ebay.com
6.		Pentax K-5	131 mm	97 mm	73 mm	760 g	740	Y	Sep 2010	US$ 1 099	ebay.com
7.		Pentax K-5 II	131 mm	97 mm	73 mm	760 g	740	Y	Sep 2012	US$ 1 099	ebay.com
8.		Pentax K-30	130 mm	97 mm	71 mm	650 g	410	Y	May 2012	US$ 849	ebay.com
9.		Pentax K-50	130 mm	97 mm	71 mm	650 g	410	Y	Jun 2013	US$ 599	ebay.com
10.		Pentax K-70	126 mm	93 mm	74 mm	688 g	410	Y	Jun 2016	US$ 649	ebay.com
11.		Pentax K-S1	121 mm	93 mm	70 mm	558 g	410	n	Aug 2014	US$ 749	ebay.com
12.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	US$ 1 999	ebay.com
13.		Sony A7C II	124 mm	71 mm	63 mm	514 g	540	Y	Aug 2023	US$ 2 199	amazon.com
14.		Sony A7C R	124 mm	71 mm	63 mm	520 g	520	Y	Aug 2023	US$ 2 999	amazon.com
15.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	US$ 2 299	ebay.com
16.		Sony A7S	127 mm	94 mm	48 mm	489 g	380	Y	Apr 2014	US$ 2 499	ebay.com
17.		Sony A58	129 mm	95 mm	78 mm	492 g	690	n	Feb 2013	US$ 599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The K-500 was launched at a markedly lower price (by 75 percent) than the ZV-E1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Pentax K-500 features an APS-C sensor and the Sony ZV-E1 a full frame sensor. The sensor area in the ZV-E1 is 131 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Despite having a smaller sensor, the Pentax K-500 offers a higher resolution of 16.1 megapixels, compared with 12 MP of the Sony ZV-E1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.77μm versus 8.40μm for the ZV-E1). Moreover, it should be noted that the ZV-E1 is much more recent (by 9 years and 9 months) than the K-500, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Pentax K-500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-500 for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inches or 62.6 x 41.5 cm, for very good quality (250 dpi) 19.7 x 13.1 inches or 50.1 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inches or 41.7 x 27.6 cm. The corresponding values for the Sony ZV-E1 are 21.2 x 14.2 inches or 53.8 x 36 cm for good quality, 17 x 11.3 inches or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inches or 35.9 x 24 cm for excellent quality prints.

The ZV-E1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Pentax K-500 has a native sensitivity range from ISO 100 to ISO 51200. The corresponding ISO settings for the Sony ZV-E1 are ISO 80 to ISO 102400, with the possibility to increase the ISO range to 40-409600.

In terms of underlying technology, the K-500 is build around a CMOS sensor, while the ZV-E1 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Pentax K-500	APS-C	16.1	4928	3264	1080/30p	23.7	13.1	1087	79
2.		Sony ZV-E1	Full Frame	12.0	4240	2832	4K/60p	25.4	14.6	3181	96
3.		Leica X Vario	APS-C	16.1	4928	3272	1080/30p	23.4	12.7	1320	78
4.		Olympus E-PM2	Four Thirds	15.9	4608	3456	1080/30p	22.7	12.2	932	72
5.		Pentax K-3	APS-C	24.1	6016	4000	1080/60i	23.7	13.4	1216	80
6.		Pentax K-5	APS-C	16.1	4928	3264	1080/25p	23.7	14.1	1162	82
7.		Pentax K-5 II	APS-C	16.1	4928	3264	1080/25p	23.8	14.1	1235	82
8.		Pentax K-30	APS-C	16.1	4928	3264	1080/30p	23.7	13.0	1129	79
9.		Pentax K-50	APS-C	16.1	4928	3264	1080/30p	23.7	13.0	1120	79
10.		Pentax K-70	APS-C	24.0	6000	4000	1080/60i	23.8	13.1	1639	80
11.		Pentax K-S1	APS-C	20.0	5472	3648	1080/30p	23.5	13.0	1061	78
12.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
13.		Sony A7C II	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3237	96
14.		Sony A7C R	Full Frame	60.2	9504	6336	4K/60p	25.4	14.7	3227	96
15.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
16.		Sony A7S	Full Frame	12.0	4240	2832	1080/60p	23.9	13.2	3702	87
17.		Sony A58	APS-C	19.8	5456	3632	1080/60i	23.3	12.5	753	74
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the ZV-E1 provides a better video resolution than the K-500. It can shoot movie footage at 4K/60p, while the Pentax is limited to 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the K-500 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the ZV-E1 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Pentax K-500 and Sony ZV-E1 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Pentax K-500	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
2.		Sony ZV-E1	none	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
3.		Leica X Vario	optional	n	3.0 / 920	fixed	n	1/2000s	5.0/s	Y	n
4.		Olympus E-PM2	optional	n	3.0 / 460	fixed	Y	1/4000s	8.0/s	n	Y
5.		Pentax K-3	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	Y	Y
6.		Pentax K-5	optical	Y	3.0 / 921	fixed	n	1/8000s	7.0/s	Y	Y
7.		Pentax K-5 II	optical	Y	3.0 / 921	fixed	n	1/8000s	7.0/s	Y	Y
8.		Pentax K-30	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
9.		Pentax K-50	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
10.		Pentax K-70	optical	n	3.0 / 921	swivel	n	1/6000s	6.0/s	Y	Y
11.		Pentax K-S1	optical	n	3.0 / 921	fixed	n	1/6000s	5.4/s	Y	Y
12.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
13.		Sony A7C II	2360	n	3.0 / 1037	swivel	Y	1/4000s	10.0/s	n	Y
14.		Sony A7C R	2360	n	3.0 / 1037	swivel	Y	1/4000s	8.0/s	n	Y
15.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
16.		Sony A7S	2400	n	3.0 / 921	tilting	n	1/8000s	5.0/s	n	n
17.		Sony A58	1440	n	2.7 / 460	tilting	n	1/4000s	5.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The K-500 has one, while the ZV-E1 does not. While the built-in flash of the K-500 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the ZV-E1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Pentax K-500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the K-500 and the ZV-E1 write their files to SDXC cards. The ZV-E1 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the K-500 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Pentax K-500 and Sony ZV-E1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Pentax K-500	Y	mono / mono	-	-	-	2.0	-	-	-
2.		Sony ZV-E1	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
3.		Leica X Vario	Y	stereo / mono	-	-	mini	2.0	-	-	-
4.		Olympus E-PM2	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Pentax K-3	Y	mono / mono	Y	Y	mini	3.0	-	-	-
6.		Pentax K-5	Y	stereo / mono	Y	-	mini	2.0	-	-	-
7.		Pentax K-5 II	Y	stereo / mono	Y	-	mini	2.0	-	-	-
8.		Pentax K-30	Y	mono / mono	-	-	-	2.0	-	-	-
9.		Pentax K-50	Y	mono / mono	-	-	micro	2.0	-	-	-
10.		Pentax K-70	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
11.		Pentax K-S1	Y	stereo / mono	-	-	micro	2.0	-	-	-
12.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
13.		Sony A7C II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
14.		Sony A7C R	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
15.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony A7S	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony A58	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the ZV-E1 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the K-500 does not provide wifi capability.

The ZV-E1 is a recent model that features in the current product line-up of Sony. In contrast, the K-500 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the K-500 from Pentax. Further information on the features and operation of the K-500 and ZV-E1 can be found, respectively, in the Pentax K-500 Manual (free pdf) or the online Sony ZV-E1 Manual.

Review summary

So how do things add up? Is the Pentax K-500 better than the Sony ZV-E1 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Pentax K-500:

• More detail: Offers more megapixels (16.1 vs 12MP) with a 16% higher linear resolution.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Can take more shots (710 versus 570) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (75 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in June 2013).

Reasons to prefer the Sony ZV-E1:

• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4K/60p vs 1080/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed LCD: Has a higher resolution rear screen (1037k vs 921k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/6000s) to freeze action.
• Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More compact: Is smaller (121x72mm vs 130x97mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 163g or 25 percent) and is thus easier to take along.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
• More modern: Reflects 9 years and 9 months of technical progress since the K-500 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the ZV-E1 is the clear winner of the contest (25 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Pentax K-500 and the Sony ZV-E1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the K-500 or the ZV-E1. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Pentax K-500	..	..	..	..	4.5/5	4.5/5	Jun 2013	US$ 549	ebay.com
2.		Sony ZV-E1	..	+	4/5	..	..	4.5/5	Mar 2023	US$ 2 199	amazon.com
3.		Leica X Vario	3/5	..	..	..	4/5	4/5	Jun 2013	US$ 2 849	ebay.com
4.		Olympus E-PM2	3/5	..	..	77/100	5/5	4.5/5	Sep 2012	US$ 499	ebay.com
5.		Pentax K-3	4/5	..	..	83/100	5/5	5/5	Oct 2013	US$ 1 299	ebay.com
6.		Pentax K-5	4/5	..	..	83/100	5/5	4.5/5	Sep 2010	US$ 1 099	ebay.com
7.		Pentax K-5 II	5/5	..	..	80/100	5/5	4.5/5	Sep 2012	US$ 1 099	ebay.com
8.		Pentax K-30	4/5	..	..	78/100	4.5/5	4.5/5	May 2012	US$ 849	ebay.com
9.		Pentax K-50	5/5	..	..	..	5/5	4.5/5	Jun 2013	US$ 599	ebay.com
10.		Pentax K-70	4.5/5	..	4/5	79/100	4.5/5	4.5/5	Jun 2016	US$ 649	ebay.com
11.		Pentax K-S1	4/5	..	..	..	4.5/5	4/5	Aug 2014	US$ 749	ebay.com
12.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	US$ 1 999	ebay.com
13.		Sony A7C II	4/5	..	4/5	87/100	4.5/5	4.5/5	Aug 2023	US$ 2 199	amazon.com
14.		Sony A7C R	4/5	..	4/5	88/100	..	4/5	Aug 2023	US$ 2 999	amazon.com
15.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	US$ 2 299	ebay.com
16.		Sony A7S	4/5	..	..	86/100	4.5/5	5/5	Apr 2014	US$ 2 499	ebay.com
17.		Sony A58	3/5	..	..	..	4.5/5	4.5/5	Feb 2013	US$ 599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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amazon.com

Other camera comparisons

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