Sony A6500 vs A9

The Sony Alpha A6500 and the Sony Alpha A9 are two digital cameras that were officially introduced, respectively, in October 2016 and April 2017. Both the A6500 and the A9 are mirrorless interchangeable lens cameras that are based on an APS-C (A6500) and a full frame (A9) sensor. Both cameras offer a resolution of 24 megapixels.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony A6500		Sony A9
Mirrorless system camera		Mirrorless system camera
Sony E mount lenses		Sony E mount lenses
24 MP – APS-C sensor		24 MP – Full Frame sensor
4K/30p Video		4K/30p Video
ISO 100-25,600 (100 - 51,200)		ISO 100-51,200 (50 - 204,800)
Electronic viewfinder (2359k dots)		Electronic viewfinder (3686k dots)
3.0" LCD – 922k dots		3.0" LCD – 1440k dots
Tilting touchscreen		Tilting touchscreen
11 shutter flaps per second		20 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
350 shots per battery charge		650 shots per battery charge
120 x 67 x 53 mm, 453 g		127 x 96 x 63 mm, 673 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6500 and the Sony Alpha A9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Sony A6500 and the Sony A9 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A9 is considerably larger (52 percent) than the Sony A6500. Moreover, the A9 is substantially heavier (49 percent) than the A6500. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (A6500) and the Sony FE Lens Catalog (A9). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the A6500 gets 350 shots out of its Sony NP-FW50 battery, while the A9 can take 650 images on a single charge of its Sony NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Sony A6500	120 mm	67 mm	53 mm	453 g	350	Y	Oct 2016	US$ 1 399	ebay.com
2.		Sony A9	127 mm	96 mm	63 mm	673 g	650	Y	Apr 2017	US$ 4 499	ebay.com
3.		Fujifilm X-Pro2	141 mm	83 mm	46 mm	495 g	350	Y	Jan 2016	US$ 1 699	ebay.com
4.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	US$ 1 199	ebay.com
5.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	US$ 1 199	ebay.com
6.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	US$ 1 999	ebay.com
7.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	US$ 1 999	amazon.com
8.		Sony A7R IIIA	127 mm	96 mm	74 mm	650 g	650	Y	Apr 2021	US$ 3 199	amazon.com
9.		Sony A7R V	131 mm	97 mm	82 mm	723 g	530	Y	Oct 2022	US$ 3 899	amazon.com
10.		Sony A9 II	129 mm	96 mm	76 mm	678 g	690	Y	Oct 2019	US$ 4 499	amazon.com
11.		Sony A77	143 mm	104 mm	81 mm	732 g	470	Y	Aug 2011	US$ 1 399	ebay.com
12.		Sony A77 II	143 mm	104 mm	81 mm	647 g	480	Y	May 2014	US$ 1 199	ebay.com
13.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	US$ 999	ebay.com
14.		Sony A6400	120 mm	67 mm	50 mm	403 g	410	Y	Jan 2019	US$ 899	amazon.com
15.		Sony A6600	120 mm	67 mm	69 mm	503 g	810	Y	Aug 2019	US$ 1 399	amazon.com
16.		Sony A6700	122 mm	69 mm	64 mm	493 g	570	Y	Jul 2023	US$ 1 399	amazon.com
17.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	US$ 1 349	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A6500 was launched at a markedly lower price (by 69 percent) than the A9, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Sony A6500 features an APS-C sensor and the Sony A9 a full frame sensor. The sensor area in the A9 is 131 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Even though the A9 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the A9 has a lower pixel density and larger individual pixels (with a pixel pitch of 5.94μm versus 3.91μm for the A6500), which gives it a potential advantage in terms of light gathering capacity. In addition, the A9 is a somewhat more recent model (by 6 months) than the A6500, and its sensor might have benefitted from technological advances during this time.

The Sony Alpha A6500 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha A9 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

In terms of underlying technology, the A6500 is build around a CMOS sensor, while the A9 uses a Stacked BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A9 has a markedly higher DXO score than the A6500 (overall score 7 points higher), which will translate into better image quality. The advantage is based on 0.4 bits higher color depth, 0.4 EV of lower dynamic range, and 1.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony A6500	APS-C	24.0	6000	4000	4K/30p	24.5	13.7	1405	85
2.		Sony A9	Full Frame	24.0	6000	4000	4K/30p	24.9	13.3	3517	92
3.		Fujifilm X-Pro2	APS-C	24.0	6000	4000	1080/60p	23.7	13.0	1608	80
4.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
5.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
6.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
7.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
8.		Sony A7R IIIA	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
9.		Sony A7R V	Full Frame	60.2	9504	6336	8k/24p	26.5	14.8	3187	100
10.		Sony A9 II	Full Frame	24.0	6000	4000	4K/30p	25.0	14.0	3434	93
11.		Sony A77	APS-C	24.0	6000	4000	1080/60p	24.0	13.2	801	78
12.		Sony A77 II	APS-C	24.0	6000	4000	1080/60p	24.4	13.4	1013	82
13.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
14.		Sony A6400	APS-C	24.0	6000	4000	4K/30p	24.0	13.6	1431	83
15.		Sony A6600	APS-C	24.0	6000	4000	4K/30p	23.8	13.4	1497	82
16.		Sony A6700	APS-C	25.6	6192	4128	4K/120p	24.3	14.0	2329	86
17.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A9 offers a substantially higher resolution than the one in the A6500 (3686k vs 2359k dots). The table below summarizes some of the other core capabilities of the Sony A6500 and Sony A9 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony A6500	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	Y
2.		Sony A9	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
3.		Fujifilm X-Pro2	2360	n	3.0 / 1620	fixed	n	1/8000s	8.0/s	n	n
4.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
5.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
6.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
7.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
8.		Sony A7R IIIA	3686	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
9.		Sony A7R V	9440	n	3.2 / 2100	full-flex	Y	1/8000s	10.0/s	n	Y
10.		Sony A9 II	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
11.		Sony A77	2359	Y	3.0 / 921	full-flex	n	1/8000s	12.0/s	Y	Y
12.		Sony A77 II	2359	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	Y	Y
13.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
14.		Sony A6400	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	n
15.		Sony A6600	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	n	Y
16.		Sony A6700	2360	n	3.0 / 1037	swivel	Y	1/4000s	11.0/s	n	Y
17.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The A6500 has one, while the A9 does not. While the built-in flash of the A6500 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

Concerning the storage of imaging data, both the A6500 and the A9 write their files to SDXC or Memory Stick PRO Duo cards. The A9 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A6500 only has one slot. The A9 supports UHS-II cards (on its first slot), while the A6500 can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6500 and Sony Alpha A9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony A6500	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
2.		Sony A9	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y
3.		Fujifilm X-Pro2	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
4.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
5.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
6.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
7.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
8.		Sony A7R IIIA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
9.		Sony A7R V	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
10.		Sony A9 II	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
11.		Sony A77	Y	stereo / mono	Y	-	mini	2.0	-	-	-
12.		Sony A77 II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
13.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
14.		Sony A6400	Y	stereo / mono	Y	-	micro	2.0	Y	Y	Y
15.		Sony A6600	Y	stereo / mono	Y	Y	YES	2.0	Y	Y	Y
16.		Sony A6700	Y	stereo / mono	Y	Y	YES	3.2	Y	Y	Y
17.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the A9 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The A6500 lacks such a headphone port.

Studio photographers will appreciate that the Sony A9 (unlike the A6500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the A6500 and the A9 have been discontinued, but can regularly be found used on ebay. The A6500 was replaced by the Sony A6600, while the A9 was followed by the Sony A9 II. Further information on the features and operation of the A6500 and A9 can be found, respectively, in the Sony A6500 Manual (free pdf) or the online Sony A9 Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Sony A6500 or the Sony A9 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Sony Alpha A6500:

• More compact: Is smaller (120x67mm vs 127x96mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 220g or 33 percent) and hence easier to carry around.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (69 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in October 2016).

Advantages of the Sony Alpha A9:

• Better image quality: Scores markedly higher (7 points) in the DXO overall evaluation.
• Better low-light sensitivity: Can shoot in dim conditions (1.3 stops ISO advantage).
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3686k vs 2359k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.70x).
• More detailed LCD: Has a higher resolution rear screen (1440k vs 922k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (20 vs 11 flaps/sec) to capture the decisive moment.
• Longer lasting: Gets more shots (650 versus 350) out of a single battery charge.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Was introduced somewhat (6 months) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the A9 is the clear winner of the contest (14 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony A6500 and the Sony A9 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the A6500 or the A9 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Sony A6500	5/5	+ +	3.5/5	85/100	4.5/5	4.5/5	Oct 2016	US$ 1 399	ebay.com
2.		Sony A9	5/5	+ +	4.8/5	89/100	5/5	5/5	Apr 2017	US$ 4 499	ebay.com
3.		Fujifilm X-Pro2	..	+	..	83/100	4.5/5	4.5/5	Jan 2016	US$ 1 699	ebay.com
4.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	US$ 1 199	ebay.com
5.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	US$ 1 199	ebay.com
6.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	US$ 1 999	ebay.com
7.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	US$ 1 999	amazon.com
8.		Sony A7R IIIA	..	+ +	4/5	90/100	4.5/5	5/5	Apr 2021	US$ 3 199	amazon.com
9.		Sony A7R V	5/5	+ +	4.5/5	92/100	..	..	Oct 2022	US$ 3 899	amazon.com
10.		Sony A9 II	..	..	5/5	90/100	5/5	5/5	Oct 2019	US$ 4 499	amazon.com
11.		Sony A77	5/5	91/100	..	81/100	..	5/5	Aug 2011	US$ 1 399	ebay.com
12.		Sony A77 II	4/5	..	..	80/100	4.5/5	5/5	May 2014	US$ 1 199	ebay.com
13.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	US$ 999	ebay.com
14.		Sony A6400	4/5	+	4/5	85/100	4.5/5	4/5	Jan 2019	US$ 899	amazon.com
15.		Sony A6600	4/5	+	4/5	83/100	4.5/5	4/5	Aug 2019	US$ 1 399	amazon.com
16.		Sony A6700	4.5/5	+	4.5/5	88/100	4.5/5	4.5/5	Jul 2023	US$ 1 399	amazon.com
17.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	US$ 1 349	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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