Canon R1 vs Fujifilm X-E5

The Canon EOS R1 and the Fujifilm X-E5 are two digital cameras that were revealed to the public, respectively, in July 2024 and June 2025. Both the R1 and the X-E5 are mirrorless interchangeable lens cameras that are based on a full frame (R1) and an APS-C (X-E5) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 39.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon R1		Fujifilm X-E5
Mirrorless system camera		Mirrorless system camera
Canon RF mount lenses		Fujifilm X mount lenses
24 MP – Full Frame sensor		39.8 MP – APS-C sensor
6K/60p Video		6.2k/30p Video
ISO 100-102,400 (50 - 409,600)		ISO 125-12,800 (64 - 51,200)
Electronic viewfinder (9440k dots)		Electronic viewfinder (2360k dots)
3.2" LCD – 2100k dots		3.0" LCD – 1040k dots
Swivel touchscreen		Tilting touchscreen
12 shutter flaps per second		8 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		not weather sealed
1330 shots per battery charge		305 shots per battery charge
158 x 150 x 87 mm, 1115 g		125 x 73 x 39 mm, 445 g

Check R1 price at
amazon.com
Check X-E5 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R1 and the Fujifilm X-E5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon R1 and the Fujifilm X-E5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The X-E5 can be obtained in two different colors (black, silver), while the R1 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-E5 is considerably smaller (61 percent) than the Canon R1. Moreover, the X-E5 is substantially lighter (60 percent) than the R1. It is worth mentioning in this context that the R1 is splash and dust resistant, while the X-E5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the R1 gets 1330 shots out of its Canon LP-E19 battery, while the X-E5 can take 305 images on a single charge of its Fujifilm NP-W126S power pack. As can be seen in the images above, the R1 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon R1	158 mm	150 mm	87 mm	1115 g	1330	Y	Jul 2024	US$ 6 299	amazon.com
2.		Fujifilm X-E5	125 mm	73 mm	39 mm	445 g	305	n	Jun 2025	US$ 1 699	amazon.com
3.		Canon R3	150 mm	143 mm	87 mm	1015 g	760	Y	Sep 2021	US$ 5 999	amazon.com
4.		Canon R5 Mark II	138 mm	98 mm	88 mm	746 g	340	Y	Jul 2024	US$ 4 299	amazon.com
5.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	US$ 2 499	amazon.com
6.		Canon R6 Mark II	138 mm	98 mm	88 mm	670 g	450	Y	Nov 2022	US$ 2 499	amazon.com
7.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
8.		Fujifilm X-E4	121 mm	73 mm	33 mm	364 g	380	n	Jan 2021	US$ 849	ebay.com
9.		Fujifilm X-Pro1	140 mm	82 mm	43 mm	450 g	300	n	Jan 2012	US$ 1 699	ebay.com
10.		Fujifilm X-S10	126 mm	85 mm	65 mm	465 g	325	n	Oct 2020	US$ 999	amazon.com
11.		Fujifilm X-T50	124 mm	84 mm	49 mm	438 g	305	n	May 2024	US$ 1 399	amazon.com
12.		Fujifilm X100VI	128 mm	75 mm	55 mm	521 g	450	Y	Feb 2024	US$ 1 599	amazon.com
13.		Leica SL3-S	141 mm	108 mm	85 mm	852 g	315	Y	Jan 2025	US$ 5 299	amazon.com
14.		Nikon Zf	144 mm	103 mm	49 mm	710 g	380	Y	Sep 2023	US$ 1 999	amazon.com
15.		Panasonic G9 II	134 mm	102 mm	90 mm	658 g	390	Y	Sep 2023	US$ 1 899	amazon.com
16.		Sony A9 III	136 mm	97 mm	83 mm	702 g	530	Y	Nov 2023	US$ 5 999	amazon.com
17.		Sony A6700	122 mm	69 mm	64 mm	493 g	570	Y	Jul 2023	US$ 1 399	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-E5 was launched at a markedly lower price (by 73 percent) than the R1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon R1 features a full frame sensor and the Fujifilm X-E5 an APS-C sensor. The sensor area in the X-E5 is 58 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Despite having a smaller sensor, the X-E5 offers a higher resolution of 39.8 megapixels, compared with 24 MP of the R1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.04μm versus 6.00μm for the R1). However, it should be noted that the X-E5 is a somewhat more recent model (by 10 months) than the R1, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the X-E5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm X-E5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-E5 for good quality output (200 dots per inch) amounts to 38.6 x 25.8 inches or 98.1 x 65.4 cm, for very good quality (250 dpi) 30.9 x 20.6 inches or 78.5 x 52.3 cm, and for excellent quality (300 dpi) 25.8 x 17.2 inches or 65.4 x 43.6 cm. The corresponding values for the Canon R1 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

The Canon EOS R1 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-409600. The corresponding ISO settings for the Fujifilm X-E5 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 64-51200.

In terms of underlying technology, the R1 is build around a Stacked BSI-CMOS sensor, while the X-E5 uses a BSI-CMOS imager. Like most digital cameras, the R1 uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-E5 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon R1	Full Frame	24.0	6000	4000	6K/60p	25.4	14.8	3332	97
2.		Fujifilm X-E5	APS-C	39.8	7728	5152	6.2k/30p	24.3	14.2	2523	86
3.		Canon R3	Full Frame	24.0	6000	4000	6K/60p	25.0	14.7	4086	96
4.		Canon R5 Mark II	Full Frame	44.8	8192	5464	8k/60p	25.4	14.8	3332	97
5.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
6.		Canon R6 Mark II	Full Frame	24.0	6000	4000	4k/60p	25.4	14.6	3154	96
7.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
8.		Fujifilm X-E4	APS-C	26.0	6240	4160	4K/30p	24.2	13.7	2085	85
9.		Fujifilm X-Pro1	APS-C	16.0	4896	3264	1080/24p	23.1	12.3	1238	74
10.		Fujifilm X-S10	APS-C	26.0	6240	4160	4K/30p	24.2	13.7	2057	85
11.		Fujifilm X-T50	APS-C	39.8	7728	5152	6.2k/30p	24.3	14.1	2418	86
12.		Fujifilm X100VI	APS-C	39.8	7728	5152	6.2K/30p	24.3	14.1	2397	86
13.		Leica SL3-S	Full Frame	24.0	6000	4000	6K/30p	25.4	14.8	3383	97
14.		Nikon Zf	Full Frame	24.3	6048	4024	4K/60p	25.4	14.7	3243	96
15.		Panasonic G9 II	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.5	1710	78
16.		Sony A9 III	Full Frame	24.0	6000	4000	4K/120p	25.4	14.7	3243	96
17.		Sony A6700	APS-C	25.6	6192	4128	4K/120p	24.3	14.0	2329	86
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-E5 provides a better video resolution than the R1. It can shoot movie footage at 6.2k/30p, while the Canon is limited to 6K/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the R1 offers a substantially higher resolution than the one in the X-E5 (9440k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Canon R1, the Fujifilm X-E5, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon R1	9440	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
2.		Fujifilm X-E5	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	n	Y
3.		Canon R3	5760	Y	3.2 / 4150	swivel	Y	1/8000s	12.0/s	n	Y
4.		Canon R5 Mark II	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
5.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
6.		Canon R6 Mark II	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
7.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
8.		Fujifilm X-E4	2360	n	3.0 / 1620	tilting	Y	1/4000s	8.0/s	n	n
9.		Fujifilm X-Pro1	1440	n	3.0 / 1230	fixed	n	1/4000s	6.0/s	n	n
10.		Fujifilm X-S10	2360	n	3.0 / 1040	swivel	Y	1/4000s	8.0/s	Y	Y
11.		Fujifilm X-T50	2360	n	3.0 / 1840	tilting	Y	1/4000s	8.0/s	Y	Y
12.		Fujifilm X100VI	3690	n	3.0 / 1620	tilting	Y	1/4000s	11.0/s	n	Y
13.		Leica SL3-S	5760	Y	3.2 / 2333	tilting	Y	1/8000s	30.0/s	n	Y
14.		Nikon Zf	3690	n	3.2 / 2100	swivel	Y	1/8000s	14.0/s	n	Y
15.		Panasonic G9 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	10.0/s	n	Y
16.		Sony A9 III	9440	n	3.2 / 2100	full-flex	Y	1/80000s	120.0/s	n	Y
17.		Sony A6700	2360	n	3.0 / 1037	swivel	Y	1/4000s	11.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the R1, but is missing on the X-E5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon R1 and the Fujifilm X-E5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The R1 writes its imaging data to CFexpress (type B) or SDXC cards, while the X-E5 uses SDXC cards. The R1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-E5 only has one slot. The R1 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the X-E5 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R1 and Fujifilm X-E5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon R1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
2.		Fujifilm X-E5	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
3.		Canon R3	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
4.		Canon R5 Mark II	Y	mono / mono	Y	Y	full	3.2	Y	-	Y
5.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
6.		Canon R6 Mark II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
7.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
8.		Fujifilm X-E4	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
9.		Fujifilm X-Pro1	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Fujifilm X-S10	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
11.		Fujifilm X-T50	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
12.		Fujifilm X100VI	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
13.		Leica SL3-S	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Nikon Zf	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
15.		Panasonic G9 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
16.		Sony A9 III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Sony A6700	Y	stereo / mono	Y	Y	YES	3.2	Y	Y	Y

It is notable that the R1 has a headphone jack, which is not present on the X-E5 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Studio photographers will appreciate that the Canon R1 (unlike the X-E5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the R1 and the X-E5 are recent models that are part of the current product line-up. The X-E5 replaced the earlier Fujifilm X-E4, while the R1 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.

Review summary

So how do things add up? Which of the two cameras – the Canon R1 or the Fujifilm X-E5 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Canon EOS R1:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (9440k vs 2360k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.9x vs 0.62x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Can take more shots (1330 versus 305) on a single battery charge.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More heavily discounted: Has been on the market for longer (launched in July 2024).

Reasons to prefer the Fujifilm X-E5:

• More detail: Has more megapixels (39.8 vs 24MP), which boosts linear resolution by 29%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better video: Provides higher definition movie capture (6.2k/30p vs 6K/60p).
• More compact: Is smaller (125x73mm vs 158x150mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 670g or 60 percent) and is thus easier to take along.
• More affordable: Was introduced into a lower priced category (73 percent cheaper at launch).
• More modern: Was introduced somewhat (10 months) more recently.

If the count of individual advantages (bullet points above) is taken as a guide, the R1 is the clear winner of the match-up (23 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon R1 and the Fujifilm X-E5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R1 or the X-E5. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon R1	..	..	..	..	..	..	Jul 2024	US$ 6 299	amazon.com
2.		Fujifilm X-E5	..	..	..	..	..	..	Jun 2025	US$ 1 699	amazon.com
3.		Canon R3	5/5	o	4.5/5	..	5/5	4.5/5	Sep 2021	US$ 5 999	amazon.com
4.		Canon R5 Mark II	..	..	..	93/100	..	..	Jul 2024	US$ 4 299	amazon.com
5.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	US$ 2 499	amazon.com
6.		Canon R6 Mark II	5/5	+ +	4.5/5	91/100	4.5/5	5/5	Nov 2022	US$ 2 499	amazon.com
7.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
8.		Fujifilm X-E4	4/5	..	4/5	..	4.5/5	4/5	Jan 2021	US$ 849	ebay.com
9.		Fujifilm X-Pro1	5/5	+ +	..	79/100	4.5/5	4.5/5	Jan 2012	US$ 1 699	ebay.com
10.		Fujifilm X-S10	5/5	..	4.5/5	86/100	4.5/5	4.5/5	Oct 2020	US$ 999	amazon.com
11.		Fujifilm X-T50	..	..	..	85/100	..	..	May 2024	US$ 1 399	amazon.com
12.		Fujifilm X100VI	5/5	+ +	4.5/5	87/100	..	4.5/5	Feb 2024	US$ 1 599	amazon.com
13.		Leica SL3-S	..	..	..	..	..	..	Jan 2025	US$ 5 299	amazon.com
14.		Nikon Zf	4.5/5	..	4.5/5	90/100	4.5/5	5/5	Sep 2023	US$ 1 999	amazon.com
15.		Panasonic G9 II	5/5	..	4.5/5	87/100	..	4.5/5	Sep 2023	US$ 1 899	amazon.com
16.		Sony A9 III	4.5/5	..	..	91/100	..	..	Nov 2023	US$ 5 999	amazon.com
17.		Sony A6700	4.5/5	+	4.5/5	88/100	4.5/5	4.5/5	Jul 2023	US$ 1 399	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

Check R1 price at
amazon.com
Check X-E5 price at
amazon.com

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

~

Check R1 price at
amazon.com
Check X-E5 price at
amazon.com

Did you notice an error on this page? If so, please get in touch, so that we can correct the information.