Canon R1 vs Olympus E-M1 III

The Canon EOS R1 and the Olympus OM-D E-M1 Mark III are two digital cameras that were revealed to the public, respectively, in July 2024 and February 2020. Both the R1 and the E-M1 III are mirrorless interchangeable lens cameras that are based on a full frame (R1) and a Four Thirds (E-M1 III) sensor. The Canon has a resolution of 24 megapixels, whereas the Olympus provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon R1		Olympus E-M1 III
Mirrorless system camera		Mirrorless system camera
Canon RF mount lenses		Micro Four Thirds lenses
24 MP – Full Frame sensor		20.2 MP – Four Thirds sensor
6K/60p Video		4K/30p Video
ISO 100-102,400 (50 - 409,600)		ISO 200-25,600
Electronic viewfinder (9440k dots)		Electronic viewfinder (2360k dots)
3.2" LCD – 2100k dots		3.0" LCD – 1037k dots
Swivel touchscreen		Swivel touchscreen
12 shutter flaps per second		18 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
1330 shots per battery charge		420 shots per battery charge
158 x 150 x 87 mm, 1115 g		134 x 91 x 69 mm, 580 g

Check R1 price at
amazon.com
Check E-M1 III offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R1 and the Olympus OM-D E-M1 Mark III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Canon R1 and the Olympus E-M1 III. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1 III is considerably smaller (49 percent) than the Canon R1. Moreover, the E-M1 III is substantially lighter (48 percent) than the R1. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the R1 gets 1330 shots out of its Canon LP-E19 battery, while the E-M1 III can take 420 images on a single charge of its Olympus BLH-1 power pack. As can be seen in the images above, the R1 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the E-M1 III, Olympus provides the HLD-9 vertical grip as an optional accessory (see here on ebay). The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon R1	158 mm	150 mm	87 mm	1115 g	1330	Y	Jul 2024	US$ 6 299	amazon.com
2.		Olympus E-M1 III	134 mm	91 mm	69 mm	580 g	420	Y	Feb 2020	US$ 1 799	ebay.com
3.		Canon R3	150 mm	143 mm	87 mm	1015 g	760	Y	Sep 2021	US$ 5 999	amazon.com
4.		Canon R5 Mark II	138 mm	98 mm	88 mm	746 g	340	Y	Jul 2024	US$ 4 299	amazon.com
5.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	US$ 2 499	amazon.com
6.		Canon R6 Mark II	138 mm	98 mm	88 mm	670 g	450	Y	Nov 2022	US$ 2 499	amazon.com
7.		Canon R8	133 mm	86 mm	70 mm	461 g	220	n	Feb 2023	US$ 1 499	amazon.com
8.		Leica SL3-S	141 mm	108 mm	85 mm	852 g	315	Y	Jan 2025	US$ 5 299	amazon.com
9.		Nikon Z9	149 mm	150 mm	91 mm	1340 g	740	Y	Oct 2021	US$ 5 499	amazon.com
10.		Nikon Zf	144 mm	103 mm	49 mm	710 g	380	Y	Sep 2023	US$ 1 999	amazon.com
11.		Olympus E-M1 II	134 mm	91 mm	67 mm	574 g	440	Y	Sep 2016	US$ 1 999	ebay.com
12.		Olympus E-M1X	144 mm	147 mm	75 mm	997 g	870	Y	Jan 2019	US$ 2 999	ebay.com
13.		OM System OM-1	135 mm	92 mm	73 mm	599 g	520	Y	Feb 2022	US$ 2 199	ebay.com
14.		Panasonic G9	137 mm	97 mm	92 mm	658 g	400	Y	Nov 2017	US$ 1 699	ebay.com
15.		Panasonic G95	130 mm	94 mm	77 mm	536 g	290	Y	Apr 2019	US$ 999	ebay.com
16.		Panasonic S5 II	134 mm	102 mm	90 mm	740 g	370	Y	Jan 2023	US$ 1 999	amazon.com
17.		Sony A9 III	136 mm	97 mm	83 mm	702 g	530	Y	Nov 2023	US$ 5 999	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-M1 III was launched at a markedly lower price (by 71 percent) than the R1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon R1 features a full frame sensor and the Olympus E-M1 III a Four Thirds sensor. The sensor area in the E-M1 III is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the R1 has a native 3:2 aspect ratio, while the one in the E-M1 III offers a 4:3 aspect.

With 24MP, the R1 offers a higher resolution than the E-M1 III (20.2MP), but the R1 nevertheless has larger individual pixels (pixel pitch of 6.00μm versus 3.34μm for the E-M1 III) due to its larger sensor. Moreover, the R1 is a much more recent model (by 4 years and 5 months) than the E-M1 III, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the E-M1 III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Canon R1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R1 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-M1 III are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

Unlike the R1, the E-M1 III has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon EOS R1 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-409600. The corresponding ISO settings for the Olympus OM-D E-M1 Mark III are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.

In terms of underlying technology, the R1 is build around a Stacked BSI-CMOS sensor, while the E-M1 III uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon R1	Full Frame	24.0	6000	4000	6K/60p	25.4	14.8	3332	97
2.		Olympus E-M1 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1356	76
3.		Canon R3	Full Frame	24.0	6000	4000	6K/60p	25.0	14.7	4086	96
4.		Canon R5 Mark II	Full Frame	44.8	8192	5464	8k/60p	25.4	14.8	3332	97
5.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
6.		Canon R6 Mark II	Full Frame	24.0	6000	4000	4k/60p	25.4	14.6	3154	96
7.		Canon R8	Full Frame	24.0	6000	4000	4k/60p	24.5	14.7	3295	93
8.		Leica SL3-S	Full Frame	24.0	6000	4000	6K/30p	25.4	14.8	3383	97
9.		Nikon Z9	Full Frame	45.4	8256	5504	8K/30p	26.3	14.4	2451	98
10.		Nikon Zf	Full Frame	24.3	6048	4024	4K/60p	25.4	14.7	3243	96
11.		Olympus E-M1 II	Four Thirds	20.2	5184	3888	4K/30p	23.7	12.8	1312	80
12.		Olympus E-M1X	Four Thirds	20.2	5184	3888	4K/30p	23.2	13.0	1254	75
13.		OM System OM-1	Four Thirds	20.2	5184	3888	4K/60p	23.4	13.4	1553	77
14.		Panasonic G9	Four Thirds	20.2	5184	3888	4K/60p	23.1	12.8	1138	74
15.		Panasonic G95	Four Thirds	20.2	5184	3888	4K/30p	23.2	13.0	1273	75
16.		Panasonic S5 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.6	3158	96
17.		Sony A9 III	Full Frame	24.0	6000	4000	4K/120p	25.4	14.7	3243	96
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the R1 provides a higher video resolution than the E-M1 III. It can shoot video footage at 6K/60p, while the Olympus is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the R1 offers a substantially higher resolution than the one in the E-M1 III (9440k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Canon R1, the Olympus E-M1 III, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon R1	9440	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
2.		Olympus E-M1 III	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
3.		Canon R3	5760	Y	3.2 / 4150	swivel	Y	1/8000s	12.0/s	n	Y
4.		Canon R5 Mark II	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
5.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
6.		Canon R6 Mark II	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
7.		Canon R8	2360	n	3.0 / 1620	swivel	Y	1/4000s	6.0/s	n	n
8.		Leica SL3-S	5760	Y	3.2 / 2333	tilting	Y	1/8000s	30.0/s	n	Y
9.		Nikon Z9	3690	Y	3.2 / 2089	full-flex	Y	1/32000s	30.0/s	n	Y
10.		Nikon Zf	3690	n	3.2 / 2100	swivel	Y	1/8000s	14.0/s	n	Y
11.		Olympus E-M1 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
12.		Olympus E-M1X	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
13.		OM System OM-1	5760	n	3.0 / 1640	swivel	Y	1/8000s	10.0/s	n	Y
14.		Panasonic G9	3680	Y	3.0 / 1040	swivel	Y	1/8000s	20.0/s	n	Y
15.		Panasonic G95	2360	n	3.0 / 1240	swivel	Y	1/4000s	9.0/s	Y	Y
16.		Panasonic S5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	9.0/s	n	Y
17.		Sony A9 III	9440	n	3.2 / 2100	full-flex	Y	1/80000s	120.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the R1, but is missing on the E-M1 III is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon R1 and the Olympus E-M1 III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The R1 writes its imaging data to CFexpress (type B) or SDXC cards, while the E-M1 III uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Both the R1 and the E-M1 III support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s (the second slot of the E-M1 III only offers slower UHS-I transfer rates, though).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R1 and Olympus OM-D E-M1 Mark III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon R1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
2.		Olympus E-M1 III	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
3.		Canon R3	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
4.		Canon R5 Mark II	Y	mono / mono	Y	Y	full	3.2	Y	-	Y
5.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
6.		Canon R6 Mark II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
7.		Canon R8	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Leica SL3-S	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
9.		Nikon Z9	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
10.		Nikon Zf	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
11.		Olympus E-M1 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
12.		Olympus E-M1X	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
13.		OM System OM-1	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
14.		Panasonic G9	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
15.		Panasonic G95	Y	stereo / mono	Y	Y	micro	2.0	Y	-	Y
16.		Panasonic S5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Sony A9 III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

The R1 is a recent model that features in the current product line-up of Canon. In contrast, the E-M1 III has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-M1 III was succeeded by the OM System OM-1. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Canon R1 and the Olympus E-M1 III? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Canon EOS R1:

• More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (6K/60p vs 4K/30p).
• More detailed viewfinder: Has higher resolution electronic viewfinder (9440k vs 2360k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.9x vs 0.74x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 1037k dots).
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Can take more shots (1330 versus 420) on a single battery charge.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 3.1).
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• More modern: Reflects 4 years and 5 months of technical progress since the E-M1 III launch.

Reasons to prefer the Olympus OM-D E-M1 Mark III:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Faster burst: Shoots at higher frequency (18 vs 12 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (134x91mm vs 158x150mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 535g or 48 percent) and is thus easier to take along.
• More affordable: Was introduced into a lower priced category (71 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in February 2020).

If the number of relative strengths (bullet points above) is taken as a guide, the R1 is the clear winner of the match-up (17 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon R1 and the Olympus E-M1 III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R1 or the E-M1 III. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon R1	..	..	..	..	..	..	Jul 2024	US$ 6 299	amazon.com
2.		Olympus E-M1 III	5/5	..	5/5	83/100	4.5/5	4/5	Feb 2020	US$ 1 799	ebay.com
3.		Canon R3	5/5	o	4.5/5	..	5/5	4.5/5	Sep 2021	US$ 5 999	amazon.com
4.		Canon R5 Mark II	..	..	..	93/100	..	..	Jul 2024	US$ 4 299	amazon.com
5.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	US$ 2 499	amazon.com
6.		Canon R6 Mark II	5/5	+ +	4.5/5	91/100	4.5/5	5/5	Nov 2022	US$ 2 499	amazon.com
7.		Canon R8	4.5/5	+ +	4.5/5	87/100	4/5	4.5/5	Feb 2023	US$ 1 499	amazon.com
8.		Leica SL3-S	..	..	..	..	..	..	Jan 2025	US$ 5 299	amazon.com
9.		Nikon Z9	5/5	..	4.5/5	94/100	5/5	5/5	Oct 2021	US$ 5 499	amazon.com
10.		Nikon Zf	4.5/5	..	4.5/5	90/100	4.5/5	5/5	Sep 2023	US$ 1 999	amazon.com
11.		Olympus E-M1 II	5/5	+ +	5/5	85/100	4.5/5	4.5/5	Sep 2016	US$ 1 999	ebay.com
12.		Olympus E-M1X	4.5/5	o	5/5	85/100	4.5/5	..	Jan 2019	US$ 2 999	ebay.com
13.		OM System OM-1	5/5	..	..	87/100	5/5	4.5/5	Feb 2022	US$ 2 199	ebay.com
14.		Panasonic G9	..	+ +	5/5	85/100	5/5	5/5	Nov 2017	US$ 1 699	ebay.com
15.		Panasonic G95	4.5/5	+	4.5/5	83/100	4.5/5	4.5/5	Apr 2019	US$ 999	ebay.com
16.		Panasonic S5 II	4.5/5	+ +	5/5	90/100	4.5/5	5/5	Jan 2023	US$ 1 999	amazon.com
17.		Sony A9 III	4.5/5	..	..	91/100	..	..	Nov 2023	US$ 5 999	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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