Canon R5 Mark II vs R6
The Canon EOS R5 Mark II and the Canon EOS R6 are two enthusiast cameras that were officially introduced, respectively, in July 2024 and July 2020. Both the R5 Mark II and the R6 are mirrorless interchangeable lens cameras that are equipped with a full frame sensor. The R5 Mark II has a resolution of 44.8 megapixels, whereas the R6 provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R5 Mark II and the Canon EOS R6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon R5 Mark II and the Canon R6 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.



In this particular case, the Canon R5 Mark II and the Canon R6 have exactly the same width and height, and, thus, have identically-sized bodies. However, the R6 is markedly lighter (9 percent) than the R5 Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | 138 mm | 98 mm | 88 mm | 746 g | 340 | Y | Jul 2024 | EUR 4 799 | amazon.com | |
| 2. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | EUR 2 699 | amazon.com | |
| 3. | Canon 6D | 145 mm | 111 mm | 71 mm | 770 g | 1090 | Y | Sep 2012 | EUR 1 999 | ebay.com | |
| 4. | Canon R | 139 mm | 98 mm | 84 mm | 660 g | 370 | Y | Sep 2018 | EUR 2 499 | ebay.com | |
| 5. | Canon R1 | 158 mm | 150 mm | 87 mm | 1115 g | 1330 | Y | Jul 2024 | EUR 7 499 | amazon.com | |
| 6. | Canon R3 | 150 mm | 143 mm | 87 mm | 1015 g | 760 | Y | Sep 2021 | EUR 5 999 | amazon.com | |
| 7. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | EUR 4 499 | amazon.com | |
| 8. | Canon R5 C | 142 mm | 101 mm | 111 mm | 770 g | 320 | Y | Jan 2022 | EUR 4 999 | amazon.com | |
| 9. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | EUR 2 899 | amazon.com | |
| 10. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | EUR 3 999 | amazon.com | |
| 11. | Fujifilm GFX 100S II | 150 mm | 104 mm | 87 mm | 883 g | 530 | Y | May 2024 | EUR 5 499 | amazon.com | |
| 12. | Nikon Z8 | 144 mm | 119 mm | 83 mm | 910 g | 340 | Y | May 2023 | EUR 4 599 | amazon.com | |
| 13. | Panasonic S1 | 149 mm | 110 mm | 97 mm | 1017 g | 400 | Y | Feb 2019 | EUR 2 499 | ebay.com | |
| 14. | Panasonic S1R II | 134 mm | 102 mm | 92 mm | 795 g | 350 | Y | May 2025 | EUR 3 599 | amazon.com | |
| 15. | Sony A1 II | 136 mm | 97 mm | 83 mm | 743 g | 520 | Y | Nov 2024 | EUR 7 499 | amazon.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The R6 was launched at a markedly lower price (by 42 percent) than the R5 Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor and have a format factor (sometimes also referred to as "crop factor") of 1.0. Within the spectrum of camera sensors, this places the review cameras among the large-sensor cameras that aim for top notch image quality. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

While the two cameras under review share the same sensor size, the R5 Mark II offers a higher resolution of 44.8 megapixels, compared with 20 MP of the R6. This megapixels advantage translates into a 50 percent gain in linear resolution. On the other hand, these sensor specs imply that the R5 Mark II has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.39μm versus 6.57μm for the R6). In this context, it should be noted, however, that the R5 Mark II is much more recent (by 4 years) than the R6, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Canon R5 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R5 Mark II for good quality output (200 dots per inch) amounts to 41 x 27.3 inches or 104 x 69.4 cm, for very good quality (250 dpi) 32.8 x 21.9 inches or 83.2 x 55.5 cm, and for excellent quality (300 dpi) 27.3 x 18.2 inches or 69.4 x 46.3 cm. The corresponding values for the Canon R6 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The Canon EOS R5 Mark II has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-102400. The corresponding ISO settings for the Canon EOS R6 are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-204800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.8 | 3332 | 97 | |
| 2. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
| 3. | Canon 6D | Full Frame | 20.0 | 5472 | 3648 | 1080/30p | 23.8 | 12.1 | 2340 | 82 | |
| 4. | Canon R | Full Frame | 30.1 | 6720 | 4480 | 4K/30p | 24.5 | 13.5 | 2742 | 89 | |
| 5. | Canon R1 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.4 | 14.8 | 3332 | 97 | |
| 6. | Canon R3 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.0 | 14.7 | 4086 | 96 | |
| 7. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
| 8. | Canon R5 C | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.5 | 3082 | 96 | |
| 9. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
| 10. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
| 11. | Fujifilm GFX 100S II | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.9 | 15.1 | 3720 | 101 | |
| 12. | Nikon Z8 | Full Frame | 45.4 | 8256 | 5504 | 8K/30p | 26.3 | 14.2 | 2548 | 98 | |
| 13. | Panasonic S1 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.2 | 14.5 | 3333 | 95 | |
| 14. | Panasonic S1R II | Full Frame | 44.2 | 8144 | 5424 | 8K/30p | 25.4 | 14.8 | 3406 | 97 | |
| 15. | Sony A1 II | Full Frame | 49.8 | 8640 | 5760 | 8k/30p | 25.4 | 14.8 | 3363 | 97 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the R5 Mark II provides a higher video resolution than the R6. It can shoot video footage at 8k/60p, while the R6 is limited to 4k/60p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the R5 Mark II offers a substantially higher resolution than the one in the R6 (5760k vs 3690k dots). The adjacent table lists some of the other core features of the Canon R5 Mark II and Canon R6 along with similar information for a selection of comparators.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 2. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 3. | Canon 6D | optical | Y | 3.0 / 1040 | fixed | n | 1/4000s | 4.5/s | n | n | |
| 4. | Canon R | 3690 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 8.0/s | n | n | |
| 5. | Canon R1 | 9440 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 6. | Canon R3 | 5760 | Y | 3.2 / 4150 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 7. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 8. | Canon R5 C | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | n | |
| 9. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 10. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
| 11. | Fujifilm GFX 100S II | 5760 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 7.0/s | n | Y | |
| 12. | Nikon Z8 | 3690 | Y | 3.2 / 2089 | full-flex | Y | 1/32000s | 30.0/s | n | Y | |
| 13. | Panasonic S1 | 5760 | Y | 3.2 / 2100 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
| 14. | Panasonic S1R II | 5760 | n | 3.2 / 1840 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
| 15. | Sony A1 II | 9437 | n | 3.2 / 2100 | full-flex | Y | 1/8000s | 30.0/s | n | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One feature that is present on the R5 Mark II, but is missing on the R6 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R5 Mark II and the Canon R6 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R5 Mark II writes its imaging data to CFexpress (type B) or SDXC cards, while the R6 uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R5 Mark II and Canon EOS R6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | Y | mono / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 2. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 3. | Canon 6D | Y | mono / mono | Y | - | mini | 2.0 | Y | - | - | |
| 4. | Canon R | Y | stereo / mono | Y | Y | mini | 3.1 | Y | - | Y | |
| 5. | Canon R1 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 6. | Canon R3 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 7. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 8. | Canon R5 C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 9. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 10. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
| 11. | Fujifilm GFX 100S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 12. | Nikon Z8 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 13. | Panasonic S1 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
| 14. | Panasonic S1R II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 15. | Sony A1 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
Studio photographers will appreciate that the Canon R5 Mark II (unlike the R6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the R5 Mark II and the R6 are recent models that are part of the current product line-up. The R5 Mark II replaced the earlier Canon R5, while the R6 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
Review summary
So how do things add up? Which of the two cameras – the Canon R5 Mark II or the Canon R6 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS R5 Mark II:
- More detail: Offers more megapixels (44.8 vs 20MP) with a 50% higher linear resolution.
- Better video: Provides higher definition movie capture (8k/60p vs 4k/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 3690k dots).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1620k dots).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More modern: Reflects 4 years of technical progress since the R6 launch.
Advantages of the Canon EOS R6:
- More affordable: Was introduced into a lower priced category (42 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in July 2020).
If the number of relative strengths (bullet points above) is taken as a guide, the R5 Mark II is the clear winner of the match-up (9 : 2 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R5 Mark II and the Canon R6 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R5 Mark II or the R6. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | .. | .. | .. | 93/100 | .. | .. | Jul 2024 | EUR 4 799 | amazon.com | |
| 2. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | EUR 2 699 | amazon.com | |
| 3. | Canon 6D | 5/5 | + + | .. | 83/100 | 4.5/5 | 4.5/5 | Sep 2012 | EUR 1 999 | ebay.com | |
| 4. | Canon R | 4/5 | o | 4/5 | 79/100 | 4.5/5 | 4/5 | Sep 2018 | EUR 2 499 | ebay.com | |
| 5. | Canon R1 | .. | .. | .. | .. | .. | .. | Jul 2024 | EUR 7 499 | amazon.com | |
| 6. | Canon R3 | 5/5 | o | 4.5/5 | .. | 5/5 | 4.5/5 | Sep 2021 | EUR 5 999 | amazon.com | |
| 7. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | EUR 4 499 | amazon.com | |
| 8. | Canon R5 C | .. | + + | .. | .. | .. | .. | Jan 2022 | EUR 4 999 | amazon.com | |
| 9. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | EUR 2 899 | amazon.com | |
| 10. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | EUR 3 999 | amazon.com | |
| 11. | Fujifilm GFX 100S II | .. | .. | .. | .. | .. | .. | May 2024 | EUR 5 499 | amazon.com | |
| 12. | Nikon Z8 | 5/5 | .. | 5/5 | 94/100 | 5/5 | 4.5/5 | May 2023 | EUR 4 599 | amazon.com | |
| 13. | Panasonic S1 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4/5 | Feb 2019 | EUR 2 499 | ebay.com | |
| 14. | Panasonic S1R II | .. | .. | .. | .. | .. | .. | May 2025 | EUR 3 599 | amazon.com | |
| 15. | Sony A1 II | .. | .. | .. | .. | .. | .. | Nov 2024 | EUR 7 499 | amazon.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon R5 Mark II vs Leica Q2
- Canon R5 Mark II vs Nikon D3300
- Canon R5 Mark II vs Panasonic G9
- Canon R5 Mark II vs Sony ZV-1F
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- Canon R6 vs Sony A77
- Canon R6 vs Sony A7S III
Specifications: Canon R5 Mark II vs Canon R6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Canon R5 Mark II | Canon R6 |
|---|---|---|
| Camera Type | Mirrorless system camera | Mirrorless system camera |
| Camera Lens | Canon RF mount lenses | Canon RF mount lenses |
| Launch Date | July 2024 | July 2020 |
| Launch Price | USD 4,299 | USD 2,499 |
| Sensor Specs | Canon R5 Mark II | Canon R6 |
| Sensor Technology | CMOS | CMOS |
| Sensor Format | Full Frame Sensor | Full Frame Sensor |
| Sensor Size | 36.0 x 24.0 mm | 36.0 x 24.0 mm |
| Sensor Area | 864 mm2 | 864 mm2 |
| Sensor Diagonal | 43.3 mm | 43.3 mm |
| Crop Factor | 1.0x | 1.0x |
| Sensor Resolution | 44.8 Megapixels | 20 Megapixels |
| Image Resolution | 8192 x 5464 pixels | 5472 x 3648 pixels |
| Pixel Pitch | 4.39 μm | 6.57 μm |
| Pixel Density | 5.18 MP/cm2 | 2.31 MP/cm2 |
| Moiré control | Anti-Alias filter | Anti-Alias filter |
| Movie Capability | 8k/60p Video | 4k/60p Video |
| ISO Setting | 100 - 51,200 ISO | 100 - 102,400 ISO |
| ISO Boost | 50 - 102,400 ISO | 50 - 204,800 ISO |
| Image Processor | DIGIC X | DIGIC X |
| DXO Sensor Quality (score) | .. | 90 |
| DXO Color Depth (bits) | .. | 24.2 |
| DXO Dynamic Range (EV) | .. | 14.3 |
| DXO Low Light (ISO) | .. | 3394 |
| Screen Specs | Canon R5 Mark II | Canon R6 |
| Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
| Viewfinder Field of View | 100% | 100% |
| Viewfinder Magnification | 0.76x | 0.76x |
| Viewfinder Resolution | 5760k dots | 3690k dots |
| Top-Level Screen | Control Panel | no Top Display |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.2inch | 3.0inch |
| LCD Resolution | 2100k dots | 1620k dots |
| LCD Attachment | Swivel screen | Swivel screen |
| Touch Input | Touchscreen | Touchscreen |
| Shooting Specs | Canon R5 Mark II | Canon R6 |
| Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/8000s | 1/8000s |
| Continuous Shooting | 12 shutter flaps/s | 12 shutter flaps/s |
| Electronic Shutter | up to 1/32000s | up to 1/8000s |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Image Stabilization | In-body stabilization | In-body stabilization |
| Fill Flash | no On-Board Flash | no On-Board Flash |
| Storage Medium | CFexB or SDXC cards | SDXC cards |
| Single or Dual Card Slots | Dual card slots | Dual card slots |
| UHS card support | Dual UHS-II | UHS-II |
| Connectivity Specs | Canon R5 Mark II | Canon R6 |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | PC Sync socket | no PC Sync |
| USB Connector | USB 3.2 | USB 3.2 |
| HDMI Port | full HDMI | micro HDMI |
| Microphone Port | External MIC port | External MIC port |
| Headphone Socket | Headphone port | Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
| Body Specs | Canon R5 Mark II | Canon R6 |
| Environmental Sealing | Weathersealed body | Weathersealed body |
| Battery Type | Canon LP-E6P | Canon LP-E6NH |
| Battery Life (CIPA) | 340 shots per charge | 360 shots per charge |
| In-Camera Charging | USB charging | USB charging |
| Body Dimensions |
138 x 98 x 88 mm (5.4 x 3.9 x 3.5 in) |
138 x 98 x 88 mm (5.4 x 3.9 x 3.5 in) |
| Camera Weight | 746 g (26.3 oz) | 680 g (24.0 oz) |

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