Canon R5 Mark II vs Panasonic G9 II
The Canon EOS R5 Mark II and the Panasonic Lumix DC-G9 II are two enthusiast cameras that were revealed to the public, respectively, in July 2024 and September 2023. Both the R5 Mark II and the G9 II are mirrorless interchangeable lens cameras that are based on a full frame (R5 Mark II) and a Four Thirds (G9 II) sensor. The Canon has a resolution of 44.8 megapixels, whereas the Panasonic provides 25 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check R5 Mark II price at
amazon.com

Check G9 II price at
amazon.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R5 Mark II and the Panasonic Lumix DC-G9 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Canon R5 Mark II and the Panasonic G9 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G9 II is somewhat larger (1 percent) than the Canon R5 Mark II. However, the G9 II is markedly lighter (12 percent) than the R5 Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | 138 mm | 98 mm | 88 mm | 746 g | 340 | Y | Jul 2024 | EUR 4 799 | amazon.com | |
| 2. | Panasonic G9 II | 134 mm | 102 mm | 90 mm | 658 g | 390 | Y | Sep 2023 | EUR 1 899 | amazon.com | |
| 3. | Canon R1 | 158 mm | 150 mm | 87 mm | 1115 g | 1330 | Y | Jul 2024 | EUR 7 499 | amazon.com | |
| 4. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | EUR 4 499 | amazon.com | |
| 5. | Canon R5 C | 142 mm | 101 mm | 111 mm | 770 g | 320 | Y | Jan 2022 | EUR 4 999 | amazon.com | |
| 6. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | EUR 2 699 | amazon.com | |
| 7. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | EUR 2 899 | amazon.com | |
| 8. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | EUR 3 999 | amazon.com | |
| 9. | Fujifilm GFX 100S II | 150 mm | 104 mm | 87 mm | 883 g | 530 | Y | May 2024 | EUR 5 499 | amazon.com | |
| 10. | Nikon Z8 | 144 mm | 119 mm | 83 mm | 910 g | 340 | Y | May 2023 | EUR 4 599 | amazon.com | |
| 11. | Panasonic G9 | 137 mm | 97 mm | 92 mm | 658 g | 400 | Y | Nov 2017 | EUR 1 699 | ebay.com | |
| 12. | Panasonic GH5 | 139 mm | 98 mm | 87 mm | 725 g | 410 | Y | Jan 2017 | EUR 1 999 | ebay.com | |
| 13. | Panasonic GH6 | 138 mm | 100 mm | 100 mm | 823 g | 360 | Y | Feb 2022 | EUR 2 199 | amazon.com | |
| 14. | Panasonic GH7 | 138 mm | 100 mm | 100 mm | 805 g | 380 | Y | Jun 2024 | EUR 2 199 | amazon.com | |
| 15. | Panasonic S1R II | 134 mm | 102 mm | 92 mm | 795 g | 350 | Y | May 2025 | EUR 3 599 | amazon.com | |
| 16. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | EUR 2 199 | amazon.com | |
| 17. | Sony A1 II | 136 mm | 97 mm | 83 mm | 743 g | 520 | Y | Nov 2024 | EUR 7 499 | amazon.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G9 II was launched at a markedly lower price (by 56 percent) than the R5 Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon R5 Mark II features a full frame sensor and the Panasonic G9 II a Four Thirds sensor. The sensor area in the G9 II is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the R5 Mark II has a native 3:2 aspect ratio, while the one in the G9 II offers a 4:3 aspect.

With 44.8MP, the R5 Mark II offers a higher resolution than the G9 II (25MP), but the R5 Mark II nevertheless has larger individual pixels (pixel pitch of 4.39μm versus 3.00μm for the G9 II) due to its larger sensor. Moreover, the R5 Mark II is a somewhat more recent model (by 10 months) than the G9 II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the G9 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon R5 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R5 Mark II for good quality output (200 dots per inch) amounts to 41 x 27.3 inches or 104 x 69.4 cm, for very good quality (250 dpi) 32.8 x 21.9 inches or 83.2 x 55.5 cm, and for excellent quality (300 dpi) 27.3 x 18.2 inches or 69.4 x 46.3 cm. The corresponding values for the Panasonic G9 II are 28.9 x 21.7 inches or 73.4 x 55.1 cm for good quality, 23.1 x 17.3 inches or 58.7 x 44.1 cm for very good quality, and 19.3 x 14.5 inches or 48.9 x 36.7 cm for excellent quality prints.
Unlike the R5 Mark II, the G9 II has the capacity to capture high quality composite images (100MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS R5 Mark II has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DC-G9 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.8 | 3332 | 97 | |
| 2. | Panasonic G9 II | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.5 | 1710 | 78 | |
| 3. | Canon R1 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.4 | 14.8 | 3332 | 97 | |
| 4. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
| 5. | Canon R5 C | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.5 | 3082 | 96 | |
| 6. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
| 7. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
| 8. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
| 9. | Fujifilm GFX 100S II | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.9 | 15.1 | 3720 | 101 | |
| 10. | Nikon Z8 | Full Frame | 45.4 | 8256 | 5504 | 8K/30p | 26.3 | 14.2 | 2548 | 98 | |
| 11. | Panasonic G9 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.1 | 12.8 | 1138 | 74 | |
| 12. | Panasonic GH5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.9 | 13.0 | 807 | 77 | |
| 13. | Panasonic GH6 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.4 | 1555 | 77 | |
| 14. | Panasonic GH7 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.6 | 1784 | 78 | |
| 15. | Panasonic S1R II | Full Frame | 44.2 | 8144 | 5424 | 8K/30p | 25.4 | 14.8 | 3406 | 97 | |
| 16. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
| 17. | Sony A1 II | Full Frame | 49.8 | 8640 | 5760 | 8k/30p | 25.4 | 14.8 | 3363 | 97 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the R5 Mark II provides a higher video resolution than the G9 II. It can shoot video footage at 8k/60p, while the Panasonic is limited to 5.7K/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the R5 Mark II offers a substantially higher resolution than the one in the G9 II (5760k vs 3680k dots). The adjacent table lists some of the other core features of the Canon R5 Mark II and Panasonic G9 II along with similar information for a selection of comparators.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 2. | Panasonic G9 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
| 3. | Canon R1 | 9440 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 4. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 5. | Canon R5 C | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | n | |
| 6. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 7. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 8. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
| 9. | Fujifilm GFX 100S II | 5760 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 7.0/s | n | Y | |
| 10. | Nikon Z8 | 3690 | Y | 3.2 / 2089 | full-flex | Y | 1/32000s | 30.0/s | n | Y | |
| 11. | Panasonic G9 | 3680 | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 20.0/s | n | Y | |
| 12. | Panasonic GH5 | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 13. | Panasonic GH6 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
| 14. | Panasonic GH7 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
| 15. | Panasonic S1R II | 5760 | n | 3.2 / 1840 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
| 16. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
| 17. | Sony A1 II | 9437 | n | 3.2 / 2100 | full-flex | Y | 1/8000s | 30.0/s | n | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One feature that is present on the R5 Mark II, but is missing on the G9 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R5 Mark II and the Panasonic G9 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R5 Mark II writes its imaging data to CFexpress (type B) or SDXC cards, while the G9 II uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both the R5 Mark II and the G9 II support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s, on both slots.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R5 Mark II and Panasonic Lumix DC-G9 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | Y | mono / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 2. | Panasonic G9 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 3. | Canon R1 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 4. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 5. | Canon R5 C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 6. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 7. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 8. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
| 9. | Fujifilm GFX 100S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 10. | Nikon Z8 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 11. | Panasonic G9 | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | Y | |
| 12. | Panasonic GH5 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
| 13. | Panasonic GH6 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 14. | Panasonic GH7 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 15. | Panasonic S1R II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 16. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 17. | Sony A1 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
Studio photographers will appreciate that the Canon R5 Mark II (unlike the G9 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the R5 Mark II and the G9 II are recent models that are part of the current product line-up. The G9 II replaced the earlier Panasonic G9, while the R5 Mark II followed on from the Canon R5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
Review summary
So how do things add up? Which of the two cameras – the Canon R5 Mark II or the Panasonic G9 II – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Advantages of the Canon EOS R5 Mark II:
- More detail: Offers more megapixels (44.8 vs 25MP) with a 36% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (8k/60p vs 5.7K/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 3680k dots).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1840k dots).
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More modern: Is somewhat more recent (announced 10 months after the G9 II).

Arguments in favor of the Panasonic Lumix DC-G9 II:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.8x vs 0.76x).
- Less heavy: Has a lower weight (by 88g or 12 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (390 versus 340) out of a single battery charge.
- More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in September 2023).
If the count of relative strengths (bullet points above) is taken as a measure, the R5 Mark II is the clear winner of the match-up (14 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R5 Mark II and the Panasonic G9 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the R5 Mark II or the G9 II perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | .. | .. | .. | 93/100 | .. | .. | Jul 2024 | EUR 4 799 | amazon.com | |
| 2. | Panasonic G9 II | 5/5 | .. | 4.5/5 | 87/100 | .. | 4.5/5 | Sep 2023 | EUR 1 899 | amazon.com | |
| 3. | Canon R1 | .. | .. | .. | .. | .. | .. | Jul 2024 | EUR 7 499 | amazon.com | |
| 4. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | EUR 4 499 | amazon.com | |
| 5. | Canon R5 C | .. | + + | .. | .. | .. | .. | Jan 2022 | EUR 4 999 | amazon.com | |
| 6. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | EUR 2 699 | amazon.com | |
| 7. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | EUR 2 899 | amazon.com | |
| 8. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | EUR 3 999 | amazon.com | |
| 9. | Fujifilm GFX 100S II | .. | .. | .. | .. | .. | .. | May 2024 | EUR 5 499 | amazon.com | |
| 10. | Nikon Z8 | 5/5 | .. | 5/5 | 94/100 | 5/5 | 4.5/5 | May 2023 | EUR 4 599 | amazon.com | |
| 11. | Panasonic G9 | .. | + + | 5/5 | 85/100 | 5/5 | 5/5 | Nov 2017 | EUR 1 699 | ebay.com | |
| 12. | Panasonic GH5 | 4.5/5 | + + | .. | 85/100 | 4.5/5 | 5/5 | Jan 2017 | EUR 1 999 | ebay.com | |
| 13. | Panasonic GH6 | 5/5 | + + | 5/5 | 87/100 | 5/5 | 5/5 | Feb 2022 | EUR 2 199 | amazon.com | |
| 14. | Panasonic GH7 | .. | .. | .. | .. | .. | .. | Jun 2024 | EUR 2 199 | amazon.com | |
| 15. | Panasonic S1R II | .. | .. | .. | .. | .. | .. | May 2025 | EUR 3 599 | amazon.com | |
| 16. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | EUR 2 199 | amazon.com | |
| 17. | Sony A1 II | .. | .. | .. | .. | .. | .. | Nov 2024 | EUR 7 499 | amazon.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Check R5 Mark II price at
amazon.com

Check G9 II price at
amazon.com
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 4000D vs Canon R5 Mark II
- Canon 500D vs Panasonic G9 II
- Canon R5 Mark II vs Canon T5i
- Canon R5 Mark II vs Fujifilm X-T5
- Canon R5 Mark II vs OM System OM-5
- Canon R5 Mark II vs Panasonic GH5
- Canon R5 Mark II vs Sony HX99
- Fujifilm X-E4 vs Panasonic G9 II
- Panasonic G9 II vs Panasonic GF5
- Panasonic G9 II vs Sigma fp
- Panasonic G9 II vs Sony A7S II
- Panasonic G9 II vs Sony ZV-E10
Specifications: Canon R5 Mark II vs Panasonic G9 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Canon R5 Mark II | Panasonic G9 II |
|---|---|---|
| Camera Type | Mirrorless system camera | Mirrorless system camera |
| Camera Lens | Canon RF mount lenses | Micro Four Thirds lenses |
| Launch Date | July 2024 | September 2023 |
| Launch Price | USD 4,299 | USD 1,899 |
| Sensor Specs | Canon R5 Mark II | Panasonic G9 II |
| Sensor Technology | CMOS | CMOS |
| Sensor Format | Full Frame Sensor | Four Thirds Sensor |
| Sensor Size | 36.0 x 24.0 mm | 17.3 x 13.0 mm |
| Sensor Area | 864 mm2 | 224.9 mm2 |
| Sensor Diagonal | 43.3 mm | 21.6 mm |
| Crop Factor | 1.0x | 2.0x |
| Sensor Resolution | 44.8 Megapixels | 25 Megapixels |
| Image Resolution | 8192 x 5464 pixels | 5776 x 4336 pixels |
| Pixel Pitch | 4.39 μm | 3.00 μm |
| Pixel Density | 5.18 MP/cm2 | 11.14 MP/cm2 |
| Moiré control | Anti-Alias filter | no AA filter |
| Movie Capability | 8k/60p Video | 5.7K/60p Video |
| ISO Setting | 100 - 51,200 ISO | 100 - 25,600 ISO |
| ISO Boost | 50 - 102,400 ISO | 50 - 25,600 ISO |
| Image Processor | DIGIC X | Venus |
| Screen Specs | Canon R5 Mark II | Panasonic G9 II |
| Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
| Viewfinder Field of View | 100% | 100% |
| Viewfinder Magnification | 0.76x | 0.8x |
| Viewfinder Resolution | 5760k dots | 3680k dots |
| Top-Level Screen | Control Panel | no Top Display |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.2inch | 3.0inch |
| LCD Resolution | 2100k dots | 1840k dots |
| LCD Attachment | Swivel screen | Swivel screen |
| Touch Input | Touchscreen | Touchscreen |
| Shooting Specs | Canon R5 Mark II | Panasonic G9 II |
| Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/8000s | 1/8000s |
| Continuous Shooting | 12 shutter flaps/s | 10 shutter flaps/s |
| Electronic Shutter | up to 1/32000s | up to 1/32000s |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Image Stabilization | In-body stabilization | In-body stabilization |
| Fill Flash | no On-Board Flash | no On-Board Flash |
| Storage Medium | CFexB or SDXC cards | SDXC cards |
| Single or Dual Card Slots | Dual card slots | Dual card slots |
| UHS card support | Dual UHS-II | Dual UHS-II |
| Connectivity Specs | Canon R5 Mark II | Panasonic G9 II |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | PC Sync socket | no PC Sync |
| USB Connector | USB 3.2 | USB 3.2 |
| HDMI Port | full HDMI | full HDMI |
| Microphone Port | External MIC port | External MIC port |
| Headphone Socket | Headphone port | Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
| Body Specs | Canon R5 Mark II | Panasonic G9 II |
| Environmental Sealing | Weathersealed body | Weathersealed body |
| Battery Type | Canon LP-E6P | Panasonic DMW-BLK22 |
| Battery Life (CIPA) | 340 shots per charge | 390 shots per charge |
| In-Camera Charging | USB charging | USB charging |
| Body Dimensions |
138 x 98 x 88 mm (5.4 x 3.9 x 3.5 in) |
134 x 102 x 90 mm (5.3 x 4.0 x 3.5 in) |
| Camera Weight | 746 g (26.3 oz) | 658 g (23.2 oz) |

Check R5 Mark II price at
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Check G9 II price at
amazon.com
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