Epson R-D1 vs Panasonic GF7
The Epson R-D1 and the Panasonic Lumix DMC-GF7 are two digital cameras that were announced, respectively, in March 2004 and January 2015. The R-D1 is a rangefinder-focusing mirrorless, while the GF7 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (R-D1) and a Four Thirds (GF7) sensor. The Epson has a resolution of 6 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

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Going beyond this snapshot of core features and characteristics, what are the differences between the Epson R-D1 and the Panasonic Lumix DMC-GF7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Epson R-D1 and the Panasonic GF7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The GF7 can be obtained in two different colors (black, pink), while the R-D1 is only available in black.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF7 is considerably smaller (45 percent) than the Epson R-D1. Moreover, the GF7 is substantially lighter (57 percent) than the R-D1. In this context, it is worth noting that neither the R-D1 nor the GF7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Leica M Lens Catalog (R-D1) and the Micro Four Thirds Lens Catalog (GF7).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Epson R-D1 | 142 mm | 89 mm | 40 mm | 620 g | .. | n | Mar 2004 | US$ 2 999 | ebay.com | |
| 2. | Panasonic GF7 | 107 mm | 65 mm | 33 mm | 266 g | 230 | n | Jan 2015 | US$ 499 | ebay.com | |
| 3. | Canon Rebel | 142 mm | 99 mm | 72 mm | 649 g | 400 | n | Aug 2003 | US$ 899 | ebay.com | |
| 4. | Leica CL | 131 mm | 78 mm | 45 mm | 403 g | 220 | n | Nov 2017 | US$ 2 795 | ebay.com | |
| 5. | Leica M9 | 139 mm | 80 mm | 37 mm | 585 g | 550 | n | Sep 2009 | US$ 7 999 | ebay.com | |
| 6. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | US$ 6 599 | ebay.com | |
| 7. | Leica X Vario | 133 mm | 73 mm | 95 mm | 680 g | 450 | n | Jun 2013 | US$ 2 849 | ebay.com | |
| 8. | Leica X-U Typ 113 | 140 mm | 79 mm | 88 mm | 635 g | 450 | Y | Jan 2016 | US$ 2 949 | ebay.com | |
| 9. | Nikon D40 | 124 mm | 94 mm | 64 mm | 522 g | 470 | n | Nov 2006 | US$ 499 | ebay.com | |
| 10. | Nikon D50 | 133 mm | 102 mm | 76 mm | 620 g | 400 | n | Apr 2005 | US$ 749 | ebay.com | |
| 11. | Nikon D70 | 140 mm | 111 mm | 78 mm | 679 g | 400 | n | Jan 2004 | US$ 999 | ebay.com | |
| 12. | Nikon D70s | 140 mm | 111 mm | 78 mm | 679 g | 500 | n | Apr 2005 | US$ 899 | ebay.com | |
| 13. | Panasonic G7 | 125 mm | 86 mm | 77 mm | 410 g | 350 | n | May 2015 | US$ 649 | ebay.com | |
| 14. | Panasonic GF6 | 111 mm | 65 mm | 38 mm | 323 g | 340 | n | Apr 2013 | US$ 499 | ebay.com | |
| 15. | Panasonic GM5 | 99 mm | 60 mm | 36 mm | 211 g | 220 | n | Sep 2014 | US$ 749 | ebay.com | |
| 16. | Panasonic GX1 | 116 mm | 68 mm | 39 mm | 318 g | 320 | n | Nov 2011 | US$ 699 | ebay.com | |
| 17. | Panasonic GX850 | 107 mm | 65 mm | 33 mm | 269 g | 210 | n | Jan 2017 | US$ 549 | ebay.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF7 was launched at a markedly lower price (by 83 percent) than the R-D1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Epson R-D1 features an APS-C sensor and the Panasonic GF7 a Four Thirds sensor. The sensor area in the GF7 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the R-D1 has a native 3:2 aspect ratio, while the one in the GF7 offers a 4:3 aspect.

Despite having a smaller sensor, the GF7 offers a higher resolution of 15.8 megapixels, compared with 6 MP of the R-D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 7.85μm for the R-D1). However, it should be noted that the GF7 is much more recent (by 10 years and 10 months) than the R-D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic GF7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GF7 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Epson R-D1 are 15 x 10 inches or 38.2 x 25.4 cm for good quality, 12 x 8 inches or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inches or 25.5 x 16.9 cm for excellent quality prints.
The Epson R-D1 has a native sensitivity range from ISO 200 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-GF7 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
In terms of underlying technology, the R-D1 is build around a CCD sensor, while the GF7 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Epson R-D1 | APS-C | 6.0 | 3008 | 2000 | none | 21.1 | 10.4 | 564 | 55 | |
| 2. | Panasonic GF7 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.7 | 12.3 | 874 | 70 | |
| 3. | Canon Rebel | APS-C | 6.3 | 3072 | 2048 | none | 21.0 | 10.8 | 544 | 55 | |
| 4. | Leica CL | APS-C | 24.1 | 6014 | 4014 | 4K/30p | 24.0 | 13.3 | 1788 | 82 | |
| 5. | Leica M9 | Full Frame | 18.1 | 5212 | 3472 | none | 22.5 | 11.7 | 884 | 69 | |
| 6. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
| 7. | Leica X Vario | APS-C | 16.1 | 4928 | 3272 | 1080/30p | 23.4 | 12.7 | 1320 | 78 | |
| 8. | Leica X-U Typ 113 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.8 | 13.0 | 1614 | 80 | |
| 9. | Nikon D40 | APS-C | 6.0 | 3008 | 2000 | none | 21.0 | 11.0 | 561 | 56 | |
| 10. | Nikon D50 | APS-C | 6.0 | 3008 | 2000 | none | 20.9 | 10.8 | 560 | 55 | |
| 11. | Nikon D70 | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
| 12. | Nikon D70s | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
| 13. | Panasonic G7 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.8 | 12.4 | 904 | 71 | |
| 14. | Panasonic GF6 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 20.7 | 10.6 | 622 | 54 | |
| 15. | Panasonic GM5 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.1 | 11.7 | 721 | 66 | |
| 16. | Panasonic GX1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 20.8 | 10.6 | 703 | 55 | |
| 17. | Panasonic GX850 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 23.2 | 13.3 | 586 | 73 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but can also record movies. The GF7 indeed provides for movie recording, while the R-D1 does not. The highest resolution format that the GF7 can use is 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the R-D1 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF7 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Epson R-D1 and Panasonic GF7 along with similar information for a selection of comparators.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Epson R-D1 | optical | n | 2.0 / 235 | fixed | n | 1/2000s | 1.0/s | n | n | |
| 2. | Panasonic GF7 | none | n | 3.0 / 1040 | tilting | Y | 1/500s | 5.8/s | Y | n | |
| 3. | Canon Rebel | optical | n | 1.8 / 118 | fixed | n | 1/4000s | 2.5/s | Y | n | |
| 4. | Leica CL | 2360 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 10.0/s | n | n | |
| 5. | Leica M9 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 2.0/s | n | n | |
| 6. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
| 7. | Leica X Vario | optional | n | 3.0 / 920 | fixed | n | 1/2000s | 5.0/s | Y | n | |
| 8. | Leica X-U Typ 113 | optional | n | 3.0 / 920 | fixed | n | 1/2000s | 5.0/s | Y | n | |
| 9. | Nikon D40 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 2.5/s | Y | n | |
| 10. | Nikon D50 | optical | n | 2.0 / 130 | fixed | n | 1/4000s | 2.5/s | Y | n | |
| 11. | Nikon D70 | optical | n | 1.8 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
| 12. | Nikon D70s | optical | n | 2.0 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
| 13. | Panasonic G7 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
| 14. | Panasonic GF6 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
| 15. | Panasonic GM5 | 1166 | n | 3.0 / 921 | fixed | Y | 1/500s | 5.8/s | n | n | |
| 16. | Panasonic GX1 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 4.2/s | Y | n | |
| 17. | Panasonic GX850 | none | n | 3.0 / 1040 | tilting | Y | 1/500s | 10.0/s | Y | n | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GF7 has a touchscreen, while the R-D1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The GF7 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the R-D1 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GF7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The R-D1 writes its imaging data to SDHC cards, while the GF7 uses SDXC cards. The GF7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the R-D1 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Epson R-D1 and Panasonic Lumix DMC-GF7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Epson R-D1 | Y | - / - | - | - | - | - | - | - | - | |
| 2. | Panasonic GF7 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 3. | Canon Rebel | Y | - / - | - | - | - | 1.1 | - | - | - | |
| 4. | Leica CL | Y | stereo / mono | - | - | - | - | Y | - | - | |
| 5. | Leica M9 | Y | - / - | - | - | - | 2.0 | - | - | - | |
| 6. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
| 7. | Leica X Vario | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 8. | Leica X-U Typ 113 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
| 9. | Nikon D40 | Y | - / - | - | - | - | 2.0 | - | - | - | |
| 10. | Nikon D50 | Y | - / - | - | - | - | 2.0 | - | - | - | |
| 11. | Nikon D70 | Y | - / - | - | - | - | 1.0 | - | - | - | |
| 12. | Nikon D70s | Y | - / - | - | - | - | 2.0 | - | - | - | |
| 13. | Panasonic G7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
| 14. | Panasonic GF6 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
| 15. | Panasonic GM5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 16. | Panasonic GX1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 17. | Panasonic GX850 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - |
It is notable that the R-D1 has a hotshoe, while the GF7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Epson R-D1 (unlike the GF7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the R-D1 and the GF7 have been discontinued, but can regularly be found used on ebay. The GF7 was replaced by the Panasonic GX850, while the R-D1 does not have a direct successor. Further information on the features and operation of the R-D1 and GF7 can be found, respectively, in the Epson R-D1 Manual (free pdf) or the online Panasonic GF7 Manual.
Review summary
So what conclusions can be drawn? Is the Epson R-D1 better than the Panasonic GF7 or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Epson R-D1:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/2000s vs 1/500s) to freeze action.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in March 2004).

Arguments in favor of the Panasonic Lumix DMC-GF7:
- More detail: Has more megapixels (15.8 vs 6MP), which boosts linear resolution by 59%.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 235k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5.8 vs 1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (107x65mm vs 142x89mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 354g or 57 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (83 percent cheaper at launch).
- More modern: Reflects 10 years and 10 months of technical progress since the R-D1 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the GF7 is the clear winner of the contest (17 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the R-D1 or the GF7 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Epson R-D1 | .. | .. | .. | .. | .. | .. | Mar 2004 | US$ 2 999 | ebay.com | |
| 2. | Panasonic GF7 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Jan 2015 | US$ 499 | ebay.com | |
| 3. | Canon Rebel | .. | .. | .. | + + | .. | .. | Aug 2003 | US$ 899 | ebay.com | |
| 4. | Leica CL | .. | .. | 4.2/5 | .. | .. | 4/5 | Nov 2017 | US$ 2 795 | ebay.com | |
| 5. | Leica M9 | .. | .. | .. | .. | 4.5/5 | .. | Sep 2009 | US$ 7 999 | ebay.com | |
| 6. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | US$ 6 599 | ebay.com | |
| 7. | Leica X Vario | 3/5 | .. | .. | .. | 4/5 | 4/5 | Jun 2013 | US$ 2 849 | ebay.com | |
| 8. | Leica X-U Typ 113 | 3.5/5 | .. | .. | .. | .. | 3.5/5 | Jan 2016 | US$ 2 949 | ebay.com | |
| 9. | Nikon D40 | .. | 81/100 | .. | + + | o | 4.5/5 | Nov 2006 | US$ 499 | ebay.com | |
| 10. | Nikon D50 | .. | 78/100 | .. | + + | 4/5 | 4.5/5 | Apr 2005 | US$ 749 | ebay.com | |
| 11. | Nikon D70 | .. | .. | .. | + + | .. | .. | Jan 2004 | US$ 999 | ebay.com | |
| 12. | Nikon D70s | .. | .. | .. | .. | .. | 5/5 | Apr 2005 | US$ 899 | ebay.com | |
| 13. | Panasonic G7 | 4/5 | + + | 3.5/5 | 80/100 | 5/5 | 4.5/5 | May 2015 | US$ 649 | ebay.com | |
| 14. | Panasonic GF6 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Apr 2013 | US$ 499 | ebay.com | |
| 15. | Panasonic GM5 | 3.5/5 | + | .. | 77/100 | 5/5 | 4.5/5 | Sep 2014 | US$ 749 | ebay.com | |
| 16. | Panasonic GX1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Nov 2011 | US$ 699 | ebay.com | |
| 17. | Panasonic GX850 | .. | + | .. | 76/100 | 4.5/5 | 4.5/5 | Jan 2017 | US$ 549 | ebay.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D X vs Panasonic GF7
- Canon 20D vs Epson R-D1
- Canon 500D vs Epson R-D1
- Canon 5D Mark IV vs Panasonic GF7
- Canon M200 vs Panasonic GF7
- Canon SX540 vs Epson R-D1
- Epson R-D1 vs Leica S3
- Epson R-D1 vs Nikon 1 V1
- Epson R-D1 vs Zeiss ZX1
- Nikon D4S vs Panasonic GF7
- Olympus E-P7 vs Panasonic GF7
- Panasonic FZ1000 vs Panasonic GF7
Specifications: Epson R-D1 vs Panasonic GF7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Epson R-D1 | Panasonic GF7 |
|---|---|---|
| Camera Type | Rangefinder camera | Mirrorless system camera |
| Camera Lens | Leica M mount lenses | Micro Four Thirds lenses |
| Launch Date | March 2004 | January 2015 |
| Launch Price | USD 2,999 | USD 499 |
| Sensor Specs | Epson R-D1 | Panasonic GF7 |
| Sensor Technology | CCD | CMOS |
| Sensor Format | APS-C Sensor | Four Thirds Sensor |
| Sensor Size | 23.7 x 15.6 mm | 17.3 x 13.0 mm |
| Sensor Area | 369.72 mm2 | 224.9 mm2 |
| Sensor Diagonal | 28.4 mm | 21.6 mm |
| Crop Factor | 1.5x | 2.0x |
| Sensor Resolution | 6 Megapixels | 15.8 Megapixels |
| Image Resolution | 3008 x 2000 pixels | 4592 x 3448 pixels |
| Pixel Pitch | 7.85 μm | 3.77 μm |
| Pixel Density | 1.63 MP/cm2 | 7.04 MP/cm2 |
| Moiré control | Anti-Alias filter | Anti-Alias filter |
| Movie Capability | no Video | 1080/60p Video |
| ISO Setting | 200 - 1,600 ISO | 200 - 25,600 ISO |
| ISO Boost | no Enhancement | 100 - 25,600 ISO |
| Screen Specs | Epson R-D1 | Panasonic GF7 |
| Viewfinder Type | Optical viewfinder | no viewfinder |
| Viewfinder Field of View | 100% | |
| LCD Framing | Live View | |
| Rear LCD Size | 2.0inch | 3.0inch |
| LCD Resolution | 235k dots | 1040k dots |
| LCD Attachment | Fixed screen | Tilting screen |
| Touch Input | no Touchscreen | Touchscreen |
| Shooting Specs | Epson R-D1 | Panasonic GF7 |
| Focus System | Manual Focus | Contrast-detect AF |
| Manual Focusing Aid | no Peaking Feature | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/2000s | 1/500s |
| Continuous Shooting | 1 shutter flaps/s | 5.8 shutter flaps/s |
| Electronic Shutter | no E-Shutter | up to 1/16000s |
| Fill Flash | no On-Board Flash | Built-in Flash |
| Storage Medium | SDHC cards | SDXC cards |
| Single or Dual Card Slots | Single card slot | Single card slot |
| UHS card support | no | UHS-I |
| Connectivity Specs | Epson R-D1 | Panasonic GF7 |
| External Flash | Hotshoe | no Hotshoe |
| Studio Flash | PC Sync socket | no PC Sync |
| USB Connector | no USB | USB 2.0 |
| HDMI Port | no HDMI | micro HDMI |
| Wifi Support | no Wifi | Wifi built-in |
| Near-Field Communication | no NFC | NFC built-in |
| Body Specs | Epson R-D1 | Panasonic GF7 |
| Battery Type | Epson EU-85 | Panasonic DMW-BLH7 |
| Body Dimensions |
142 x 89 x 40 mm (5.6 x 3.5 x 1.6 in) |
107 x 65 x 33 mm (4.2 x 2.6 x 1.3 in) |
| Camera Weight | 620 g (21.9 oz) | 266 g (9.4 oz) |

Check R-D1 offers at
ebay.com

Check GF7 offers at
ebay.com
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