Panasonic S1 II vs Sony ZV-E10 II

The Panasonic Lumix DC-S1 II and the Sony ZV-E10 II are two digital cameras that were officially introduced, respectively, in May 2025 and July 2024. Both the S1 II and the ZV-E10 II are mirrorless interchangeable lens cameras that are based on a full frame (S1 II) and an APS-C (ZV-E10 II) sensor. The Panasonic has a resolution of 24 megapixels, whereas the Sony provides 25.6 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic S1 II		Sony ZV-E10 II
Mirrorless system camera		Mirrorless system camera
Leica L mount lenses		Sony E mount lenses
24 MP – Full Frame sensor		25.6 MP – APS-C sensor
6K/30p Video		4K/60p Video
ISO 100-51,200 (50 - 204,800)		ISO 100-32,000 (50 - 102,400)
Electronic viewfinder (5760k dots)		No viewfinder, LCD framing
3.2" LCD – 1840k dots		3.0" LCD – 1036k dots
Fully flexible touchscreen		Swivel touchscreen
10 shutter flaps per second		11 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		not weather sealed
350 shots per battery charge		610 shots per battery charge
134 x 102 x 92 mm, 800 g		115 x 68 x 54 mm, 377 g

Check S1 II price at
amazon.com
Check ZV-E10 II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-S1 II and the Sony ZV-E10 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic S1 II and the Sony ZV-E10 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The ZV-E10 II can be obtained in two different colors (black, white), while the S1 II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony ZV-E10 II is considerably smaller (43 percent) than the Panasonic S1 II. Moreover, the ZV-E10 II is substantially lighter (53 percent) than the S1 II. It is worth mentioning in this context that the S1 II is splash and dust resistant, while the ZV-E10 II does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the S1 II gets 350 shots out of its Panasonic DMW-BLK22 battery, while the ZV-E10 II can take 610 images on a single charge of its Sony NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic S1 II	134 mm	102 mm	92 mm	800 g	350	Y	May 2025	US$ 3 199	amazon.com
2.		Sony ZV-E10 II	115 mm	68 mm	54 mm	377 g	610	n	Jul 2024	US$ 999	amazon.com
3.		Leica SL2-S	146 mm	107 mm	83 mm	931 g	510	Y	Dec 2020	US$ 4 899	amazon.com
4.		Leica SL3	141 mm	108 mm	85 mm	854 g	320	Y	Mar 2024	US$ 6 999	amazon.com
5.		Leica SL3-S	141 mm	108 mm	85 mm	852 g	315	Y	Jan 2025	US$ 5 299	amazon.com
6.		Panasonic GH7	138 mm	100 mm	100 mm	805 g	380	Y	Jun 2024	US$ 2 199	amazon.com
7.		Panasonic S1	149 mm	110 mm	97 mm	1017 g	400	Y	Feb 2019	US$ 2 499	ebay.com
8.		Panasonic S1H	151 mm	114 mm	110 mm	1052 g	400	Y	May 2019	US$ 3 999	amazon.com
9.		Panasonic S1R II	134 mm	102 mm	92 mm	795 g	350	Y	May 2025	US$ 3 299	amazon.com
10.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	US$ 1 999	amazon.com
11.		Panasonic S5 II	134 mm	102 mm	90 mm	740 g	370	Y	Jan 2023	US$ 1 999	amazon.com
12.		Panasonic S9	126 mm	74 mm	47 mm	486 g	470	n	May 2024	US$ 1 499	amazon.com
13.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	US$ 599	ebay.com
14.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	US$ 999	ebay.com
15.		Sony NEX-6	120 mm	67 mm	43 mm	345 g	360	n	Sep 2012	US$ 999	ebay.com
16.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	US$ 1 349	ebay.com
17.		Sony ZV-E10	115 mm	64 mm	45 mm	343 g	440	n	Jul 2021	US$ 699	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The ZV-E10 II was launched at a markedly lower price (by 69 percent) than the S1 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic S1 II features a full frame sensor and the Sony ZV-E10 II an APS-C sensor. The sensor area in the ZV-E10 II is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Despite having a smaller sensor, the ZV-E10 II offers a slightly higher resolution of 25.6 megapixels, compared with 24 MP of the S1 II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.79μm versus 5.97μm for the S1 II). Moreover, it should be noted that the S1 II is a somewhat more recent model (by 10 months) than the ZV-E10 II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the S1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

Unlike the ZV-E10 II, the S1 II has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DC-S1 II has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Sony ZV-E10 II are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.

Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic S1 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.8	3406	97
2.		Sony ZV-E10 II	APS-C	25.6	6192	4128	4K/60p	24.3	14.1	2429	86
3.		Leica SL2-S	Full Frame	24.0	6000	4000	4K/60p	25.2	14.1	3504	95
4.		Leica SL3	Full Frame	60.3	9520	6336	8K/30p	25.4	14.8	3295	97
5.		Leica SL3-S	Full Frame	24.0	6000	4000	6K/30p	25.4	14.8	3383	97
6.		Panasonic GH7	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.6	1784	78
7.		Panasonic S1	Full Frame	24.0	6000	4000	4K/60p	25.2	14.5	3333	95
8.		Panasonic S1H	Full Frame	24.0	6000	4000	6K/30p	25.2	14.2	2805	94
9.		Panasonic S1R II	Full Frame	44.2	8144	5424	8K/30p	25.4	14.8	3406	97
10.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
11.		Panasonic S5 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.6	3158	96
12.		Panasonic S9	Full Frame	24.0	6000	4000	6K/30p	25.4	14.8	3297	96
13.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
14.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
15.		Sony NEX-6	APS-C	16.0	4912	3264	1080/60i	23.7	13.1	1018	78
16.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81
17.		Sony ZV-E10	APS-C	24.0	6000	4000	4K/30p	24.2	13.8	2134	85
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the S1 II provides a higher video resolution than the ZV-E10 II. It can shoot video footage at 6K/30p, while the Sony is limited to 4K/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the S1 II has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the ZV-E10 II relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Panasonic S1 II and Sony ZV-E10 II along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic S1 II	5760	n	3.2 / 1840	full-flex	Y	1/8000s	10.0/s	n	Y
2.		Sony ZV-E10 II	none	n	3.0 / 1036	swivel	Y	1/4000s	11.0/s	n	n
3.		Leica SL2-S	5760	Y	3.2 / 2100	fixed	Y	1/8000s	20.0/s	n	Y
4.		Leica SL3	5760	Y	3.2 / 2333	tilting	Y	1/8000s	5.0/s	n	Y
5.		Leica SL3-S	5760	Y	3.2 / 2333	tilting	Y	1/8000s	30.0/s	n	Y
6.		Panasonic GH7	3680	n	3.0 / 1840	full-flex	Y	1/8000s	14.0/s	n	Y
7.		Panasonic S1	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
8.		Panasonic S1H	5760	Y	3.2 / 2330	swivel	Y	1/8000s	9.0/s	n	Y
9.		Panasonic S1R II	5760	n	3.2 / 1840	full-flex	Y	1/8000s	9.0/s	n	Y
10.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
11.		Panasonic S5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	9.0/s	n	Y
12.		Panasonic S9	none	n	3.0 / 1840	swivel	Y	1/8000s	30.0/s	n	Y
13.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
14.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
15.		Sony NEX-6	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
16.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
17.		Sony ZV-E10	none	n	3.0 / 922	swivel	Y	1/4000s	11.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the S1 II and the ZV-E10 II is in-body image stabilization (IBIS). The S1 II reduces the risk of handshake-induced blur with all attached lenses, while the ZV-E10 II offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic S1 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The S1 II writes its imaging data to CFexpress (type B) or SDXC cards, while the ZV-E10 II uses SDXC or Memory Stick PRO Duo cards. The S1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the ZV-E10 II only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-S1 II and Sony ZV-E10 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic S1 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
2.		Sony ZV-E10 II	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
3.		Leica SL2-S	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
4.		Leica SL3	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
5.		Leica SL3-S	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
6.		Panasonic GH7	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
7.		Panasonic S1	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
8.		Panasonic S1H	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
9.		Panasonic S1R II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
10.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
11.		Panasonic S5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
12.		Panasonic S9	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
13.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
14.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
15.		Sony NEX-6	Y	stereo / mono	-	-	mini	2.0	Y	-	-
16.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-
17.		Sony ZV-E10	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y

Studio photographers will appreciate that the Panasonic S1 II (unlike the ZV-E10 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the S1 II and the ZV-E10 II are recent models that are part of the current product line-up. The ZV-E10 II replaced the earlier Sony ZV-E10, while the S1 II followed on from the Panasonic S1. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.

Review summary

So what is the bottom line? Which of the two cameras – the Panasonic S1 II or the Sony ZV-E10 II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Panasonic Lumix DC-S1 II:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (6K/30p vs 4K/60p).
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1840k vs 1036k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Is somewhat more recent (announced 10 months after the ZV-E10 II).

Advantages of the Sony ZV-E10 II:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More compact: Is smaller (115x68mm vs 134x102mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 423g or 53 percent) and is thus easier to take along.
• Longer lasting: Gets more shots (610 versus 350) out of a single battery charge.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced into a lower priced category (69 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in July 2024).

If the count of relative strengths (bullet points above) is taken as a measure, the S1 II is the clear winner of the match-up (18 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic S1 II and the Sony ZV-E10 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the S1 II and the ZV-E10 II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic S1 II	..	..	..	..	..	..	May 2025	US$ 3 199	amazon.com
2.		Sony ZV-E10 II	..	..	..	..	..	..	Jul 2024	US$ 999	amazon.com
3.		Leica SL2-S	4/5	..	4/5	..	4.5/5	4.5/5	Dec 2020	US$ 4 899	amazon.com
4.		Leica SL3	..	..	4.5/5	..	..	4.5/5	Mar 2024	US$ 6 999	amazon.com
5.		Leica SL3-S	..	..	..	..	..	..	Jan 2025	US$ 5 299	amazon.com
6.		Panasonic GH7	..	..	..	..	..	..	Jun 2024	US$ 2 199	amazon.com
7.		Panasonic S1	4.5/5	+ +	4.5/5	88/100	4.5/5	4/5	Feb 2019	US$ 2 499	ebay.com
8.		Panasonic S1H	..	..	4/5	90/100	..	..	May 2019	US$ 3 999	amazon.com
9.		Panasonic S1R II	..	..	..	..	..	..	May 2025	US$ 3 299	amazon.com
10.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	US$ 1 999	amazon.com
11.		Panasonic S5 II	4.5/5	+ +	5/5	90/100	4.5/5	5/5	Jan 2023	US$ 1 999	amazon.com
12.		Panasonic S9	..	..	..	..	..	..	May 2024	US$ 1 499	amazon.com
13.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	US$ 599	ebay.com
14.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	US$ 999	ebay.com
15.		Sony NEX-6	5/5	+ +	..	78/100	4.5/5	4.5/5	Sep 2012	US$ 999	ebay.com
16.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	US$ 1 349	ebay.com
17.		Sony ZV-E10	4/5	..	4/5	82/100	4.5/5	4.5/5	Jul 2021	US$ 699	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Check S1 II price at
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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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