Panasonic S1R II vs Sony ZV-1F
The Panasonic Lumix DC-S1R II and the Sony ZV-1F are two digital cameras that were revealed to the public, respectively, in May 2025 and October 2022. The S1R II is a mirrorless interchangeable lens camera, while the ZV-1F is a fixed lens compact. The cameras are based on a full frame (S1R II) and an one-inch (ZV-1F) sensor. The Panasonic has a resolution of 44.2 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check S1R II price at
amazon.com

Check ZV-1F price at
amazon.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-S1R II and the Sony ZV-1F? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Panasonic S1R II and the Sony ZV-1F are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony ZV-1F is considerably smaller (53 percent) than the Panasonic S1R II. It is worth mentioning in this context that the S1R II is splash and dust resistant, while the ZV-1F does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZV-1F has a lens built in, whereas the S1R II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the S1R II gets 350 shots out of its Panasonic DMW-BLK22 battery, while the ZV-1F can take 360 images on a single charge of its Sony NP-BX1 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic S1R II | 134 mm | 102 mm | 92 mm | 795 g | 350 | Y | May 2025 | EUR 3 599 | amazon.com | |
| 2. | Sony ZV-1F | 106 mm | 60 mm | 46 mm | 256 g | 360 | n | Oct 2022 | EUR 649 | amazon.com | |
| 3. | Canon R5 Mark II | 138 mm | 98 mm | 88 mm | 746 g | 340 | Y | Jul 2024 | EUR 4 799 | amazon.com | |
| 4. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | EUR 3 999 | amazon.com | |
| 5. | Leica SL3 | 141 mm | 108 mm | 85 mm | 854 g | 320 | Y | Mar 2024 | EUR 6 799 | amazon.com | |
| 6. | Nikon Z7 II | 134 mm | 101 mm | 70 mm | 705 g | 420 | Y | Oct 2020 | EUR 3 399 | amazon.com | |
| 7. | Nikon Z8 | 144 mm | 119 mm | 83 mm | 910 g | 340 | Y | May 2023 | EUR 4 599 | amazon.com | |
| 8. | Panasonic GH7 | 138 mm | 100 mm | 100 mm | 805 g | 380 | Y | Jun 2024 | EUR 2 199 | amazon.com | |
| 9. | Panasonic S1 II | 134 mm | 102 mm | 92 mm | 800 g | 350 | Y | May 2025 | EUR 3 499 | amazon.com | |
| 10. | Panasonic S1R | 149 mm | 110 mm | 97 mm | 1016 g | 380 | Y | Feb 2019 | EUR 3 699 | ebay.com | |
| 11. | Panasonic S5 | 133 mm | 98 mm | 82 mm | 714 g | 440 | Y | Sep 2020 | EUR 1 999 | amazon.com | |
| 12. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | EUR 2 199 | amazon.com | |
| 13. | Sony HX90V | 102 mm | 58 mm | 36 mm | 245 g | 360 | n | Apr 2015 | EUR 469 | ebay.com | |
| 14. | Sony HX95 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | EUR 499 | ebay.com | |
| 15. | Sony HX99 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | EUR 519 | ebay.com | |
| 16. | Sony RX100 V | 102 mm | 58 mm | 41 mm | 299 g | 220 | n | Oct 2016 | EUR 1 199 | ebay.com | |
| 17. | Sony ZV-1 II | 106 mm | 60 mm | 47 mm | 292 g | 290 | n | May 2023 | EUR 999 | amazon.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The ZV-1F was launched at a lower price than the S1R II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic S1R II features a full frame sensor and the Sony ZV-1F an one-inch sensor. The sensor area in the ZV-1F is 86 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 44.2MP, the S1R II offers a higher resolution than the ZV-1F (20MP), but the S1R II nevertheless has larger individual pixels (pixel pitch of 4.40μm versus 2.41μm for the ZV-1F) due to its larger sensor. Moreover, the S1R II is a much more recent model (by 2 years and 7 months) than the ZV-1F, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the S1R II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic S1R II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1R II for good quality output (200 dots per inch) amounts to 40.7 x 27.1 inches or 103.4 x 68.9 cm, for very good quality (250 dpi) 32.6 x 21.7 inches or 82.7 x 55.1 cm, and for excellent quality (300 dpi) 27.1 x 18.1 inches or 69 x 45.9 cm. The corresponding values for the Sony ZV-1F are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The S1R II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the ZV-1F, the S1R II has the capacity to capture high quality composite images (177MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-S1R II has a native sensitivity range from ISO 80 to ISO 51200, which can be extended to ISO 40-102400. The corresponding ISO settings for the Sony ZV-1F are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic S1R II | Full Frame | 44.2 | 8144 | 5424 | 8K/30p | 25.4 | 14.8 | 3406 | 97 | |
| 2. | Sony ZV-1F | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.3 | 12.8 | 904 | 67 | |
| 3. | Canon R5 Mark II | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.8 | 3332 | 97 | |
| 4. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
| 5. | Leica SL3 | Full Frame | 60.3 | 9520 | 6336 | 8K/30p | 25.4 | 14.8 | 3295 | 97 | |
| 6. | Nikon Z7 II | Full Frame | 45.4 | 8256 | 5504 | 4K/60p | 26.3 | 14.7 | 2841 | 100 | |
| 7. | Nikon Z8 | Full Frame | 45.4 | 8256 | 5504 | 8K/30p | 26.3 | 14.2 | 2548 | 98 | |
| 8. | Panasonic GH7 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.6 | 1784 | 78 | |
| 9. | Panasonic S1 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.8 | 3406 | 97 | |
| 10. | Panasonic S1R | Full Frame | 46.7 | 8368 | 5584 | 4K/60p | 26.4 | 14.1 | 3525 | 100 | |
| 11. | Panasonic S5 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.1 | 14.5 | 2697 | 94 | |
| 12. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
| 13. | Sony HX90V | 1/2.3 | 18.0 | 4896 | 3672 | 1080/60p | 20.2 | 11.6 | 738 | 47 | |
| 14. | Sony HX95 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1057 | 51 | |
| 15. | Sony HX99 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1058 | 51 | |
| 16. | Sony RX100 V | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.4 | 586 | 70 | |
| 17. | Sony ZV-1 II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.3 | 12.9 | 965 | 67 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the S1R II provides a higher video resolution than the ZV-1F. It can shoot video footage at 8K/30p, while the Sony is limited to 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the S1R II has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the ZV-1F relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Panasonic S1R II and Sony ZV-1F along with similar information for a selection of comparators.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic S1R II | 5760 | n | 3.2 / 1840 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
| 2. | Sony ZV-1F | none | n | 3.0 / 922 | swivel | Y | 1/2000s | 16.0/s | n | n | |
| 3. | Canon R5 Mark II | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 4. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
| 5. | Leica SL3 | 5760 | Y | 3.2 / 2333 | tilting | Y | 1/8000s | 5.0/s | n | Y | |
| 6. | Nikon Z7 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
| 7. | Nikon Z8 | 3690 | Y | 3.2 / 2089 | full-flex | Y | 1/32000s | 30.0/s | n | Y | |
| 8. | Panasonic GH7 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
| 9. | Panasonic S1 II | 5760 | n | 3.2 / 1840 | full-flex | Y | 1/8000s | 10.0/s | n | Y | |
| 10. | Panasonic S1R | 5760 | Y | 3.2 / 2100 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
| 11. | Panasonic S5 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 7.0/s | n | Y | |
| 12. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
| 13. | Sony HX90V | 638 | n | 3.0 / 921 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
| 14. | Sony HX95 | 638 | n | 3.0 / 922 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
| 15. | Sony HX99 | 638 | n | 3.0 / 922 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
| 16. | Sony RX100 V | 2359 | n | 3.0 / 1229 | tilting | n | 1/2000s | 24.0/s | Y | Y | |
| 17. | Sony ZV-1 II | none | n | 3.0 / 922 | swivel | Y | 1/2000s | 24.0/s | n | n | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic S1R II and the Sony ZV-1F both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The S1R II writes its imaging data to CFexpress (type B) or SDXC cards, while the ZV-1F uses SDXC or Memory Stick PRO Duo cards. The S1R II features dual card slots, which can be very useful in case a memory card fails. In contrast, the ZV-1F only has one slot. The S1R II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the ZV-1F can use UHS-I cards (up to 104 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-S1R II and Sony ZV-1F and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic S1R II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 2. | Sony ZV-1F | - | stereo / mono | Y | - | - | 3.0 | Y | - | Y | |
| 3. | Canon R5 Mark II | Y | mono / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 4. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
| 5. | Leica SL3 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
| 6. | Nikon Z7 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 7. | Nikon Z8 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 8. | Panasonic GH7 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 9. | Panasonic S1 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 10. | Panasonic S1R | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
| 11. | Panasonic S5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 12. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 13. | Sony HX90V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 14. | Sony HX95 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
| 15. | Sony HX99 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
| 16. | Sony RX100 V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 17. | Sony ZV-1 II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y |
It is notable that the S1R II has a hotshoe, while the ZV-1F does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Panasonic S1R II (unlike the ZV-1F) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the S1R II and the ZV-1F are recent models that are part of the current product line-up. The S1R II replaced the earlier Panasonic S1R, while the ZV-1F does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
Review summary
So how do things add up? Is there a clear favorite between the Panasonic S1R II and the Sony ZV-1F? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Panasonic Lumix DC-S1R II:
- More detail: Offers more megapixels (44.2 vs 20MP) with a 49% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (8K/30p vs 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1840k vs 922k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 7 months of technical progress since the ZV-1F launch.

Advantages of the Sony ZV-1F:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Faster burst: Shoots at higher frequency (16 vs 9 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the S1R II necessitates an extra lens.
- More compact: Is smaller (106x60mm vs 134x102mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the S1R II).
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in October 2022).
If the count of individual advantages (bullet points above) is taken as a guide, the S1R II is the clear winner of the match-up (23 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic S1R II and the Sony ZV-1F place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the S1R II or the ZV-1F perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic S1R II | .. | .. | .. | .. | .. | .. | May 2025 | EUR 3 599 | amazon.com | |
| 2. | Sony ZV-1F | .. | .. | 4/5 | 78/100 | .. | 4/5 | Oct 2022 | EUR 649 | amazon.com | |
| 3. | Canon R5 Mark II | .. | .. | .. | 93/100 | .. | .. | Jul 2024 | EUR 4 799 | amazon.com | |
| 4. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | EUR 3 999 | amazon.com | |
| 5. | Leica SL3 | .. | .. | 4.5/5 | .. | .. | 4.5/5 | Mar 2024 | EUR 6 799 | amazon.com | |
| 6. | Nikon Z7 II | 4.5/5 | .. | 4.5/5 | .. | 4.5/5 | 4.5/5 | Oct 2020 | EUR 3 399 | amazon.com | |
| 7. | Nikon Z8 | 5/5 | .. | 5/5 | 94/100 | 5/5 | 4.5/5 | May 2023 | EUR 4 599 | amazon.com | |
| 8. | Panasonic GH7 | .. | .. | .. | .. | .. | .. | Jun 2024 | EUR 2 199 | amazon.com | |
| 9. | Panasonic S1 II | .. | .. | .. | .. | .. | .. | May 2025 | EUR 3 499 | amazon.com | |
| 10. | Panasonic S1R | 4.5/5 | .. | 4.6/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2019 | EUR 3 699 | ebay.com | |
| 11. | Panasonic S5 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Sep 2020 | EUR 1 999 | amazon.com | |
| 12. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | EUR 2 199 | amazon.com | |
| 13. | Sony HX90V | 4/5 | + + | .. | .. | 4/5 | 4.5/5 | Apr 2015 | EUR 469 | ebay.com | |
| 14. | Sony HX95 | .. | .. | .. | .. | .. | .. | Aug 2018 | EUR 499 | ebay.com | |
| 15. | Sony HX99 | .. | .. | .. | .. | 4/5 | 4.5/5 | Aug 2018 | EUR 519 | ebay.com | |
| 16. | Sony RX100 V | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Oct 2016 | EUR 1 199 | ebay.com | |
| 17. | Sony ZV-1 II | 4.5/5 | .. | 3.5/5 | 83/100 | 3.5/5 | 4.5/5 | May 2023 | EUR 999 | amazon.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check S1R II price at
amazon.com

Check ZV-1F price at
amazon.com
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G9 X Mark II vs Sony ZV-1F
- Canon M100 vs Sony ZV-1F
- Canon R7 vs Panasonic S1R II
- Canon V1 vs Panasonic S1R II
- Fujifilm X-S20 vs Panasonic S1R II
- Fujifilm X100VI vs Panasonic S1R II
- Fujifilm X30 vs Sony ZV-1F
- Nikon Z50 II vs Panasonic S1R II
- Panasonic S1R II vs Pentax WG-1000
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Specifications: Panasonic S1R II vs Sony ZV-1F
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Panasonic S1R II | Sony ZV-1F |
|---|---|---|
| Camera Type | Mirrorless system camera | Fixed lens compact camera |
| Camera Lens | Leica L mount lenses | 20mm f/2.0 |
| Launch Date | May 2025 | October 2022 |
| Launch Price | USD 3,299 | USD 499 |
| Sensor Specs | Panasonic S1R II | Sony ZV-1F |
| Sensor Technology | BSI-CMOS | BSI-CMOS |
| Sensor Format | Full Frame Sensor | 1" Sensor |
| Sensor Size | 35.8 x 23.9 mm | 13.2 x 8.8 mm |
| Sensor Area | 855.62 mm2 | 116.16 mm2 |
| Sensor Diagonal | 43 mm | 15.9 mm |
| Crop Factor | 1.0x | 2.7x |
| Sensor Resolution | 44.2 Megapixels | 20 Megapixels |
| Image Resolution | 8144 x 5424 pixels | 5472 x 3648 pixels |
| Pixel Pitch | 4.40 μm | 2.41 μm |
| Pixel Density | 5.16 MP/cm2 | 17.18 MP/cm2 |
| Moiré control | no AA filter | Anti-Alias filter |
| Movie Capability | 8K/30p Video | 4K/30p Video |
| ISO Setting | 80 - 51,200 ISO | 125 - 12,800 ISO |
| ISO Boost | 40 - 102,400 ISO | 80 - 25,600 ISO |
| Image Processor | Venus | BIONZ X |
| Screen Specs | Panasonic S1R II | Sony ZV-1F |
| Viewfinder Type | Electronic viewfinder | no viewfinder |
| Viewfinder Field of View | 100% | |
| Viewfinder Magnification | 0.78x | |
| Viewfinder Resolution | 5760k dots | |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.2inch | 3.0inch |
| LCD Resolution | 1840k dots | 922k dots |
| LCD Attachment | Fully flexible screen | Swivel screen |
| Touch Input | Touchscreen | Touchscreen |
| Shooting Specs | Panasonic S1R II | Sony ZV-1F |
| Focus System | On-Sensor Phase-detect | Contrast-detect AF |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/8000s | 1/2000s |
| Continuous Shooting | 9 shutter flaps/s | 16 shutter flaps/s |
| Electronic Shutter | up to 1/16000s | up to 1/32000s |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Image Stabilization | In-body stabilization | no handshake reduction |
| Fill Flash | no On-Board Flash | no On-Board Flash |
| Storage Medium | CFexB or SDXC cards | MS or SDXC cards |
| Single or Dual Card Slots | Dual card slots | Single card slot |
| UHS card support | UHS-II | UHS-I |
| Connectivity Specs | Panasonic S1R II | Sony ZV-1F |
| External Flash | Hotshoe | no Hotshoe |
| Studio Flash | PC Sync socket | no PC Sync |
| USB Connector | USB 3.2 | USB 3.0 |
| HDMI Port | full HDMI | no HDMI |
| Microphone Port | External MIC port | External MIC port |
| Headphone Socket | Headphone port | no Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
| Body Specs | Panasonic S1R II | Sony ZV-1F |
| Environmental Sealing | Weathersealed body | not weather sealed |
| Battery Type | Panasonic DMW-BLK22 | Sony NP-BX1 |
| Battery Life (CIPA) | 350 shots per charge | 360 shots per charge |
| In-Camera Charging | USB charging | USB charging |
| Body Dimensions |
134 x 102 x 92 mm (5.3 x 4.0 x 3.6 in) |
106 x 60 x 46 mm (4.2 x 2.4 x 1.8 in) |
| Camera Weight | 795 g (28.0 oz) | 256 g (9.0 oz) |

Check S1R II price at
amazon.com

Check ZV-1F price at
amazon.com
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