Canon 80D vs Fujifilm GFX 100 II

The Canon EOS 80D and the Fujifilm GFX 100 II are two digital cameras that were officially introduced, respectively, in February 2016 and September 2023. The 80D is a DSLR, while the GFX 100 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (80D) and a medium format (GFX 100 II) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 101.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 80D		Fujifilm GFX 100 II
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Fujifilm G mount lenses
24 MP – APS-C sensor		101.8 MP – Medium Format sensor
1080/60p Video		8K/30p Video
ISO 100-16,000 (100 - 25,600)		ISO 100-12,800 (50 - 102,400)
Optical viewfinder		Electronic viewfinder (9440k dots)
3.0" LCD – 1040k dots		3.2" LCD – 2360k dots
Swivel touchscreen		Fully flexible touchscreen
7 shutter flaps per second		8 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		Weathersealed body
960 shots per battery charge		540 shots per battery charge
139 x 105 x 79 mm, 730 g		152 x 117 x 99 mm, 1030 g

Check 80D offers at
ebay.com
Check GFX 100 II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 80D and the Fujifilm GFX 100 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon 80D and the Fujifilm GFX 100 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 100 II is notably larger (22 percent) than the Canon 80D. Moreover, the GFX 100 II is substantially heavier (41 percent) than the 80D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the 80D gets 960 shots out of its Canon LP-E6N battery, while the GFX 100 II can take 540 images on a single charge of its Fujifilm NP-W235 power pack. The power pack in the GFX 100 II can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon 80D	139 mm	105 mm	79 mm	730 g	960	Y	Feb 2016	US$ 1 199	ebay.com
2.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
3.		Canon 6D Mark II	144 mm	111 mm	75 mm	765 g	1200	Y	Jun 2017	US$ 1 999	amazon.com
4.		Canon 7D II	149 mm	112 mm	78 mm	910 g	670	Y	Sep 2014	US$ 1 799	ebay.com
5.		Canon 60D	145 mm	106 mm	79 mm	755 g	1100	Y	Aug 2010	US$ 1 399	ebay.com
6.		Canon 70D	139 mm	104 mm	79 mm	755 g	920	Y	Jul 2013	US$ 1 199	ebay.com
7.		Canon 90D	141 mm	105 mm	77 mm	701 g	1300	Y	Aug 2019	US$ 1 199	amazon.com
8.		Canon G3 X	123 mm	77 mm	105 mm	733 g	300	Y	Jun 2015	US$ 999	ebay.com
9.		Canon T6i	132 mm	101 mm	78 mm	555 g	440	n	Feb 2015	US$ 749	ebay.com
10.		Canon T6s	132 mm	101 mm	78 mm	565 g	440	n	Feb 2015	US$ 649	ebay.com
11.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
12.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	US$ 9 999	ebay.com
13.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
14.		Fujifilm GFX 100S II	150 mm	104 mm	87 mm	883 g	530	Y	May 2024	US$ 4 999	amazon.com
15.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	US$ 8 199	amazon.com
16.		Nikon D7200	136 mm	107 mm	76 mm	765 g	1110	Y	Mar 2015	US$ 1 199	ebay.com
17.		Nikon D7500	136 mm	104 mm	73 mm	720 g	950	Y	Apr 2017	US$ 1 299	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 80D was launched at a markedly lower price (by 84 percent) than the GFX 100 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon 80D features an APS-C sensor and the Fujifilm GFX 100 II a medium format sensor. The sensor area in the GFX 100 II is 326 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the 80D has a native 3:2 aspect ratio, while the one in the GFX 100 II offers a 4:3 aspect.

With 101.8MP, the GFX 100 II offers a higher resolution than the 80D (24MP), but the GFX 100 II nevertheless has marginally larger individual pixels (pixel pitch of 3.76μm versus 3.75μm for the 80D) due to its larger sensor. Moreover, the GFX 100 II is a much more recent model (by 7 years and 6 months) than the 80D, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 100 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 II for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Canon 80D are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

Unlike the 80D, the GFX 100 II has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon EOS 80D has a native sensitivity range from ISO 100 to ISO 16000, which can be extended to ISO 100-25600. The corresponding ISO settings for the Fujifilm GFX 100 II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the 80D is build around a CMOS sensor, while the GFX 100 II uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 80D	APS-C	24.0	6000	4000	1080/60p	23.6	13.2	1135	79
2.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
3.		Canon 6D Mark II	Full Frame	26.0	6240	4160	1080/60p	24.4	11.9	2862	85
4.		Canon 7D II	APS-C	20.0	5472	3648	1080/60p	22.4	11.8	1082	70
5.		Canon 60D	APS-C	17.9	5184	3456	1080/30p	22.2	11.5	813	66
6.		Canon 70D	APS-C	20.0	5472	3648	1080/30p	22.5	11.6	926	68
7.		Canon 90D	APS-C	32.3	6960	4640	4K/30p	24.0	13.5	1848	83
8.		Canon G3 X	1-inch	20.0	5472	3648	1080/60p	21.4	12.3	521	63
9.		Canon T6i	APS-C	24.0	6000	4000	1080/30p	22.7	12.0	919	71
10.		Canon T6s	APS-C	24.0	6000	4000	1080/30p	22.6	12.0	915	70
11.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
12.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
13.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
14.		Fujifilm GFX 100S II	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3720	101
15.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
16.		Nikon D7200	APS-C	24.0	6000	4000	1080/60p	24.5	14.6	1333	87
17.		Nikon D7500	APS-C	20.7	5568	3712	4K/30p	24.3	14.0	1483	86
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GFX 100 II provides a better video resolution than the 80D. It can shoot movie footage at 8K/30p, while the Canon is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the GFX 100 II has an electronic viewfinder (9440k dots), while the 80D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GFX 100 II has a higher magnification than the one of the 80D (1.27x vs 0.59x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 80D and Fujifilm GFX 100 II along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 80D	optical	Y	3.0 / 1040	swivel	Y	1/8000s	7.0/s	Y	n
2.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
3.		Canon 6D Mark II	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.5/s	n	n
4.		Canon 7D II	optical	Y	3.0 / 1040	fixed	n	1/8000s	10.0/s	Y	n
5.		Canon 60D	optical	Y	3.0 / 1040	swivel	n	1/8000s	5.3/s	Y	n
6.		Canon 70D	optical	Y	3.0 / 1040	swivel	Y	1/8000s	7.0/s	Y	n
7.		Canon 90D	optical	Y	3.0 / 1040	swivel	Y	1/8000s	11.0/s	Y	n
8.		Canon G3 X	optional	n	3.2 / 1620	tilting	Y	1/2000s	5.9/s	Y	Y
9.		Canon T6i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
10.		Canon T6s	optical	Y	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
11.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
12.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
13.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
14.		Fujifilm GFX 100S II	5760	Y	3.2 / 2360	full-flex	Y	1/4000s	7.0/s	n	Y
15.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
16.		Nikon D7200	optical	Y	3.2 / 1229	fixed	n	1/8000s	6.0/s	Y	n
17.		Nikon D7500	optical	Y	3.2 / 922	tilting	Y	1/8000s	8.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The 80D has one, while the GFX 100 II does not. While the built-in flash of the 80D is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon 80D and the Fujifilm GFX 100 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The 80D writes its imaging data to SDXC cards, while the GFX 100 II uses CFexpress (type B) or SDXC cards. The GFX 100 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the 80D only has one slot. The GFX 100 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the 80D can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 80D and Fujifilm GFX 100 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 80D	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
2.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Canon 6D Mark II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon 7D II	Y	stereo / mono	Y	Y	mini	3.0	-	-	-
5.		Canon 60D	Y	mono / mono	Y	-	mini	2.0	-	-	-
6.		Canon 70D	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
7.		Canon 90D	Y	stereo / mono	Y	Y	mini	2.0	Y	-	Y
8.		Canon G3 X	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
9.		Canon T6i	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
10.		Canon T6s	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
11.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
12.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
13.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
14.		Fujifilm GFX 100S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
15.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
16.		Nikon D7200	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
17.		Nikon D7500	Y	stereo / mono	Y	Y	mini	2.0	Y	-	Y

Studio photographers will appreciate that the Fujifilm GFX 100 II (unlike the 80D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 100 II is a recent model that features in the current product line-up of Fujifilm. In contrast, the 80D has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the 80D was succeeded by the Canon 90D. Further information on the features and operation of the 80D and GFX 100 II can be found, respectively, in the Canon 80D Manual (free pdf) or the online Fujifilm GFX 100 II Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Canon 80D or the Fujifilm GFX 100 II – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Advantages of the Canon EOS 80D:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• More compact: Is smaller (139x105mm vs 152x117mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 300g or 29 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (960 versus 540) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced into a lower priced category (84 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in February 2016).

Arguments in favor of the Fujifilm GFX 100 II:

• More detail: Has more megapixels (101.8 vs 24MP), which boosts linear resolution by 102%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (8K/30p vs 1080/60p).
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (1.27x vs 0.59x).
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
• Faster burst: Shoots at higher frequency (8 vs 7 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 7 years and 6 months of technical progress since the 80D launch.

If the number of relative strengths (bullet points above) is taken as a guide, the GFX 100 II is the clear winner of the contest (24 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 80D and the Fujifilm GFX 100 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 80D or the GFX 100 II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon 80D	4/5	+ +	4.5/5	84/100	4.5/5	4.5/5	Feb 2016	US$ 1 199	ebay.com
2.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
3.		Canon 6D Mark II	4/5	+	4/5	80/100	4.5/5	4/5	Jun 2017	US$ 1 999	amazon.com
4.		Canon 7D II	4.5/5	+	3.5/5	84/100	4/5	4.5/5	Sep 2014	US$ 1 799	ebay.com
5.		Canon 60D	5/5	+	..	79/100	4/5	4.5/5	Aug 2010	US$ 1 399	ebay.com
6.		Canon 70D	5/5	+ +	..	83/100	4.5/5	5/5	Jul 2013	US$ 1 199	ebay.com
7.		Canon 90D	4/5	+	4.5/5	85/100	4.5/5	4.5/5	Aug 2019	US$ 1 199	amazon.com
8.		Canon G3 X	3.5/5	+	..	..	4.5/5	4/5	Jun 2015	US$ 999	ebay.com
9.		Canon T6i	5/5	..	..	75/100	4.5/5	4.5/5	Feb 2015	US$ 749	ebay.com
10.		Canon T6s	5/5	+	..	77/100	4.5/5	4.5/5	Feb 2015	US$ 649	ebay.com
11.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
12.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	US$ 9 999	ebay.com
13.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
14.		Fujifilm GFX 100S II	..	..	..	..	..	..	May 2024	US$ 4 999	amazon.com
15.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	US$ 8 199	amazon.com
16.		Nikon D7200	4/5	+ +	..	84/100	4.5/5	4.5/5	Mar 2015	US$ 1 199	ebay.com
17.		Nikon D7500	4.5/5	+ +	4.5/5	86/100	5/5	4.5/5	Apr 2017	US$ 1 299	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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